Interview with Travis Smith Author of Superhero Ethics- Part II

SuperHero ethics image

 

 

Interview with Travis Smith,
Author of Superhero Ethics

 

About the Author:

Travis Smith is the author of Superhero Ethics (Templeton Press). He is an associate professor at Concordia University where he teaches political philosophy. He remembers seeing Superman: The Movie with his dad on the big screen at the age of five. He has been collecting comic books since he bought a copy ofUncanny X-Men #207 in 1986 with his allowance from the racks at Stan’s Variety. For over thirty years, Travis has made a weekly stop at his local comic shop on the day new comics are released to pick up the books on his pull list–from Comic Connection in Hamilton, Ontario, while he attended McMaster University, to the Million Year Picnic in Cambridge, Massachusetts, as he earned his doctorate at Harvard University, to Major Comics in Montreal, Quebec, the city where he now teaches Hobbes, Tocqueville, Plato and Aristotle by day, and fights crime by night.

For more information, please visit www.templetonpress.org/books/superhero- ethics

 

 

 

Batman image

 

 

 

What is the overall theme of the book?

It’s ostensibly about superheroes but it’s really about us, in our early twenty-first century moment—the challenges of living in our world today; wondering what kind of people we should aspire to be; and what it means to be responsible, for ourselves and to others.

 

Describe your process of breaking down each character’s moral code of ethics.

I gathered information about each character’s origin, powers, relationships, major stories, successes and failures—rewatching many movies and shows, reading and rereading comic books. Then I tried to discern what was at their core. What kinds of people do they resemble if you don’t take the fanciful elements too literally? What part of the human condition—which temperaments and tendencies, which dilemmas, dreams, and dangers—do they represent? Then I had to pair each one up with another character I saw as essentially speaking to a similar part of the human condition, but in a distinctive enough way so as to avoid overlap and repetition.

 

 

 

Choosing Between Right or Wrong

 

 

What is the significance of hero’s vigilante justice?

Superhero stories reflect our society’s uneasy relationship with violence. We abhor it yet remain fascinated by it. These stories give that impulse a vicarious outlet. But your question reminds me of when I told my wife that I was watching the Rocky movies with our young son and she said, with faux outrage, “you’re watching movies about fighting with him?” I protested, “the fighting is a metaphor!” With a wink, she replied, “a metaphor for what? For fighting?!?” My approach in Superhero Ethics downplays the vigilantism and the violence, fully aware of how ironic it is to use characters best known for participating in violent spectacles as models for more civilized behavior. But I’m also a fan of professional wrestling, and in that genre of simulated combat, each bout should, as they say, “tell a story.”

 

 

Vigilante on the white background, red illustration

 

 

In every chapter I get an impression there’s an inherent need of saving or altering the human condition. Explain.

Superheroes definitely speak to our hopes and fears regarding technological science. Most of my work as a professor of political theory focuses on early modern thought. In a way, you might say that the great early modern philosophers, such as Francis Bacon and Thomas Hobbes, were trying to be superheroes. They were trying to find ways to abolish suffering—or else make the promise of its abolition seem believable. They took the Biblical idea of saving the world and made it a project for human beings to pursue—with or without God’s help. What’s more comical than that? So, I’m not surprised that the models of heroism found in the modern medium of comic books are representatives of that endeavor.

 

 

“Suffering is one of life’s great teachers.” – Bryant H. McGill

 

 

 

What role does heroism play in our society?

I wouldn’t want to downplay the heroism of the bravest among us. In fact, I think our society tends to pooh-pooh heroics, as if only jerks and dolts try to be heroes and their spiritedness only puts the rest of us in danger. (Thomas Hobbes deserves a lot of credit for instilling this attitude in us.) But for the purposes of this book, I’m more interested in asking whether superheroes model behaviors that we non-heroic types can and should labor to exhibit in our own lives, for our individual and collective well-being.

 

 

 

Hero Concept Pinned Cards and Rust

 

 

 

What do you think of the contrast between Daredevil and the Punisher?

You’re right. That warrants a chapter-length treatment, doesn’t it?

 

Do you have more books planned about Superhero ethics? (Please, don’t make me beg.)

If I could write any book on philosophy and popular culture that I wanted to next, it would be about women’s professional wrestling. I think that’s the most exciting and inspiring thing out there today in sports and entertainment.

 

 

 

 

Kapow image

 

 

 

Your book touches on a very fundamental and  complicated subject. What is justice? What is the right way to live? Who or what determines what is right or wrong? Where does our sense of ethics come from and why do we seek to emulate it in fictional characters? This book was epic and I loved every bit of it! Definitely would be interested if you wrote more. Perhaps the role of villains? Hint, hint.

 

I can imagine a volume on super-villains. Nobody wants global governance more than they do! And as they say, compelling villains believe they’re the real heroes. I have been thinking a lot lately, for instance, about what the character of Killmonger from Black Panther is intended to communicate about the nature of injustice. Anyway, thank you to The Writing Train for the opportunity to discuss my book. I’m glad you enjoyed it!

 

 

 

Superhero dude with S image

 

 

Thanks Travis!

 

 

SuperHero ethics image

 

 

Whether in comic books or on movie screens, superhero stories are where many people first encounter questions about how they should conduct their lives.

Although these outlandish figures—in their capes, masks, and tights, with their unbelievable origins and preternatural powers—are often dismissed as juvenile amusements, they really are profound metaphors for different approaches to shaping one’s character and facing the challenges of life.

But, given the choice, which superhero should we follow today? Who is most worthy of our admiration? Whose goals are most noble? Whose ethics should we strive to emulate?

To decide, Travis Smith takes ten top superheroes and pits them one against another, chapter by chapter. The hero who better exemplifies how we ought to live advances to the final round. By the end of the book, a single superhero emerges victorious and is crowned most exemplary for our times.

How, then, shall we live?

 

    • How can we overcome our beastly nature and preserve our humanity? (The Hulk vs. Wolverine)

 

    • How far can we rely on our willpower and imagination to improve the human condition? (Iron Man vs. Green Lantern)

 

    • What limits must we observe when protecting our neighborhood from crime and corruption? (Batman vs. Spider-Man)

 

    • Will the pursuit of an active life or a contemplative life bring us true fulfillment? (Captain America vs. Mr. Fantastic)

 

    • Should we put our faith in proven tradition or in modern progress to achieve a harmonious society? (Thor vs. Superman)

 

Using superheroes to bring into focus these timeless themes of the human condition, Smith takes us on an adventure as fantastic as any you’ll find on a splash page or the silver screen—an intellectual adventure filled with surprising insights, unexpected twists and turns, and a daring climax you’ll be thinking about long after it’s over.

 

Amazon | Goodreads | Templeton Press

 

 

 

 

 

 

 

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Interview with Travis Smith Author of Superhero Ethics- Part I

SuperHero ethics image

 

 

Interview with Travis Smith,
Author of Superhero Ethics

 

About the Author:

Travis Smith is the author of Superhero Ethics (Templeton Press). He is an associate professor at Concordia University where he teaches political philosophy. He remembers seeing Superman: The Movie with his dad on the big screen at the age of five. He has been collecting comic books since he bought a copy ofUncanny X-Men #207 in 1986 with his allowance from the racks at Stan’s Variety. For over thirty years, Travis has made a weekly stop at his local comic shop on the day new comics are released to pick up the books on his pull list–from Comic Connection in Hamilton, Ontario, while he attended McMaster University, to the Million Year Picnic in Cambridge, Massachusetts, as he earned his doctorate at Harvard University, to Major Comics in Montreal, Quebec, the city where he now teaches Hobbes, Tocqueville, Plato and Aristotle by day, and fights crime by night.

For more information, please visit www.templetonpress.org/books/superhero- ethics

 

 

Superhero

 

 

How would you define the notion of a “Super” hero as opposed to
other heroes in literature?

I use the term superhero conventionally as pertaining to the kinds of costumed characters labeled that way in the DC and Marvel universes and in similar stories. Most of them have superpowers, but not all of them. I don’t think they’re inherently more super than other fictional heroes lacking those costumes and powers. In fact, for the purposes of Superhero Ethics, I downplay the “super” part of superhero—and even the “hero” part, too, to a fair degree. I look for ways these characters’ personalities, abilities, and activities can be read metaphorically so as to resemble the lives of ordinary human beings and the challenges we face. Maybe counterintuitively, I think that their being fantastical makes it easier to apply them analogously to our experiences and situations. It is often hard and sometimes objectionable to compare our own problems with the real-world difficulties confronted by other actual people—or even characters featured in more realistic fiction.

 

 

 

Superman logo image

 

 

What is it in our nature that draws us to superheroes?

In democratic society, we emphasize equality—the ways we’re equal to each other, and the ways we say we should be. But we also want to be happier than we are, better than we are. We look for or create models of excellence that are worthy of admiration and emulation. We do so on our own terms, of course. We like superheroes who make sacrifices on behalf of anyone and try to save everyone. We like it when we can imagine that any of us are potentially like any of them. Superheroes also remind us of the importance of courage in overcoming hardships and pain. I think courage tends to be neglected in the way we’re raised today, since we’re so concerned with minimizing suffering and making everything safe. So, superheroes speak to some parts of the human condition that are neglected or suppressed in our public ethos but ineradicably part of us, and therefore of perennial relevance to ethics.

 

 

Iron man toy image

 

 

Do you have a personal favorite?

Captain Marvel—the Carol Danvers version of Captain Marvel, originally known as Ms. Marvel—is my favorite superhero. She’s not featured in the book because I decided to focus on popular, well-known characters who have been featured prominently in recent films. But she is the first female character to star in a solo self-titled movie set within the Marvel Cinematic Universe, to be released in early 2019, and I’m excited about that.

 

 

“I think that we all do heroic things, but hero is not a noun, it’s a verb.” – Robert Downey Jr.

 

 

Describe the hardest chapter to write and why it was so difficult.

My chapter on Captain America and Mister Fantastic was the hardest to write because I use them to contrast the two models of the best life for human beings according to the classical tradition: the active life and the contemplative life. And I’m aware of how distant my own life is to any model of either ideal. I try to approach those characters in good part by asking: In which ways does modern society hamper or compromise any attempt to realize these conceptions of the best life—even among those individuals who come closest to approximating them?

 

 

 

Captain america toy image

 

 

 

Name some characters that didn’t make the cut for this book.

There are so many! Because I made the decision to focus on characters well-known presently to the general public, I didn’t write a book about my favorite characters. That would include not only Captain Marvel but Booster Gold, the new Ms. Marvel, Squirrel Girl, and Power Girl. I didn’t include the very popular Deadpool or Harley Quinn because they mock the very idea that superheroes should be good role models. I also wanted the characters I chose to be distinctive with respect to the ethical concerns they represent.

So, Black Widow wasn’t examined on account of embodying the maxim “don’t be what they made you,” which makes her too similar to the better-known Wolverine. Black Panther’s feature film came out only as I was submitting my final manuscript, so he wasn’t treated at length—although in the book I hint that he represents a happier version of the active life than Captain America does. I most regret leaving out Wonder Woman, but I mention that she is more divine than Superman, and I argue that Superman is already too divine for us.

The only character good enough to contrast with Wonder Woman is Silver Surfer and most of us are glad to have forgotten the movie that featured him. Personally, I prefer Supergirl to Superman—she represents the challenge of living up to an impossible standard already set by someone else to whom you’re inextricably tied. That’s a situation a lot of us are familiar with. But I decided not to use characters whose origins are directly dependent on another character’s story. I think if I were writing the book just five years from now there would be so many more popular, well-known characters to choose from.

A mere ten years ago, Iron Man was a relatively obscure character. Most moviegoers hardly knew anything about Tony Stark until Robert Downey, Jr. made him so endearing. Doesn’t that seem crazy now?

 

Funny portrait of a superhero

Thanks Travis! Stay tuned for part two of the interview…

 

 

SuperHero ethics image

 

 

Whether in comic books or on movie screens, superhero stories are where many people first encounter questions about how they should conduct their lives.

Although these outlandish figures—in their capes, masks, and tights, with their unbelievable origins and preternatural powers—are often dismissed as juvenile amusements, they really are profound metaphors for different approaches to shaping one’s character and facing the challenges of life.

But, given the choice, which superhero should we follow today? Who is most worthy of our admiration? Whose goals are most noble? Whose ethics should we strive to emulate?

To decide, Travis Smith takes ten top superheroes and pits them one against another, chapter by chapter. The hero who better exemplifies how we ought to live advances to the final round. By the end of the book, a single superhero emerges victorious and is crowned most exemplary for our times.

How, then, shall we live?

    • How can we overcome our beastly nature and preserve our humanity? (The Hulk vs. Wolverine)
    • How far can we rely on our willpower and imagination to improve the human condition? (Iron Man vs. Green Lantern)
    • What limits must we observe when protecting our neighborhood from crime and corruption? (Batman vs. Spider-Man)
    • Will the pursuit of an active life or a contemplative life bring us true fulfillment? (Captain America vs. Mr. Fantastic)
    • Should we put our faith in proven tradition or in modern progress to achieve a harmonious society? (Thor vs. Superman)

Using superheroes to bring into focus these timeless themes of the human condition, Smith takes us on an adventure as fantastic as any you’ll find on a splash page or the silver screen—an intellectual adventure filled with surprising insights, unexpected twists and turns, and a daring climax you’ll be thinking about long after it’s over.

 

 

Amazon | Goodreads | Templeton Press

 

 

June Book Recommendations with Regan

IT’S TELEVISION TUESDAY!

 

 

 

1950s TV Set

 

 

 

 

My VERY Ambitious June TBR!

 

 

 

 

 

Do you have any of these books on your TBR list? Tell us in the comments!

 

 

Benjamin Thomas

@thewritingtrain

http://www.mysterythrillerweek.com

 

 

 

 

 

 

 

Strangers to Superfans. Book Marketing With David Gaughran

IT’S TELEVISION TUESDAY!

 

 

 

Vintage television concept. Stack of retro tv set on green backg

 

 

 

Strangers to Superfans. Book Marketing With David Gaughran

 

 

 

 

 

 

Strangers to superfans image

 

 

From the author of Let’s Get Digital and Let’s Get Visible, this book will change how you think about marketing. Strangers to Superfans puts you in the shoes of your Ideal Readers, and forces you to view your marketing from their perspective.

*Learn the five stages in the Readers’ Journey.
*Identify where your blockages are and how to fix them.
*Optimize each stage to increase conversion.
*Boost sales by making the process more frictionless.
*Build an army of passionate readers who do the selling for you.

It’s not enough to know who your Ideal Readers are, you also need to imagine how they feel when a recommendation email arrives containing your cover. You must figure out why they hesitated before clicking the Buy button. And it’s crucial to determine why they liked your book enough to finish it… but not sufficiently to recommend it to their friends.

The Reader Journey is a new marketing paradigm that maps out the journey your Ideal Readers take in their transformation from strangers to superfans.

 

Amazon | Goodreads | Website

 

 

 

What did you take away from this interview? Tell us in the comments!

 

Benjamin Thomas

@thewritingtrain

http://www.mysterythrillerweek.com

 

 

 

 

 

Book Review: Superhero Ethics by Travis Smith

SuperHero ethics image

 

 

 

Whether in comic books or on movie screens, superhero stories are where many people first encounter questions about how they should conduct their lives.

Although these outlandish figures—in their capes, masks, and tights, with their unbelievable origins and preternatural powers—are often dismissed as juvenile amusements, they really are profound metaphors for different approaches to shaping one’s character and facing the challenges of life.

But, given the choice, which superhero should we follow today? Who is most worthy of our admiration? Whose goals are most noble? Whose ethics should we strive to emulate?

To decide, Travis Smith takes ten top superheroes and pits them one against another, chapter by chapter. The hero who better exemplifies how we ought to live advances to the final round. By the end of the book, a single superhero emerges victorious and is crowned most exemplary for our times.
How, then, shall we live?

  • How can we overcome our beastly nature and preserve our humanity? (The Hulk vs. Wolverine)
  • How far can we rely on our willpower and imagination to improve the human condition? (Iron Man vs. Green Lantern)
  • What limits must we observe when protecting our neighborhood from crime and corruption? (Batman vs. Spider-Man)
  • Will the pursuit of an active life or a contemplative life bring us true fulfillment? (Captain America vs. Mr. Fantastic)
  • Should we put our faith in proven tradition or in modern progress to achieve a harmonious society? (Thor vs. Superman)

Using superheroes to bring into focus these timeless themes of the human condition, Smith takes us on an adventure as fantastic as any you’ll find on a splash page or the silver screen—an intellectual adventure filled with surprising insights, unexpected twists and turns, and a daring climax you’ll be thinking about long after it’s over.

 

Amazon | Goodreads

 

 

Book Review - 3d rendered metallic typeset

 

 

 

This book was exquisitely delicious in every sense of the word. If I could, I’d rate it with 10 stars from start to finish. Impeccable in presentation, brilliant in theme, and praiseworthy in effect. Ten comic book heros, ten ways to save the world, and which one do we need most now? Author Travis Smith analyzes each superhero pitting them metaphorically against one another; extricating their relevant significance to the human condition, society, politics and virtues to emulate. I’d try to say more, but they’d fail to describe the magnificence of this book. Get yourself a copy!

 

 

 

 

Awesome Word Rubber Stamp 3D Rating Review Feedback

 

 

 

ABOUT THE AUTHOR

Travis Smith received his PhD from Harvard University and is associate professor of political science at Concordia University. He has been collecting comic books since he bought Uncanny X-Men #207 with his allowance in 1986. His writing has appeared in the Weekly Standard and Convivium Magazine.

 

 

 

 

 

Facebook Changes Masterclass with Mark Dawson

IT’S TELEVISION TUESDAY FOLKS!

 

 

tv

 

 

 

 

SPF Podcast 120 Facebook Changes Masterclass

 

 

 

 

How do you utilize Facebook? Tell us in the comments!

 

 

Benjamin Thomas

@thewritingtrain

http://www.mysterythrillerweek.com

Author Christina Hoag Discusses her book Girl on the Brink

Various microphones aligned at press conference.

 

 

Interview with Christina Hoag – Girl on the Brink

 

Do you consider yourself locked in to one genre?

I write both adult and YA. What they have in common is that I write contemporary realistic stories about social/moral dilemmas and issues. My adult title “Skin of Tattoos,” where the protagonist is barely out of his teens at age 20, is a gritty tale about gangs, sort of an LA twist on “The Outsiders,” that seeks to delve deeper into the reasons kids join gangs and the consequences of choosing that life.

 

Did Girl on the Brink begin with an idea, theme, or factual events?

This novel was born out of my own experience in an abusive relationship. I really wanted to write about it because being a former journalist I know a good story when I see one and I knew this was a good story, despite the fact that it happened to me. Also, I felt strongly that I wanted to write sort of cautionary tale to alert girls at the beginning of their dating lives to the red flags of dangerous relationships, such as a fast ramp-up of a romance and being pressured quickly to making a commitment. These signs can be easily misinterpreted if you don’t know what they mean. Using the aforementioned example, that can be interpreted as a “whirlwind romance,” like something out of a movie, but it can be someone looking for control. This stuff isn’t taught in schools or anywhere else so girls and women aren’t trained to look for these signs.

 

 

Warning sign red image

 

 

Did you get emotional while writing this title? 

I had enough distance from the actual events not to get emotional, but it did bring back a lot of memories. However, I found that helped me write faster because I just wanted to get through reliving this stuff and have the project done!

 

Who is Chloe?

Chloe is a 17-year- old who wants to be a reporter so she gets a summer internship at the local weekly newspaper, where she meets Kieran on an assignment. She is smart and empathic, but she’s also going through the split of her parents and feels very alone. That makes her lean on Kieran all the more.

 

Who is Kieran?

Kieran is a 19-year- old aspiring actor. As a child, he suffered from an abusive stepfather and a father who left and never returned. So he is torn between loathing his real father for deserting him and desperately wanting his love and approval. This has created a huge insecurity in him, which is reflected in his desire to control and dominate Chloe. Although it’s never stated in the book, Kieran has borderline personality disorder, which is characterized by sudden, terrifying Jekyll-and- Hyde type rages.

 

 

Rage emotion image

 

 

Is Girl on the Brink a standalone or will you write more YA novels?

I’ve got two more YA projects on the burner. Both are realistic contemporary stories that revolve around social issues, teens getting in trouble and learning from their mistakes. Both are also set in the same fictional town of Indian Valley, New Jersey, as Girl on the Brink, and involve some of the same characters.

 

What’s next for you?

I’ve been working on a few short stories and then will likely plunge into a YA novel. I’ve also got two half finished adult novels sitting in my proverbial drawer so I may dust one of those off. But my gut is feeling I should do one of the YAs so that’s what I’ll likely pursue next.

 

 

Girl on the brink audio image

 

 

 

“An engrossing tale of a dangerous teen romance.” – Kirkus Reviews

“Girl on the Brink is a must have for every high school and public library.” – Isabella Kane, author & school librarian

The summer before her senior year, 17-year-old Chloe begins an internship as a reporter for a local newspaper. While on assignment, she meets Kieran, a quirky aspiring actor. Smitten with Kieran’s charisma and his ability to soothe her soul, torn over her parents’ impending divorce, they begin dating.

But as their bond deepens, Kieran becomes smothering and flies into terrifying rages. He confides in Chloe that he suffered a traumatic childhood, and Chloe is moved to help him. If only he could be healed, she thinks, their relationship would be perfect.

But her efforts backfire and Kieran becomes violent. Ending the relationship is hard for Chloe and Kieran pursues her relentlessly to make up.

Now Chloe must make the heartrending choice between saving herself or saving Kieran, until Kieran’s mission of remorse turns into a quest for revenge.

 

Amazon | Goodreads | Audible

 

 

Christina Hoag author image

 

 

As a journalist, Christina Hoag had her laptop searched by Colombian guerrillas and phone tapped in Venezuela, was suspected of drug trafficking in Guyana, hid under a car to evade Guatemalan soldiers, and posed as a nun to get inside a Caracas jail. She’s interviewed gang members, bank robbers, gunmen, thieves and thugs in prisons, shantytowns and slums, not to forget billionaires and presidents, some of whom fall into the previous categories. Now she writes about such characters in her fiction.

Her noir crime novel “Skin of Tattoos” was a finalist for the Killer Nashville Silver Falchion Award for suspense, while her thriller “Girl on the Brink” was named to Suspense Magazine’s Best of 2016 YA list. She also co-authored “Peace in the Hood: Working with Gang Members to End the Violence,” a groundbreaking book on violence intervention used in several universities.

Born in New Zealand, Christina grew up as an expat around the world. She resides in Los Angeles and teaches creative writing at a maximum-security prison. She has also mentored at-risk teen girls in creative writing in South and East Los Angeles. She has been a speaker at numerous writers’ conferences and groups, bookstores, and libraries.

 

Amazon | Goodreads | Website | Facebook

 

 

 

Old steam train

 

How to Shift from Hobby Writer to Pro Writer with Honoree Corder

IT’S TELEVISION TUESDAY

 

 

boy watching tv cartoon image

 

 

How to Shift from Hobby Writer to Pro Writer with Honoree Corder

 

 

 

 

Do you have an accountability writing partner to help you achieve your dreams?

 

 

Benjamin Thomas

@thewritingtrain

http://www.mysterythrillerweek.com

 

 

 

front view of trains on railways track parking in railroads platform station

The Happy Medium of Storytelling Part 1

Retro microphone over recording software background.

 

 

Let’s talk about storytelling. Or rather, let’s talk about the medium through which storytelling is told and perceived. This is such a fascinating topic I couldn’t resist writing about it.

What is your choice of medium when it comes to books? Paperback, an ebook, or audiobook? I have particular interest in how audiobooks affect our perception of a story. Just stop yourself and consider this one thing. Medium.  According to Google medium is defined as the following:

1. An agency or means of doing something.

2. The intervening substance through which impressions are conveyed to the senses or a force acts on objects at a distance.

Both definitions are great, but I prefer the second one because it provides more insight into the topic. Some readers prefer the tactile and visual feedback of a book any day over a digital one. Others hail the ebook over any dinosaur book. I’ve always had trouble digesting books in physical form for some reason. But when the advent of the ebook was created I became a book addict.

Others prefer yet another medium of storytelling. The audiobook. People are listening to more and more audiobooks these days, including myself. Why? What affect does the audiobook have upon the reader? Or better yet, what affect does this medium have upon the listener?

 

 

Young woman listening

 

 

The narrator and his or her performance is the medium through which the story is perceived. No two narrators are the same in skill, personality, voice, training or delivery. So in a sense, you’re getting a completely different medium with each and every narrator. Cool eh? I thought so. But it doesn’t end there.

According to Professor Mehrabian, only 7% of communication is verbal, and 93% nonverbal. Or, the nonverbal component would be 55% body language, and 38% tone of voice. There is some debate about this (of course), so we have to take into consideration other factors such as context, etc. I’ll spare you the boredom. What I’m getting at is the paralinguistic, or paralanguage part of communication that makes up 93%.

Writing to convey ‘what’s not said’ is extremely hard, but the best writers do it with much practice. What’s not said makes up a huge portion of communication, meaning and in understanding another person. This is critical in the context of storytelling when conveying a character properly.

 

 

Story. Text on the strings

 

They say that the nonverbal component is broken down into body langauage and tone of voice. Body language being 55% and tone of voice 38%. When you read a book the author has to convey this information adequately. All the nonverbal tells of communication must be rendered by the authors writing. Good writing does this well, but anything less is lacking a lot of useful information.

Now you throw in a narrator. I love narrators! We have to see the entire story through their eyes and skill amongst other things. These are what linguists call Paralinguistics, or paralanguage. Which basically means everything that isn’t verbal. According to the aforementioned statistics it means everything as far as understanding another person’s attitude, motive, mood, personality etc. All this must be skillfully conveyed through the narrator.

 

 

 

Body Language, word cloud concept 8

 

 

 

Stayed tuned for part 2!

 

Check out my other blogs

AudioSpy | Mystery Thriller Week |Book Reconn

 

 

 

 

 

 

Book Review: Robin Hood’s Dawn – Book one

Robin Hood's Dawn

 

 

Don’t miss this unique retelling of the Robin Hood legend!

England, 1154-1194
A kingdom under assault.
A conspiracy born of anarchy.
A hero standing against tyranny.

 

 

Falsely convicted of a shocking crime, Robin Fitzooth, the Earl of Huntingdon, finds refuge in Sherwood Forest and becomes Robin Hood.

Leading a band of men against the injustices of a malevolent sheriff and his henchmen, Robin begins to unravel a web of treachery threatening the English royal family.

As shadowy forces gather to destroy the future of a nation, Robin faces deceit, betrayal, and the ravages of war as he defends his king, his country, his people, and the woman he loves from a conspiracy so diabolical, so unexpected, that the course of history hangs in the balance.

From the mists of an ancient woodland, to lavish royal courts teeming with intrigue, to the exotic shores of the Holy Land – Robin Hood leads the fight in a battle between good and evil, justice and tyranny, the future and the past.

Part one of an exciting three-part retelling of the Robin Hood legend!

Although the books in the trilogy are not stand-alone, they do not end in cliffhangers.

 

 

 

Robin Hood - Merry Men. Date: circa 1860

 

 

 

“Robin Hood’s Dawn is historical fiction at it’s best.”

 

 

 

BOOK word cloud with magnifying glass, concept

 

 

 

Authors Olivia Longueville and J.C. Plummer deliver a masterful new tale on Robin Hood. The flavor is authentic. The setting, dialogue, characters, customs, made for an impressive novel. One new delicious twist on this spin on Robin Hood is the role that Lady Marian plays throughout the book. Their blazing relationship is the centerpiece of the entire book. I’m amazed at how well this book was written. Can’t wait for book two!

 

 

 

 

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Olivia Longueville has degrees in finance and general management from London Business School. Currently, she is working in investment banking and is also helping her father run the family business.

Longueville loves historical fiction, considering herself an amateur historian, and she is passionate about historical research, genealogy, and art. She has undertaken in-depth research into the history of the Valois dynasty, the French Renaissance, the Tudors, and the Plantagenets.

As an established published writer of Between Two Kings, she is interested in creating strong and diverse characters, and giving voice to stories that are unique, compelling, inspiring, and amusing.

 

 

 

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J.C. Plummer graduated Summa Cum Laude from Washburn University with a Bachelor of Arts in History and Anthropology. She then earned a Master of Science degree in Computer Information Science from Dartmouth College.

Growing up on a small farm in Kansas, Plummer developed a lifelong fascination with history and a curiosity about other cultures and people. Coauthoring The Robin Hood Trilogy has merged her passions for history, culture, and technology into one unique, exciting project.

As an author and historian, Plummer’s goal is to provide thoughtful and entertaining storytelling that honors the past, is mindful of the present, and is optimistic for the future.

To learn more about her book, Robin Hood’s Dawn: Book One in the Robin Hood Trilogy, visit www.angevinworld.com.