IT’S TELEVISION TUESDAY!
10 Things I Wish Readers Knew About Authors
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Hello! Were back to more books and blurbs this week, especially since I don’t have an interview scheduled. Hopefully author D.M. Pulley will be on board for one sometime soon. *Fingers crossed*
In 1938, at the height of the Great Depression, a madman hunts his victims through the hobo jungles of Cleveland, terrorizing the city. Ethel Harding, a prostitute struggling to survive both the cold streets and the Torso Killer, takes refuge with a devout missionary sect—only to find that its righteous facade conceals the darkest of secrets.
Sixty years later, the police find the butchered body of Alfred Wiley in the woods. But before his daughter, Kris, can even identify the remains, things he never told her begin to surface one by one—a mysterious private eye who’d been tracking him, an eerie website devoted to the unsolved “Torso” murders, missing archives, stolen books, and an abandoned Bible factory harboring vagrants. The more she learns about her father’s obsession with the Torso Killer, the more Alfred’s death appears to be related, pulling Kris further into Cleveland’s hellish past.
Living decades apart, Ethel and Kris must unravel the truth behind the city’s most notorious serial killer…or die trying.
First Chapter Impression
This book begins with the gruesome discovery of body found in Lake Erie. Or, at least the remains of one. The victim’s daughter arrives to identify the “body” of her father. However, she’s stuck in a deep state of denial and disbelief that he’s actually gone.
The author does a great job of creating the scene and displaying the feelings of the victim’s daughter as she copes with a heinous crime. Right away I feel sympathy and captivated by the story’s beginning.
My inner story sense (and no I’m not Spider-Man) tells me D.M. Pulley is a good writer and I like her style.
Evan Smoak—government assassin gone rogue—returns in Hellbent, an engrossing, unputdownable thriller from Gregg Hurwitz, the latest in his #1 international bestselling Orphan X series.
Taken from a group home at age twelve, Evan Smoak was raised and trained as an off-the-books government assassin: Orphan X. After he broke with the Orphan Program, Evan disappeared and reinvented himself as the Nowhere Man, a man spoken about only in whispers and dedicated to helping the truly desperate.
But this time, the voice on the other end is Jack Johns, the man who raised and trained him, the only father Evan has ever known. Secret government forces are busy trying to scrub the remaining assets and traces of the Orphan Program and they have finally tracked down Jack. With little time remaining, Jack gives Evan his last assignment: find and protect his last protégé and recruit for the program.
But Evan isn’t the only one after this last Orphan—the new head of the Orphan Program, Van Sciver, is mustering all the assets at his disposal to take out both Evan (Orphan X) and the target he is trying to protect.
First Act Impression
I’m really enjoying this page-turning series! Gregg Hurwitz is amazing. Evan Smoak finds himself in yet another impossible predicament, but he’s always up for the impossible.
The stakes are deeply personal as he discovers his mentor Jack Johns is attacked by Van Sciver’s group. His mentor served as the only human connection Evan has ever known so you can imagine the struggle. But Evan is not only seeking revenge, he’s also heeding Jack’s last wish; protect the package. Only ‘the package’ isn’t what he envisioned.
Hellbent will be released Jan. 30th 2018 so pre-order now.
KILL BOX: Book Two in THE ZULU VIRUS CHRONICLES
SOMETHING LETHAL HAS BEEN RELEASED ACROSS AMERICA.
With their daring escape plan thwarted at the last possible moment, HOT ZONE’s motley band of survivors faces a worst-case scenario. Forced to take refuge near the epicenter of the bioweapons outbreak, deep inside in a city gone mad, THEIR TIME IS RUNNING OUT.
Unable to slow or adequately contain the infected population, the government has triggered KILL BOX, a desperate and merciless contingency protocol.
Dr. Eugene Chang, Eric Larsen and the survivors following them, have less than twenty-four hours to escape the KILL BOX.
WITHIN TWENTY-FOUR HOURS, complete strangers from different walks of life will be forced to join together to survive the LIVING NIGHTMARE that has been unleashed on their city—AND THEIR COUNTRY.
This is their story.
WELCOME TO THE HOT ZONE!
Author Steve Konkoly is back in book two of the Zulu Virus Chronicles. Just released November 28! If you haven’t discovered Steve’s work yet you’re in for a treat. The first book was awesome so I’m really looking forward to this one.
Alex Cross was a rising star in the Washington, DC, Police Department when an unknown shooter gunned down his wife, Maria, in front of him. The killer was never found, and the case turned cold, filed among the unsolved drive-bys in D.C.’s rough neighborhoods.
Years later, still haunted by his wife’s death, Cross is making a bold move in his life. Now a free agent from the police and the FBI, he’s set up practice as a psychologist once again. His life with Nana Mama, Damon, Jannie, and little Alex is finally getting in order. He even has a chance at a new love.
Then Cross’s former partner, John Sampson, calls in a favor. He is tracking a serial rapist in Georgetown, one whose brutal modus operandi recalls a case Sampson and Cross worked together years earlier. When the case reveals a connection to Maria’s death, Cross latches on for the most urgent and terrifying ride of his life.
From the man USA TODAY has called the “master of the genre,” CROSS is the high-velocity thriller James Patterson and Alex Cross’s fans have waited years to read – and the pinnacle of the bestselling detective series of the past two decades.
This novel was originally published under the title Cross. The movie tie-in editions are published under the title Alex Cross.
I just re-watched the movie adaption of the book and still loved it. Of course the book is quite different from the Hollywood version of events. Not sure why I decided to watch the movie before I read the book, but anyways. The book is awesome too! One thing I love about this one is antagonist. Having a formidable opponent makes the conflict ultra juicy. This psychopath killer murders his wife in his presence making the stakes ultra personal. Can’t wait to finish it!
This is an occasional post I’m doing to give a sneak peek about the books I’ve been reading and listening too recently. It really should be a weekly or bi-weekly post, but I haven’t got my act together quite yet. *Sigh*
Here’s some notable books from this month that has caught my eye. Ready? Here it goes!
King Severn Argentine’s fearsome reputation precedes him: usurper of the throne, killer of rightful heirs, ruthless punisher of traitors. Attempting to depose him, the Duke of Kiskaddon gambles…and loses. Now the duke must atone by handing over his young son, Owen, as the king’s hostage. And should his loyalty falter again, the boy will pay with his life.
Seeking allies and eluding Severn’s spies, Owen learns to survive in the court of Kingfountain. But when new evidence of his father’s betrayal threatens to seal his fate, Owen must win the vengeful king’s favor by proving his worth—through extraordinary means. And only one person can aid his desperate cause: a mysterious woman, dwelling in secrecy, who truly wields power over life, death, and destiny.
I’m thoroughly enjoying this series. The Queen’s Poisoner, book one of the series was utterly mesmerizing. I switched back and forth between reading and listening to the audiobook performed by the talented Kate Rudd. I’ll post the narrator performance on my other site at AudioSpy. Currently reading/listening to the second book, The Thief’s Daughter and it’s just as good!
The Nowhere Man is a legendary figure spoken about only in whispers. It’s said that when he’s reached by the truly desperate and deserving, the Nowhere Man can and will do anything to protect and save them.
But he’s no legend.
Evan Smoak is a man with skills, resources, and a personal mission to help those with nowhere else to turn. He’s also a man with a dangerous past. Chosen as a child, he was raised and trained as part of the off-the-books black box Orphan program, designed to create the perfect deniable intelligence assets—i.e. assassins. He was Orphan X. Evan broke with the program, using everything he learned to disappear.
Now, however, someone is on his tail. Someone with similar skills and training. Someone who knows Orphan X. Someone who is getting closer and closer. And will exploit Evan’s weakness—his work as The Nowhere Man—to find him and eliminate him. Grabbing the reader from the very first page, Orphan X is a masterful thriller, the first in Gregg Hurwitz’s electrifying new series featuring Evan Smoak.
Holy mackerel!! Reading this was literally like watching a movie unfold in my head. My first Gregg Hurwitz book didn’t disappoint one bit. The next book in the series is a short, Buy a Bullet and now I”m currently reading The Nowwhere Man.
Everyone thinks Emmy Dockery is crazy. Obsessed with finding the link between hundreds of unsolved cases, Emmy has taken leave from her job as an FBI researcher. Now all she has are the newspaper clippings that wallpaper her bedroom, and her recurring nightmares of an all-consuming fire.
Not even Emmy’s ex-boyfriend, field agent Harrison “Books” Bookman, will believe her that hundreds of kidnappings, rapes, and murders are all connected. That is, until Emmy finds a piece of evidence he can’t afford to ignore. More murders are reported by the day–and they’re all inexplicable. No motives, no murder weapons, no suspects. Could one person really be responsible for these unthinkable crimes?
Invisible is James Patterson’s scariest, most chilling stand-alone thriller yet.
I found this to be a very creative book for crime fiction. An FBI analyst gets mixed up in a string of mysterious lethal fires which turn out to be the heinous work of a serial killer. Amazing! Really enjoyed the originality in this one. Quite different from the typical serial killer in crime fiction.
After a messy divorce, attractive young mother Sonia is struggling to provide for herself and keep custody of her son. With her back to the wall, she resorts to smuggling cocaine into Iceland, and finds herself caught up in a ruthless criminal world. As she desperately looks for a way out of trouble, she must pit her wits against her nemesis, Bragi, a customs officer, whose years of experience frustrate her new and evermore daring strategies. Things become even more complicated when Sonia embarks on a relationship with a woman, Agla. Once a high-level bank executive, Agla is currently being prosecuted in the aftermath of the Icelandic financial crash. Set in a Reykjavík still covered in the dust of the Eyjafjallajökull volcanic eruption, and with a dark, fast-paced and chilling plot and intriguing characters, Snare is an outstandingly original and sexy Nordic crime thriller, from one of the most exciting new names in crime fiction.
What’s it like living in Iceland?
It’s great living in Iceland! Except for the weather of course. It´s a rather big volcanic and geographically new Island with very few people on it. The whole Icelandic nation is only 330 thousand people. But we host over a million tourists each year so it is lively and fun. Every town in Iceland is close to nature so outdoorsy people love it there. I don’t consider myself outdoorsy but I still enjoy the occasional walk out in nature. We have a rather strong welfare system in line with the other Nordic countries and a mixed economy so people have a good living standard and are generally healthy with a long life expectancy. That’s why it seems odd that Nordic writers write so much crime fiction as the Nordic countries have a very low crime rate and Iceland especially so.
Can you share some pictures with us?
Is your creative process as an author and playwright different?
Yes and no. For me it always starts out with the characters. A character starts living in my head and then I have to imagine a setting for her or him and their drive and there I have the plot. This is the initial process whether I am writing a play or novel. But then when the writing process really starts the novel is easier to write because it gives more freedom, but the play has to reveal everything through the dialogue. With a novel you’re on your own right to the end, but when writing a play the final goal is production where you’ll work with a theatre group to help with polishing.
What was your response when your play Big Babies won play of the year?
I was very happy of course! It was great and I was grateful for the recognition. In hindsight a big red-carpet moment like this seems unreal but I have such warm memories of the theatre company that produced the play that they will live inside my heart forever. A written stageplay is one thing but it’s the theatre artists that make it alive.
Why did you choose Noir to tell your story?
The Noir genre has a strong element of storytelling so that is why it is so good for me, because I see myself as a storyteller. I believe that with crime-fiction or Noir the reader has very specific expectations and the success of a story depends largely on how the writer fulfills those expectations. The reader expects to be entertained, to experience tension or a thrill and to be told a story.
How did you get into crime writing?
In part it was a coincidence. I have always loved writing and liked crime-fiction, but then one day I saw an ad from an Icelandic publisher for a competition called: “the New Dan Brown”. So that was it. My fate was sealed. Since I have written five published novels and my writing career has really taken off.
Who is Sonia?
Sonia is a young attractive mother that experiences a collapse of her whole world when her husband walks in on her in bed with another woman. The divorce that follows and the custody battle, all taking place in the same dramatic months as the Icelandic financial crash result in her being in a desperate situation. In her desperation she resorts to smuggling drugs and thereby she has entered a world of drugs and crime that she wouldn’t have expected herself to be in just a few months before.
Does your story bear a theme for struggling single mothers?
Well, I don’t know. The theme I started out with was an exploration of what people do when they feel cornered. When ordinary people find them selves in extraordinary situations they can do things they would never have imagined themselves doing. Sonia, the single mother in the story is one of those people and she does everything she can to regain custody of her son.
What is Sonia a victim of?
First and foremost she is a victim of herself. Snare is the first of the Reykjavík Noir Trilogy and in the coming two books she will come to terms with her own part in creating her fate. But the drug business is international, and even in a small country like Iceland it has quite an impact. The people who have ensnared Sonia are not the nicest types. With all the violence, threats and coercion Sonia feels like a victim. At first.
What role does the financial crisis play in the series?
It’s the backdrop to the whole story. I’m interested in those moments in history when there’s huge changes to society. For Iceland the financial crash had devastating consequences. Many people lost their homes and all their savings and had to start anew. There was a lot of anger and desperation; and in Snare we see characters that are struggling with the consequences of this, although it’s in a very different way for each one of them.
What’s next for you after the Reykjavik trilogy?
I am currently starting on writing a new series that leans more into the political thriller. I hope it will do as good as the Reykjavík Noir Trilogy.
Book Reviewer, Avid Reader and Bookworm. Campaigning to link more readers to writers. People do not forget books that touch them or excite them—they recommend them.
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Each night I travel the world, I live in the minds of killers and walk at the side of heros.
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