thrillers

Interview with Tammy Euliano, MD – Author of Fatal Intent

Posted on March 26, 2021March 26, 2021 by Benjamin Thomas

Author of Fatal Intent

End-of-life care—or assisted death

When her elderly patients start dying at home days after minor surgery, anesthesiologist Dr. Kate Downey wants to know why. The surgeon, not so much. “Old people die, that’s what they do,” is his response. When Kate presses, surgeon Charles Ricken places the blame squarely on her shoulders. Kate is currently on probation, and the chief of staff sides with the surgeon, leaving Kate to prove her innocence and save her own career. With her husband in a prolonged coma, it’s all she has left.

Aided by her eccentric Great Aunt Irm, a precocious medical student, and the lawyer son of a victim, Kate launches her own unorthodox investigation of these unexpected deaths. As she comes closer to exposing the culprit’s identity, she faces professional intimidation, threats to her life, a home invasion, and, tragically, the suspicious death of someone close to her. The stakes escalate to the breaking point when Kate, under violent duress, is forced to choose which of her loved ones to save—and which must be sacrificed.

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Perfect for fans of Kathy Reichs and Tess Gerritsen

Interview with Tammy Euliano, MD

Author of Fatal Intent

Tammy Euliano, MD, is a practicing anesthesiologist and tenured professor of anesthesiology at the University of Florida. In addition to a prolific list of academic publications, YouTube teaching videos, and numerous teaching awards, she has also written award-winning short fiction. Fatal Intent is her debut novel. Tammy lives in Gainesville, FL, with her husband. For more information, please visit https://teuliano.com and follow the author of Facebook.

I love the premise for Fatal Intent. Did the inspiration for this book take place over a long period?

It did. The idea of managing the end-of-life has fascinated me since way before any kid should think about such things. We had a debate in my 5th grade class about the fate of Karen Ann Quinlan, a young woman in a persistent vegetative state whose parents wanted her ventilator disconnected, while the State of New Jersey disagreed. I don’t recall what side my 10-year-old-self argued, but the question never left me. Medical technology and the ability to keep the body alive has far out-paced our ethical ability to deal with the implications.

In medical school and residency, the question resurfaced repeatedly, while watching families’ extended mourning in the ICU, and anesthetizing patients for innumerable procedures despite little to no hope of a meaningful recovery. Meanwhile, the absurd cost of medical care in the US frequently made the news, especially expenditures in the last few months of life and final hospitalization.

You’ve written award-winning short stories. What was your experience writing a full length novel vs shorter fiction?

I started the novel first, and only moved to short fiction when I realized (1) I needed to work on craft and (2) getting published wasn’t a linear path. I learned that having writing credits might help me find an agent. The jury’s still out on that part, but it definitely taught me to write efficiently. It’s great practice for completing character and plot arcs, all in a single day instead of months (or years).

How long have you been writing fiction?

Do stories about lady bugs and lions written in first grade count? I dabbled a bit, but didn’t really start writing until around 2014 when I resigned my administrative duties at work and purposely made time to write.

What kind of person is the character Dr. Kate Downey?

She is caring, compassionate, loyal, intelligent and skilled, but also plagued by guilt and maybe a little imposter syndrome. She is tenacious but confrontation-averse and much too willing to accept blame, even erroneously assigning it to herself. I think she’d be a great friend to have, but maybe a little slow to warm up.

I love what you’ve done with the story and the dialogue leaps off the page. What is your creative process for creating characters?

Thank you for that. Honestly, the characters seem to just appear in my mind. For the sequel, I’m having a little trouble with one of the new characters who can’t decide whether he or she is a good guy in a tough spot or a bad guy faking it. To figure the character out I’m having them write a diary post about their motivations. When that doesn’t work, I use a massive white board and create a mind map of their life and interactions. It’s one of the funnest parts of writing for me, except when they won’t cooperate, like now!

Dr. Kate Downey has a lot situations going against her. What motivates her to keep going and clear her name?

With her husband on death’s door, her career is all she has. If she isn’t working crazy hours, she has time to think, and wallow. Furthermore, being a physician is all she’s ever wanted to be, if she isn’t a doctor, who is she? And she wants to stay in her current hospital because Greg once worked there. Her colleagues knew him. In a way, he still exists as long as she’s there.

Will this be a stand alone or develop into a series?

It began as a stand alone, but I really liked Kate and her crew and wondered if I could keep writing them. Realistically though, what are the odds an academic anesthesiologist would stumble across more than one murder mystery in her career. But then, there is Murder, She Wrote and Miss Marple and any number of other series with an amateur sleuth, often cozies but I thought it might be possible. When Oceanview bought Fatal Intent, it was a two-book deal, so that sealed it. But in the meantime, the reviews I’m receiving frequently mention a desire to see Kate again, hence the sequel with the uncooperative character.

What’s next for you?

The sequel to Fatal Intent in which Kate Downey, Aunt Irm and Christian face another series of challenging circumstances is due asap. I’m also working on another series. Pre-covid I wrote about a bioengineered virus that destroyed the fertility of humans and other primates. Sort of Children of Men-ish, minus the soul-crushing fate of mankind that PD James described. Anyway, I LOVE the themes, the characters and the challenging topics raised, but have yet to interest an agent or publisher.

By day, Tammy Euliano, MD is a Professor of Anesthesiology and Obstetrics & Gynecology at the University of Florida where she cares for obstetric patients, teaches medical students and residents, performs research, and invents cool stuff. She’s been honored with numerous teaching awards, more than 100,000 views of her YouTube teaching videos, and was featured in a calendar of women inventors (copies available wherever you buy your out-of-date planners).

By night, she plays games with her family (now remotely), cuddles her dogs, reads, and writes medical thrillers.

Vacations are for exploring our amazing world. She has dragged her family of five to all the major US national parks, Alaska, Hawaii, Canada, Costa Rica, the Caribbean, the Galapagos, the Mediterranean, Europe and New Zealand. Trips are spent soaking up the history and culture while also experiencing nature, often in extreme fashion.

Interview with Peter Riva, Author of Kidnapped on Safari: A Thriller

Posted on January 21, 2020January 20, 2020 by Benjamin Thomas

The third book in the Mbuno & Pero series pulls terror from headlines to create a gripping international thriller for readers of John le Carré, Daniel Silva, and Iris Johansen.

Expert safari guide Mbuno and wildlife television producer Pero Baltazar are filming on Lake Rudolf in Northern Kenya, East Africa, when they receive news that Mbuno’s son, himself an expert guide, has been kidnapped while on a safari five hundred miles away in Tanzania. After gathering the clues and resources needed to trek through the wilderness, they trace the kidnappers back to an illegal logging operation clear-cutting national park forests, manned by sinister Boko Haram mercenaries. There, they find not only Mbuno’s son but also a shocking revelation that has terrifying and far-reaching consequences.

Relying on Mbuno’s legendary bush skills, the pair must overcome the danger both from inside and outside the camp to bring Mbuno’s son out alive. In doing so, Mbuno and Pero discover that kidnapping and deforestation are only the beginning of the terrorist group’s aspirations, and they realize a threat that would herald an even more dangerous outcome for Tanzania—a coup. A rescue might just risk the entire stability of the region.

Exciting and expertly plotted using facts ripped from news’ headlines, Kidnapped on Safari is a gripping, edge-of-your-seat thriller set in deepest, darkest, Machiavellian, East Africa.

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Group of giraffes in the Serengeti National Park on a sunset background with rays of sunlight. African safari.

Interview with Peter Riva,
Author of Kidnapped on Safari: A Thriller

Have you always wanted to be a writer?

As an adult? No. However, as a child I was always writing and making up stories based on real events, machines, animals. My mother, of course, loved these, as did my much younger brothers. Then school took that hedonistic pleasure away. It was only in later years, post-40, that I found that pleasure of writing for fun again. It’s a slightly guilty feeling to allow myself the pleasure…

Have you ever written a screenplay?

Yes, at UCLA film school 1969-70. Those years were interrupted by the anti-military riots and it went nowhere. I did critique other young TV/filmmakers—like Steven Spielberg (at USC- he used to come to see original films at UCLA)—with my opinion of films and their perspective. My advice to Steven was useless. He always had a steel-trap memory, remembered every credit of every film he had seen. Steven, who worked with my brother Michael, is a storyteller at heart. We have that in common.

How did you become a literary agent?

As a gopher on Monty Python’s Flying Circus for BBC TV—and I mean a gopher, I had, for example, to fetch two ladies of the night willing to dress as nuns for the penguin tennis sketch… and bare their chests (BBC 2 allowed that, it was aired, but never in video). When the TV season was over they asked my help in getting a book published. My father was a toy agent and he was able to steer me in the right direction. Things went on from there…

How did you develop a love for wildlife in Africa?

I first went to Africa age 16 and then returned –this time to East Africa with a client Peter Beard. There I met some wonderful people, real people, people of the land and adventure, who showed me their connection with nature. Three times I walked solo across the Maasai plain to the Ngong Hills and back, eight miles each way. Lions let me pass, hyenas paid me no heed. I walked through herds of gazelles. There I also met Mbuno who, as you can see in my stories, had a profound impact on me. The stories of his exploits and those of his father (who guided Teddy Roosevelt) are awe inspiring.

What are your favorite animals?

Let’s start with those I hold in my heart… a succession of wonderful companions since I was 18, dogs, currently Lil Lady and Tay, both Golden Retrievers. Except for those dog friends who I consider much like family members (I do not own them, we share life), I have always admired, studied, and been fascinated by animals. I had a farm back east with a rescued pulling horse, Big Jim, 1500 pounds of muscle, along with cows, ducks, chickens and wonderful goats. Where I live now on a ranch in NM we have Pinzgauer cattle that I hand feed when they turn up early morning.

How did your writing process develop? Or has it always been the same?

I am afraid as a writer I binge. In work I read 100k to 150k words a week, write maybe 10k words at least. I have written for the past 20+ years a weekly op-ed piece, 800 words, for the Millerton News and often the Lakeville Journal. It all adds up. But writing a story? I sit down, pluck events I know about out of the thin air, write them down and let the characters construct events. Sometimes that means I’m still typing at 3am… sometimes I need to stop and mull it over for a day or more.

Do you always write what you know? And if not, would you write something outside your direct knowledge base?

Yes, I rely on what I know, have studied, learned about or—and this is the fun part—connect the dots on. Take two separate events, especially when everyone assumes that there is one event and that’s final—and there is another event and that too is final, self-contained. If you then find the link between them, if you can find that thread that mysteriously (plot twist) connects them, then you have great fun allowing the threads to be woven into a good story. If I reach a point where my personal knowledge fails me, I have resources, people I can talk to of course. Quite often that gap not found on Google until you get to the 20th or more page down. I often prefer my 1956 Encyclopedia Britannica. Research is never frustrating, it is always illuminating.

Write something outside my direct knowledge base? Yes, sure, insofar as data and facts are concerned. That’s fun. My SciFi stories fit that bill, tons of learning (all fun). Write something outside of my personal emotions and experiences as a character or those of characters I have known? Not sure I can make up a human out of whole cloth. Can anyone?

I believe storytelling originates out of some kind of appreciation. What do you appreciate about Mbuno?

Mbuno embodies—both the real man and the character I write which is an amalgam of Mbuno, his father and stories of pre-colonial East Africa—that which is most honorable, most deliberate, least constrained by false values levied in modern society. I’m not talking about PC here, but let’s take an example. The real Mbuno was asked to help the British powers during the Mau Mau revolution. This was a terrorist faction of the Kikuyu tribe, set on upending British rule. Mbuno didn’t care who wanted to rule the country. Like ownership of land which he believed to be nonsense—“Only the gods own the land they created.”—ruling a country didn’t interest him. However, Mbuno could not stand by and watch Mau Mau butchers hacking up women and children in the dead of night. He had no hesitation in tracking those killers down. Nothing to do with sides, just moral right from wrong, nothing PC about his thinking.

What do appreciate most about the setting in your book?

It is so hard to convey the true majesty of real nature. I live in New Mexico, abutting the Gila Wilderness, 3.5 million acres set aside as wilderness. To be here, to inhale unspoiled air, revel in the scenery, watch the wild animals (bears, coyote, fox, javelina, snakes, and 1/3 of all the bird species in N. America come through here)—it’s like a meal for the senses. The difference between here and East Africa’s wild places? On foot, almost nothing, but Africa has that primordial connection to a part of your brain that you cannot escape. The senses can be overwhelmed with the beauty and majesty. In a zebra-painted tourist minivan, your TV is better.

Is everything in Kidnapped on Safari real?

Oh, of course, real yes and actual fact? No. Times, events, places are moved about. A similar coup in Tanzania was a real possibility until it was stopped in the ‘70s. Boko Haram kidnapped girls (news events). Transporting the girls to Tanzania as a means to effect the coup? My imagination and that connection thread no one expects. The trains, the places, the parks, the animals, all real, researched or experienced first-hand. Mbuno’s ability to communicate with elephant? As told by him true and, in his old age (approaching 80 when I knew him), no longer fully possible—but the prowess of his father to do so—taught to him—always astounded me and even him. He used to explain, “You need the beat of the land, of nature. Without that, they will not listen.” Mbuno was the real deal.

Peter Riva author image headshot

ABOUT THE AUTHOR:

Peter Riva is the author of Kidnapped on Safari. He has spent many months over thirty years traveling throughout Africa and Europe. Much of this time was spent with the legendary guides for East African hunters and adventurers. He created a TV series in 1995 called Wild Things for Paramount. Passing on the fables, true tales, and insider knowledge of these last reserves of true wildlife is his passion. Nonetheless, his job for over forty years has been working as a literary agent. In his spare time, Riva writes science fiction and African adventure books, including the previous two titles in the Mbuno and Pero Adventures series, Murder on Safari and The Berlin Package. He lives in Gila, New Mexico. For more information, please visit https://peterriva.com