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What is your approach to writing? Outline, spontaneous, or both?
I’m a little of both. I’ll jot down random thoughts at first, then piece them together in the order I think works best. Most are just one-liners, that become the basis for full-blown scenes or character POV’s.
Where does your story take place?
I actually have two ebooks out, with first one taking place in Aberdeen Scotland, along with snippets in Glasgow Scotland, Belfast Northern Ireland and Dublin Ireland. The other takes place in Marseille France, with snippets in Algiers, Algeria and Morocco.
Name your biggest struggles writing this book.
Maintaining consistency in time. Sometimes it is between morning, noon and night, while others is something happening on one day and jumping two days later.
What has been helpful to you?
Community and friends, both locally and via the web. HAving someone help me understand the subtle nuances in dialogue, setting and the treaded ‘showing v. telling’ is really helpful.
What have you learned in your writing journey thus far?
Each day brings a new challange; whether it is creating better dialogue, making my character’s more ‘believable’ or simply stringing the sentences together, it’s all a learning process.
Does your book feature a central protagonist?
Yes, Scotland Yard Chief Inspector Conor McDermott is the main character in the story. A former Royal Navy officer, he is assigned a case that began in Portsmouth when a dock worker who was killed is found.
How do you get to know your characters?
Having Conor as a police officer aligns with my grandfather’s brother who was a constable in Edinburgh. I also have two older cousin’s who are members of law enforcement, so Conor is a tribute to them in a small way.
What’s the overarching goal of the hero?
Conor is out to find out how his niece was drugged, which led to her death (she jumped from an apartment rooftop). He also looks to redeem himself as his tendency is to bend certain rules in pursuit of catching criminals.
Interview with Christina Hoag – Girl on the Brink
Do you consider yourself locked in to one genre?
I write both adult and YA. What they have in common is that I write contemporary realistic stories about social/moral dilemmas and issues. My adult title “Skin of Tattoos,” where the protagonist is barely out of his teens at age 20, is a gritty tale about gangs, sort of an LA twist on “The Outsiders,” that seeks to delve deeper into the reasons kids join gangs and the consequences of choosing that life.
Did Girl on the Brink begin with an idea, theme, or factual events?
This novel was born out of my own experience in an abusive relationship. I really wanted to write about it because being a former journalist I know a good story when I see one and I knew this was a good story, despite the fact that it happened to me. Also, I felt strongly that I wanted to write sort of cautionary tale to alert girls at the beginning of their dating lives to the red flags of dangerous relationships, such as a fast ramp-up of a romance and being pressured quickly to making a commitment. These signs can be easily misinterpreted if you don’t know what they mean. Using the aforementioned example, that can be interpreted as a “whirlwind romance,” like something out of a movie, but it can be someone looking for control. This stuff isn’t taught in schools or anywhere else so girls and women aren’t trained to look for these signs.
Did you get emotional while writing this title?
I had enough distance from the actual events not to get emotional, but it did bring back a lot of memories. However, I found that helped me write faster because I just wanted to get through reliving this stuff and have the project done!
Who is Chloe?
Chloe is a 17-year- old who wants to be a reporter so she gets a summer internship at the local weekly newspaper, where she meets Kieran on an assignment. She is smart and empathic, but she’s also going through the split of her parents and feels very alone. That makes her lean on Kieran all the more.
Who is Kieran?
Kieran is a 19-year- old aspiring actor. As a child, he suffered from an abusive stepfather and a father who left and never returned. So he is torn between loathing his real father for deserting him and desperately wanting his love and approval. This has created a huge insecurity in him, which is reflected in his desire to control and dominate Chloe. Although it’s never stated in the book, Kieran has borderline personality disorder, which is characterized by sudden, terrifying Jekyll-and- Hyde type rages.
Is Girl on the Brink a standalone or will you write more YA novels?
I’ve got two more YA projects on the burner. Both are realistic contemporary stories that revolve around social issues, teens getting in trouble and learning from their mistakes. Both are also set in the same fictional town of Indian Valley, New Jersey, as Girl on the Brink, and involve some of the same characters.
What’s next for you?
I’ve been working on a few short stories and then will likely plunge into a YA novel. I’ve also got two half finished adult novels sitting in my proverbial drawer so I may dust one of those off. But my gut is feeling I should do one of the YAs so that’s what I’ll likely pursue next.
“An engrossing tale of a dangerous teen romance.” – Kirkus Reviews
“Girl on the Brink is a must have for every high school and public library.” – Isabella Kane, author & school librarian
The summer before her senior year, 17-year-old Chloe begins an internship as a reporter for a local newspaper. While on assignment, she meets Kieran, a quirky aspiring actor. Smitten with Kieran’s charisma and his ability to soothe her soul, torn over her parents’ impending divorce, they begin dating.
But as their bond deepens, Kieran becomes smothering and flies into terrifying rages. He confides in Chloe that he suffered a traumatic childhood, and Chloe is moved to help him. If only he could be healed, she thinks, their relationship would be perfect.
But her efforts backfire and Kieran becomes violent. Ending the relationship is hard for Chloe and Kieran pursues her relentlessly to make up.
Now Chloe must make the heartrending choice between saving herself or saving Kieran, until Kieran’s mission of remorse turns into a quest for revenge.
As a journalist, Christina Hoag had her laptop searched by Colombian guerrillas and phone tapped in Venezuela, was suspected of drug trafficking in Guyana, hid under a car to evade Guatemalan soldiers, and posed as a nun to get inside a Caracas jail. She’s interviewed gang members, bank robbers, gunmen, thieves and thugs in prisons, shantytowns and slums, not to forget billionaires and presidents, some of whom fall into the previous categories. Now she writes about such characters in her fiction.
Her noir crime novel “Skin of Tattoos” was a finalist for the Killer Nashville Silver Falchion Award for suspense, while her thriller “Girl on the Brink” was named to Suspense Magazine’s Best of 2016 YA list. She also co-authored “Peace in the Hood: Working with Gang Members to End the Violence,” a groundbreaking book on violence intervention used in several universities.
Born in New Zealand, Christina grew up as an expat around the world. She resides in Los Angeles and teaches creative writing at a maximum-security prison. She has also mentored at-risk teen girls in creative writing in South and East Los Angeles. She has been a speaker at numerous writers’ conferences and groups, bookstores, and libraries.
Let’s talk about storytelling. Or rather, let’s talk about the medium through which storytelling is told and perceived. This is such a fascinating topic I couldn’t resist writing about it.
What is your choice of medium when it comes to books? Paperback, an ebook, or audiobook? I have particular interest in how audiobooks affect our perception of a story. Just stop yourself and consider this one thing. Medium. According to Google medium is defined as the following:
1. An agency or means of doing something.
2. The intervening substance through which impressions are conveyed to the senses or a force acts on objects at a distance.
Both definitions are great, but I prefer the second one because it provides more insight into the topic. Some readers prefer the tactile and visual feedback of a book any day over a digital one. Others hail the ebook over any dinosaur book. I’ve always had trouble digesting books in physical form for some reason. But when the advent of the ebook was created I became a book addict.
Others prefer yet another medium of storytelling. The audiobook. People are listening to more and more audiobooks these days, including myself. Why? What affect does the audiobook have upon the reader? Or better yet, what affect does this medium have upon the listener?
The narrator and his or her performance is the medium through which the story is perceived. No two narrators are the same in skill, personality, voice, training or delivery. So in a sense, you’re getting a completely different medium with each and every narrator. Cool eh? I thought so. But it doesn’t end there.
According to Professor Mehrabian, only 7% of communication is verbal, and 93% nonverbal. Or, the nonverbal component would be 55% body language, and 38% tone of voice. There is some debate about this (of course), so we have to take into consideration other factors such as context, etc. I’ll spare you the boredom. What I’m getting at is the paralinguistic, or paralanguage part of communication that makes up 93%.
Writing to convey ‘what’s not said’ is extremely hard, but the best writers do it with much practice. What’s not said makes up a huge portion of communication, meaning and in understanding another person. This is critical in the context of storytelling when conveying a character properly.
They say that the nonverbal component is broken down into body langauage and tone of voice. Body language being 55% and tone of voice 38%. When you read a book the author has to convey this information adequately. All the nonverbal tells of communication must be rendered by the authors writing. Good writing does this well, but anything less is lacking a lot of useful information.
Now you throw in a narrator. I love narrators! We have to see the entire story through their eyes and skill amongst other things. These are what linguists call Paralinguistics, or paralanguage. Which basically means everything that isn’t verbal. According to the aforementioned statistics it means everything as far as understanding another person’s attitude, motive, mood, personality etc. All this must be skillfully conveyed through the narrator.
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