Please welcome a talented and inspirational fantasy author,
editor, copywriter and ghostwriter
MARYA MILLER
Welcome Marya!
Marya is a Fantasy writer; copywriter; ghostwriter. Harpist. Scot. Lover of forests, mountains and horses.Completing the Dragonish Trilogy. Marya is also a fellow Wordplayer on K.M Weiland’s Facebook group.
Somebody roll out the red carpet!!!!
*Are you originally from Ontario Canada?
I’m originally from Glasgow, Scotland. We emigrated to Ontario when I was twelve, at the start of Grade Nine. It took me a LONG time to get used to Canada, but then I discovered Algonquin Park; plus I moved up to Northern Ontario four years ago and I love it up here: There are actually little mountains around Thunder Bay, and it stays light till 11pm in summer, the way it did in Scotland. So now I have the best of both worlds.
Here’s a shout out to all the awesome writers in CANADA!
*What is it about forests you enjoy?
The peace. The light. The scents. The wind rushing through the trees. And the fact they can also be a little bit haunting, and scary.
Being in a forest always makes me think something magical is going to happen. I’m going to see elves at any moment, round the next bend in the forest trail. Or bears. Or both.
That would be quite a sight—elves and bears rounding the corner. Let’s hope the bears would be nice.
*How long have you been a writer?
Since I could write. I wrote my first “novel” when I was eight, a gripping drama about my teddy bear being abducted by two evil henchmen called Grimm and Ghastly; both wearing rather Victorian-looking top hats draped with black crape. (At eight, you think that is highly original.) I actually still have it–complete with illustrations. 😉
I wrote four young adult/children’s fantasy novels in my twenties, and gave up too early in their rejection cycles. One almost got published by Scholastic–but my editor left and the new editor wasn’t interested.
My first published fantasy story was “Deus Ex Machina” in the early eighties, when computers were just being birthed. It’s very dated now–I wrote about (*gasp*) a sentient computer that started reading the books it stored. That story got me a job at TPUG Magazine (computers) and I was promoted to Assistant Editor and Managing Editor there. I’ve worked in various editorial and production positions at various magazines; both salaried and freelance. I had a stint as General Manager of “The Independent News”. And I invented my copywriting job when I ended up in a wheelchair, trapped in my house, back in 2008, when I ended up having to support my husband. I have been with the same major client now since 2009, and really enjoy it–but it kept me away from fiction till last year, when I joined Holly Lisle’s free “Flash Fiction” course and the fiction bug came back, full force.
Wow, it’s amazing you have that much writing experience, and your first novel sounds great! I’d totally read that.
*What’s are the best things about being a copywriter?
The chance to help people–and I’ve enjoyed my clients’ successes too. I also like the anonymity. I am actually pretty shy and don’t like being in the public eye. I’ve always liked being “behind the scenes”. Plus it allows me to work from home.
The thing I like most about copywriting (apart from the flexibility and the ability to work at home) — it teaches you discipline. There are always deadlines: There is no such thing as writer’s block and you learn to produce and be efficient about it. I’ve found this enormously helpful in my fiction writing.
This sounds it helps produce the solid character we all need to be efficient.
*What’s it like being a ghostwriter?
Very similar to my days as a magazine editor. It’s all about long hours, research, proofing, deadlines and deadlines. When I hear people I admire raving about something I wrote (not knowing I wrote it), it’s a very weird feeling.
Sounds like hard work! You’re doing all the heavy lifting, but no one knows your’re the muscle behind scenes.
The heavy lifting of ghostwriting
*You have an awesome website! You stated “Communication is my passion” Can you elaborate on this?
Thank you. Communication has been the common thread running through my life, right from when I was little. I came from a dysfunctional family and a rough neighborhood. I always found myself in the middle at home and school, doing my best to get people to understand each other and be kind. I think there’s a lot of loneliness and disconnection in the world. I would love it if my stories made someone forget loneliness and feel connected while reading one of my books.
I love this because it’s so true. That’s a great aim for your books!
*Do you have professional storytelling experience?
I’m a graduate of the Storyteller’s School of Toronto and participated during the eighties and early nineties in several Storytelling Festivals and ran workshops. I was also lucky enough to have the great Irish storyteller, Alice Kane, as my teacher. She became a dear friend and the most moving milestone in my career was Alice choosing to tell a story I wrote for her, “Bonnyton Moor”, as the final story on the last CD she ever made before she passed away. That too was a very weird feeling.
My father and big brother, Stephen, were both amazing storytellers, and I got my love of stories from them. In addition to telling stories, Stephen also read us just about every fairy book in existence, his favorites being the Andrew Lang series. My sister and I still remember gorgeous illustrations by the likes of Edmund Dulac, Kai Nielsen and N. C. Wyeth.
And, of course, the Rupert Bear annuals.
Wow your experience is impressive! Would love to pick your brain more about the storytelling experience. Perhaps at a future date.
*What are the most enjoyable aspects of being a writer?
Being able to write out of deep values you hold, but being able to have fun too. Being able to lose yourself in another world, in your characters and cultures. Stories are nothing more than a way of making sense of real life, so you have to be brutally honest with yourself when you’re writing. Every flaw you have screams out at you from your writing–and I’m not talking about technique. You need to be brave and face yourself, otherwise you have wimpy, shallow characters. So in a way, it’s like therapy–which, in itself, is not much fun, but it’s worth it. You feel like you’re growing–particularly important when most of your life is lived between four walls. I’m never lonely when I’m writing.
I also love the way characters take on a life of their own and sometimes totally upset your plot structure and march your book off in a completely unexpected direction. I don’t always let them steer me off course–but most times, they’re usually right.
I also love the fact that I can write non-fiction as my “day job”–my bread-and-butter–and slip away into the forests of Dragonish when my workday is done. It’s having the best of both worlds.
YES, love it. This resonates deeply, and has a lot of wisdom to it.
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“I’m never lonely when I’m writing.” -Marya Miller
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*Give us a summary of your current WIP or most recent publication.
My flash fiction anthology from the world of my upcoming Dragonish series–“Tales of Mist and Magic”–is about to make its debut. (There’s a sample story from “Tales of Mist and Magic”, plus a bonus story you can download that won’t appear anywhere else, on my Original Fiction web page: http://maryamillerca.ipage.com/dragonish )
My last story published was “Block Magic” (no, that’s not a spelling mistake), which appeared on Day 23 in the Indie Author’s Advent Calendar. Before that, my last mainstream print published piece was “Too Happy to Die” in the anthology, “Chicken Soup for the Soul: My Dog’s Life”.
I’m sure you have tons stories waiting to be revealed, keep writing!
*In your opinion what are the elements of a great fantasy book?
To me, the characters are the heart and soul of the best fantasy books. They make or break them–if I don’t care about at least one character deeply, I won’t invest in the journey. In addition to this, there has to be something that makes me feel that there’s a magic door or curtain somewhere that will transport me to a world where magic is real. You can find those doors in all the greatest fantasy novels: Not literally, but you step through and suspend disbelief; and it’s both much safer than the world you’re in and more terrifying; and infinitely more beautiful.
There were moments in my childhood–for example, when I was three and my big brother saved up his pocket money and took me and my sister to Rouken Glen. We sat in a forest in a hovering mist of bluebells. He put a bluebell flower on his pinkie and told me it was a fairy’s hat, and I totally thought that was real! The beauty of that forest, the magic of the sunshine; the feeling that wonderful things could happen any minute–that’s what fantasy novels are all about for me. To give it a bit of context: We traveled to that forest on a tram, coming from the heart of Glasgow, which was grey and grimy in those days–there were still coal fires. We lived on the edge of the Gorbals, and life was pretty grim, so for my brother to transport me to this magical world… well. I can’t describe it. It was my first forest, and I was hooked.
My brother died when I was seven, and I’ve been trying to get back to that world ever since.
So for me fantasy novels are all about loss and hope; being surrounded by darkness and finding a way out through a combination of core values, courage–and magic. And if there are dragons, wizards and elves to reassure you that you’re not alone, so much the better.
Very touching story!
“To me, the characters are the heart and soul of the best fantasy books. They make or break them–if I don’t care about at least one character deeply, I won’t invest in the journey.” ~Marya Miller
Invest in the journey….
*Can you give us 3 critical components of storytelling? (you can list more if desired)
Universality, truth–and not getting in the way of the story.
A good story is universal. It needs to make people care about the outcome. It doesn’t matter if you don’t know that world–you need to be able to relate to the main character’s journey, care about it. A good story has to be true–even when it’s fiction. Pick a story with all these elements, and don’t get in the way of the story when you’re telling it–and you’ll be a great storyteller, whether you’re writing it or telling it.
EPIC. That’s great! I love absolutely love this. You need to put this on a t-shirt.
*What are you experiencing right now in your writing journey?
What I’m experiencing right now is excitement. I’m living for and through my Dragonish series, and I wish there were thirty-six hours in a day and I could spend them all writing. I feel that after years with fiction on the back burner, I’m finally reaching my zone. My own story arc is becoming clear, and the goal’s in sight.
Right now, I’m thrilled to be experiencing the wisdom of other writers through writer’s groups on Facebook. I took a smattering of real-world writing courses in the past, and for the most part, with the exception of one single course, I found them discouraging. I came away with the feeling “I may as well give up fiction: Everyone else is so much better at it than me”. But online groups like KM Weiland’s “Wordplayers”, Dave Lynch’s ePub Scene and the forums I’m on in Holly Lisle’s site have totally broken that curse. There is such generosity and professionalism in these groups from writers at all stages of the game: I’ve had feedback, inspiration, encouragement–and I’ve learned a lot.
I think you need real feedback and real interaction from other writers who understand the process. Without it, you’re stuck in a vacuum. That’s the place where all storytellers tend to wither and die.
This is so encouraging! I’m so glad you found a good source of inspiration and encouragement. One less storyteller in the graveyard. This is a HUGE reason why I started conducting these interviews in the first place.
*What’s your GOAL now in this stage of your career?
My goal is to be able to work full time on my own writing–not that I don’t enjoy copywriting, my day job: But for that I need to be three people! I want to see the Dragonish series in print before I die.
You’ll do it, Marya. I know you will.
*What 3 things have hindered you from completing your projects? (CONFLICT)
Nothing stops me from completing client projects. I owe it to my clients to give them #1 priority, so I do.
With my fiction, though (1) literally not enough hours in the day is my biggest obstacle–that, and (2) being completely intimidated by the technology end of uploading books to Amazon. (3) I would also like to invest in some professional editing on my books before I release them to the world–I need to increase my income first for that to happen.
(That being said, the nice thing about obstacles is that it’s fun looking for ways around them.)
I hope one day you can be a full time writer with your work as the top priority!
*What keeps you motivated in achieving your dream? (DESIRE)
What keeps me motivated is caring about my world and my characters. I want them to have voices, to be heard. I want to bring some magic back into the world, so that people can tackle the darkness safely, through the pages of the Dragonish stories. And my characters are fun to write–Granny Maberly, Ushguk, Anno, Morwen, Leith–I love them all. And a few of them are pretty funny. Though whatever you do, don’t tell Granny that!
I love that you want your characters to have a voice and be heard! That’s awesome!
Give your characters a voice
*What’s your main ANTAGONIST? What’s in the way of you accomplishing your goals?
Wanting to be a better writer. Though I think ALL writers struggle with that. You have this wonderful, vibrant, rich story in your head, and you read what you’ve written; and you feel as if you’ve only captured a glimpse of it.
I think writing “better” or “good” can be quite elusive, just as it is deceptive. We should focus more on telling the story. No one ever feels good enough.
*Why do writers give up, quit or abandon their dream?
I think a lot of writers give up because there’s no one in their corner to say “keep going”. They question the value of their stories. They don’t receive feedback. They start to feel like voices in the wilderness–you know; the old “if a tree falls in the forest, will anyone hear it scream?” In traditional publishing, the world I’m from–and I had an actual, professional background in editing and publishing–the odds are stacked so hugely against you as a fiction writer. There are many horror stories about publishers from even successful authors. It’s a world of rejection as routine; and if you’re accepted, that’s only the beginning of the obstacles. Plus many writers have people telling them what they SHOULD be doing instead of writing. It amazes me that writers keep going at all, if I’m honest.
But being isolated as a writer … that’s like standing up in a darkened auditorium and telling a story to a chair (which I’ve done, by the way). It’s like sending a transmission out into space and knowing the odds of anyone ever hearing it are a gazillion to none. When a story isn’t heard, it tends to wither and die.
WOW. This is therapeutic. There’s the matter of someone being in our corner, surviving rejection, and overcoming isolation. These are all very critical elements to our success. Thanks for sharing.
Every writer needs a cheerleader!
*What would you say to a struggling writer who’s given up?
Your stories are important. They’re real. If you blow on all the stories that have withered and died, some of them will spark and come to life again–no matter how long they’ve lain in the darkness.
You are important. And the publishing community has changed, thanks to ePublishing and the internet. There’s never been a better time to be a writer!
If you’re really feeling down or discouraged, read KM Weiland’s “Conquering Writer’s Block and Summoning Inspiration”. Join Holly Lisle’s free Flash Fiction community and get your confidence back sharing 500-700 word stories with an informed, encouraging and honest group. Take her “How to Think Sideways” course (or ANY of her courses. My favorite, besides HTTS, is “The Secret of Page-Turning Scenes”). If you’re stuck at the business end of writing, visit Joanna Penn’s site and read her books too.
These are three authors–KM Weiland, Joanna Penn and Holly Lisle–who inspire, not flatten. They share incredibly valuable knowledge born of real-world experience, obstacles and success. They’re like a good fantasy novel: They give you the weapons to tackle the monsters with, and teach you how to use them. They’ve got your back, and you can trust them. Plus they’re fun to read.
And do join a good writer’s group–one without ego; where the emphasis is on the writing, not the personalities.
Exceptional. This is very inspiring! Thanks so much! When I do these interviews, I’m the first to get inspired! THANK YOU.
BONUS:
*Who are the best authors of the century?
That’s such a broad question, I’m not sure how to answer it. All I can do is give you my own personal choice…
Ahhh, I’m going to get nailed for choice number one: JRR Tolkien. He’s my first love. In spite of what Peter Jackson and an ocean of imitators have done, you can’t beat Middle Earth.
I also love Terry Pratchett’s writing–his Discworld series in particular. He defies genre. He can go from low comedy to advanced philosophy in a blink–and it works.
Finally, John Bellairs; just for his book “The Face in the Frost”, which exuberantly defies every rule about adjectives and adverbs. It’s also the book I would memorize and become, if I was a character in Bradbury’s “Fahrenheit 451”.
Yes–all fantasy, I know; but each of these three authors defied genre and they gave their worlds and characters unique voices. They wrote books that changed lives, healed wounds, comforted. They’re like old friends to me now, and I still reread them.
Lovely, simply lovely.
THANKS FOR YOUR PARTICIPATION MARYA!!!!
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There is no friend as loyal as a book ~Ernest Hemingway
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Somewhere there’s a book to be written, and somewhere there’s a book to be read. ~Benjamin Thomas
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When your eye hits the page there’s magic, staying magic. ~Benjamin Thomas
The power of a great story is the remnant of character, keep writing.
Benjamin Thomas
@thewritingtrain
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The Writing Train: Join the locomotion 