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Give Your Readers What They Want – with Melanie Harlow ( The Self Publishing Show, episode #297)
The “Chosen One” Trope: Walking The Line Between Classic And Cliché
There are plenty of explanations for why the “Chosen One” is such an evergreen trope, appealing to writers and readers alike. It’s a truly versatile device that presents ample opportunities for authors to craft complex worlds and relatable characters. However, because of its ubiquity, you also run the risk of writing yourself into a cliché-filled corner!
Learning how to avoid clichés, and lazy writing in general, is essential to literary success. To that end, I wanted to give some advice on how to make this classic trope work — and crucially, how to avoid its worst pitfalls. First and foremost, you need to…
The Chosen One, as the term implies, is a character who has somehow been “chosen” as the only one capable of defeating evil, saving the world, or resolving some kind of major conflict in a story. It is especially common in speculative fiction and is often paired with a hero’s journey.
Some well-known examples include King Arthur, Buffy the Vampire Slayer, and Katniss Everdeen from The Hunger Games. Indeed, this trope can be adapted for any genre; what unites these characters is that they have all been elected to play a pivotal role in their respective worlds.
With countless “Chosen One” sub-tropes to explore, my first tip for any writer is to read extensively! This tried-and-tested method gives you a chance to:
While I can’t warn you against every potential pitfall with the Chosen One (there are too many variations of this trope for that), here are some key things to watch out for.
For every story that features an element of “chosenness,” there is usually some flavor of destiny or predetermination involved. This can (unsurprisingly) lead to predictability — the protagonist discovering their chosenness, setting out on a quest, and meeting some type of opposition so they can undergo personal growth and, eventually, realize their true potential to defeat their opponent.
It’s a tricky line to skate. As a writer, you want there to be some element of inevitability, because it’s a central conceit of the Chosen One narrative. Perhaps you can twist it a bit in your writing (the reluctant hero’s internal battle against their true destiny is always a fun one).
That said, destiny can start to eat away at the agency of your characters, or inadvertently give away the plot. After all, if we’re so sure the hero’s going to defeat the villain, why bother reading to the end of the book? This is why you need to keep readers on their toes, even if it means misleading them for a little while.
Carefully planning your novel can help you maintain good pacing to keep readers on the edge of their seats, even if they already have an inkling of the overall arc. The potentially predictable nature of Chosen One plots require extra care to prevent readers from growing disinterested. If you’re struggling with this, break it down into manageable chunks! Make sure you have at least the following things outlined before you start writing:
This will give you a solid idea of when best to deploy certain action beats to keep your pacing tight, while still allowing the creative freedom to get from point A to B. In short: you can ensure you have a good grasp on all the different threads that need to be tangled and subsequently untangled over the course of your novel, and become a true puppet master of your characters.
Once you’ve structured your novel with plenty of surprises, you’ll want to map out your characters. Unfortunately, the Chosen One device can lead to lazy characterizations because well, she’s the chosen one — isn’t that interesting enough? Spoiler alert: it’s not.
Flat characters are the kiss of death to any book, and what could be more flat than a perceived lack of agency? Predictability and inevitability can make your characters seem powerless and anonymous, as well as utterly replaceable. It also makes it tough to create the necessary tension to carry the novel forward and make your readers really root for the protagonist.
So how do you avoid this? It’s actually pretty simple: give your “Chosen One” their own choices and introduce them as having a real personality and relationships, using the following tactics:
Every good Chosen One story needs a great antagonist. It doesn’t have to be a person, but it often is — which may tempt you to create an out-and-out villain, verging on caricature, to offset your good guy/girl. This might be fun to write, but it isn’t super compelling to read. And, more importantly, writing a strong, complex antagonist is a useful way to avoid accidentally making your story’s morality too black-and-white.
Whether your main character is facing an evil mastermind or fighting a wider threat to peace, plan your antagonist(s) out and consider what motivates them. One good exercise is to think about how you would write the story from their perspective, and incorporate your insights about their motivations and feelings into your main story.
It’s easy to over-simplify the world around us and write an antagonist who’s obviously, undeniably evil, but people rarely think of their own choices as such. It is far more interesting to read something that makes you question your own assumptions about what is right and wrong, so adding shades of gray and character flaws to your antagonist (and your protagonist too!) is an opportunity to shy cleverly away from this binary worldview and spice up your Chosen One tale.
When you take on a common trope, there’s a great deal of pressure to create something familiar yet unique. If you’ve made it this far and you think it seems like an impossible task, I have one more tip that might help you think of it in a different, more freeing way.
I’ve hinted at this already, but once you know the pitfalls like the back of your hand, you can use them to your fullest advantage. Toy with your readers by subverting the common characteristics of the Chosen One trope and make it fit your story, not the other way around. Instead of trying to reinvent the wheel, which can stump even the most imaginative authors, look for what is real.
By all means, use your imagination to make up whole new worlds, but always put your story and characters first to create something readers can relate to and which speaks to them. Religiously adhering to a mold other people have created (or trying desperately to avoid one in the pursuit of originality) is not going to serve you in the long run. When you write what is real to you, it doesn’t matter if it has been done before, because it will feel fresh and unique to the reader.
Whether it was some mysterious force that put a pen in your hand or your own pure determination, you’ve got this! Happy writing.
Desiree Villena is a writer with Reedsy, a marketplace that connects self-publishing authors with the world’s best editors, designers, and marketers. In her spare time, Desiree enjoys reading contemporary fiction, writing short stories, and analyzing literature into the ground.
When Two Editors are Better Than One – The Self Publishing Show Episode #280
A Forgotten Dream Realized
by Bella Mahaya Carter
Author of Where Do You Hang Your Hammock?: Finding Peace of Mind While You Write, Publish, and Promote Your Book
Recently, while skimming old journals, I came upon this line I wrote in 1986: “One day I’d like to write a book about writing.” At the time, I was a graduate student and screenwriting teaching assistant at USC’s film school.
I’d completely forgotten that dream. But here I am, thirty-four years later, fulfilling it with Where Do You Hang Your Hammock? I never could have guessed the twists and turns my life would take, or that I’d become more interested in books than films, or that I’d develop a passion for spiritual psychology, personal transformation, and growth.
As a young adult, I (like many aspiring artist-dreamers) fantasized about fame and fortune. Although I felt abundantly creative, I had no idea what it took to make a living—or a life—from my creativity.
For years my creative passions got stuck in logjams of insecure thought. I had no idea how insecure I really was. How much my desire to please others translated into small, but continuous betrayals of myself.
As a young writer, I had no platform, little experience or practice, and scant skills. In other words, I had a lot to learn. Throughout my thirties I submitted poetry and prose to literary journals and received more rejections than acceptances. In my forties, I shopped a memoir, which never found a home. What made those rejections painful was my belief that they had to do with me personally. I translated it into: I have no talent and should stop writing. I’m wasting my time. This created inner turmoil because I had to write. I needed to write. It fed me. It calmed me. It helped me make sense of my life. This was the reason I never gave up.
By the time I reached fifty, I knew a lot more about myself and about publishing. I quit taking rejection personally, and found rich and rewarding ways to make and share my work. I believed in it and in myself. This has been a game-changer.
Still, I wish I’d known much earlier than I did that I could have ignored my insecure thinking. I didn’t realize we all have insecure thoughts. It’s part of the human condition. It’s universal. I had no idea I could relegate fear to the back seat instead of letting it navigate, or worse, drive my life. Learning this has led to personal as well as creative liberation.
It’s not just me! I realized five decades into my journey.
When the world seems to be saying “no” to you and your creative expression, consider that it might mean, “No, not yet.” You may have more to do. You may need to let your idea marinate a little longer. You may need to study, practice, observe, and hone your craft.
Or maybe you need to face a new direction. Try an alternative path. Change your perspective. Or, as I describe in my new book, move your hammock to a new location in order get a different view.
Maybe, like me, you’d enjoy becoming a scientist of your own psyche. Maybe you’d like to open your heart more. Take a deeper dive. Perhaps you need to peel back a few more layers and let yourself be vulnerable.
We all benefit from accepting things as they are and going where we are led, rather than where the mind cajoles, forces, or demands.
Follow your inner GPS, your heart, your hunches, and new opportunities will arise.
This is what I have done, without realizing or planning it. I have learned to trust my urge to create, and ended up birthing books, and also teaching and coaching, which was never part of any conscious plan, but which is, in fact, my true calling. My life’s work eventually found me, and for this I am grateful.
Am I rich or famous? No. But recently a student of mine referred to herself and her fellow classmates as “Bella’s ministry,” which touched my heart and made me smile, because I consider the work I do with my students to be sacred. I am rich, after all. Treasure has many forms: love, friendship, service, meaningful work, home, family, and life itself.
Not all dreams come true, but many do. They might not look exactly the way you dreamed, but when you slow down and listen to the still, quiet voice within, life has a way of guiding you.
I’ve received wonderful feedback on my new book. I think it will help writers and anyone wanting to live a more fulfilled creative life—anyone wanting to make their own dreams come true.
About the Author:
Bella Mahaya Carter is the author of Where Do You Hang Your Hammock?: Finding Peace of Mind While You Write, Publish, and Promote Your Book. She is a creative writing teacher, empowerment coach, and speaker, and author of an award-winning memoir, Raw: My Journey from Anxiety to Joy, and a collection of narrative poems, Secrets of My Sex. She has worked with hundreds of writers since 2008 and has degrees in literature, film, and spiritual psychology. Her poetry, essays, fiction, and interviews have appeared in Mind, Body, Green; The Sun; Lilith; Fearless Soul; Writer’s Bone; Women Writers, Women’s Books; Chic Vegan; Bad Yogi Magazine; Jane Friedman’s Blog; Pick the Brain; Spiritual Media blog; Literary Mama; several anthologies, and elsewhere. For more information, please visit https://www.bellamahayacarter.com
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