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It takes courage to write a memoir. Sort of like going to confession if you are Catholic. If you want absolution, you must admit to all the stupid things you’ve done. Similarly, if you want to sell your story, you must bare your moments of weakness to readers. The difference is that, in a memoir, you also get to tell about your triumphs and how you won in the end. Your life events need to span the full gamut of what life has thrown at you and resonate in the readers’ hearts and minds, and this means going deep into your soul to create the story, your story.
For me, Flying Alone was not going to be a memoir, even though all the events and characters are real. It was going to be a novel. Actually, it was to be a memoir masquerading as a novel, complete with names changed to protect the innocent and not so innocent. This way, I could fully reveal the events without having to own up to them. Those years in the 1980s when I was climbing and clawing my way up the aviation ladder were filled with risk, dangerous situations and some bad decisions. When I lost my FAA medical certificate in 1990 with the diagnosis of multiple sclerosis, my aviation career ended and I knew I had to write about it. Even though I wasn’t ready to expose some of it, I still pushed those thoughts aside and wrote… and wrote. The memories were fresh, and I could record them in the greatest detail. After completing the writing, I put it in a box and set it aside knowing that someday there would be a time to revisit it. Well, the time passed until about two years ago, when I finally knew I was ready.
I read it all the way through for the first time in so very long, reliving the experiences with all the edge-of-my-seat terror and suspense as when it actually happened.
Even though it was intended to be a novel, written in the third-person to shield myself from what readers might think of my escapades, there was no doubt only halfway through rereading it that it was, in fact, a memoir of a very turbulent time in my life. This posed the greatest difficulty in the editing process—telling it as my personal story in the first person, i.e., baring myself to readers and owning the truth. I had to make peace with all that had happened back then and, ultimately, I shared everything and could forgive myself for old mistakes and regrets.
At times, the distance of thirty years made it seem unreal, but that separation also helped me to look at those years with the objective compassion that comes with maturity. I remember and love the people who played important roles during that time, from Rod, my employer, mentor and flight examiner, to Melanie, my student, friend and cheerleader, and Peter, my dear friend and fellow risk taker who paid the highest price.
Flying Alone is the result of the cathartic process called memoir writing. But not only is this process cleansing and peace-making, it serves another important purpose—that is, recording history. Whether my history is important or not is not the point. Rather, the point is it is the history of a time and a small slice of life at that time.
In sharing my story, my hopes are for a variety of reactions from a variety of people. For other women, I hope they can see how it is possible to emerge from life situations and decisions that make you feel as desperate as an airplane in an uncontrollable spin. My relationship with Steve was just that, and even though recovery was never a guarantee, persistence allowed it to happen.
I equally hope that young women aspiring to careers in aviation and other male-dominated professions will understand that it can be done successfully. Certainly, the circumstances are much more forgiving today than they were in the 1980s, but there still remain obstacles. I hope the ultimate message received is never to give up even when it just doesn’t seem worth the effort anymore. Don’t plant the seeds for later regrets.
Of course, I also want to share it with pilots of all types so they can see my side of the world of civil aviation and perhaps derive amusement, stir their own memories or, in the case of student pilots, learn what not to do. An early reviewer of my book summed it up in this way: “… [Beth’s] book will warm the hearts of grizzled pilots like me or anyone seeking insight into the challenges and rewards of flying.”
As I look back, despite the fact that quite a bit of courage is needed to write a memoir, the memoir is in fact a reward earned for simply living life. Taking the time to look back on years past and contemplate the events that have shaped and changed you as well as others is an act of accepting yourself, but writing about these events to share with others is the reward.
Beth Ruggiero York is the author of Flying Alone: A Memoir. She is a former airline pilot for Trans World Airlines. She entered the world of civil aviation in 1984 shortly after graduating from college and, for the next five years, climbed the ladder to her ultimate goal of flying for a major airline. Beth originally wrote Flying Alone in the early 1990s, shortly after her career as a pilot ended and the memories were fresh. She is now a Chinese translator and a professional photography instructor for Arizona Highways PhotoScapes. She has published a popular instructional book on night photography, Fun in the Dark: A Guide to Successful Night Photography, which has worldwide sales, and she has co-written a book entitled, Everglades National Park: A Photographic Destination. Beth and her husband live in Fountain Hills, AZ. For more information, please visit https://bethruggieroyork.com and follow Beth on Facebook, LinkedIn and Instagram.
Toby Neal was raised on Kauai in Hawaii. She wrote and illustrated her first story at age 5. After initially majoring in journalism, she eventually settled on mental health as a career and loves her work, saying, “I’m endlessly fascinated with people’s stories.”
Toby credits her counseling background in adding depth to her characters–from the villains to Lei Texeira, the courageous and vulnerable heroine in the Lei Crime Series, to the wounds and psychological implications of the heroes of the Scorch Series.
Have you ever wondered why some people seem to catch all the breaks and win over and over again? What do the super successful know? What is standing between you and your wildest dreams?
A Wall Street Journal and Publisher’s Weekly bestseller, The Book of Mistakes will take you on an inspiring journey, following an ancient manuscript with powerful lessons that will transform your life. You’ll meet David, a young man who with each passing day is more disheartened and stressed. Despite a decent job, apartment, and friends, he just feels hollow . . . until one day he meets a mysterious young woman and everything starts to change.
In this self-help tale wrapped in fiction, you’ll learn the nine mistakes that prevent many from achieving their goals. You’ll learn how to overcome these hurdles and reinvent your life.
This success parable is packed with wisdom that will help you discover and follow your personal purpose, push beyond your perceived capabilities, and achieve more than you ever dreamed possible. You’ll find yourself returning again and again to a deceptively simple story that teaches actionable insights and enduring truths.
“This book is written to motivate individuals to consistently achieve their own high goals,” Prichard says. “Creating results and momentum is only possible when readers take personal accountability. That’s what this book is about.”
Skip Prichard is an accomplished CEO, growth-oriented business leader, and keynote speaker. He is known for his track record of successfully repositioning companies and dramatically improving results while improving the corporate culture. He is a keynote speaker on topics ranging from leadership, personal development, growth strategies, culture, corporate turnarounds, and the future of publishing. His views have been featured in print and broadcast media including the BBC, The New York Times, CNN, NPR, The Daily Beast, Harvard Business Review, Information Today, The Bookseller, Publishers Weekly, Christian Retailing, and the Library Journal.
Were those people in Isaiah’s dream the same people from school? Popular soccer star Magda? George, who he’d never heard speak because he always left classes for special services help? Angry Rose, the Chinese girl who was always in trouble for fighting? And why were there dead birds and fish everywhere? When the four encounter one another the next day by the same pond from the dream, they realize they’ve shared a dream and there really are dead birds and fish covering the ground! This leads to real-life adventures and more dreams as they discover a toxic waste plant disposing of poisons illegally. Not friends in the beginning, romance blossoms as they work together with their Power Animals to close down the plant.
The Hidden Worlds
Sandra Ingerman and Katherine Wood
Both of us love working with children and have worked with them for many years, both in healing and in teaching them to perform shamanic journeys as a powerful way to feel empowered in challenging life situations.
Sandy felt it was important to write a book for children that included ways to work with spiritual guides in shamanic journey to help them navigate both personal and planetary challenges. In ancient shamanic cultures, children were taught to do this, to live in harmony with nature, and to use their gifts and strengths for the good of the community. Children are our future, so a story to help them bridge these ancient possibilities was important. So Sandy set the intention to write a beautiful book that would incorporate these practices.
When she showed her draft to her agent, she was told that it needed more to capture the imagination of the readers. The agent said it was too heavy on spiritual lessons with not enough story to draw the reader in. That’s when Sandy asked Katherine to collaborate. Katherine had taught for 31 years, had her own children and had been writing stories and taking workshops on writing for children for many years. She was thrilled by the opportunity.
We brainstormed plot ideas, went deeper into the character development, and selected a setting for the book. These new ideas were woven into the original story and The Hidden Worlds emerged after much revision and reader feedback.
We worked on Skype, on the phone and via e-mail. Sandy’s ideas were already in writing, so Katherine added her ideas to structure the story.
The theme of the book is that every person has the power to make a difference in the world. We all have access to higher powers who can see the whole situation and send in ideas. When working with others and their skills, knowledge and ideas, an amazing project can emerge. We feel collaborating on this book is proof of this theme.
Because human beings are unique and complex, we both felt it was important to show this diversity in our characters. We wanted to show that people in middle school can cross the barriers of cliques to become friends with those unlike them. We wanted to show differing perspectives—someone with a debilitating illness, someone who was brought from another culture into this one, someone in special education, someone heavily involved in sports, someone with anger issues, someone who was a natural born leader who felt invisible, someone who was bullied about weight, someone who was popular with lots of friends, someone with no friends. Despite their differences, however, they each had passion for nature and courage to confront things that were wrong. Their commonalities were more important than their differences.
Power Animals are guides in the spiritual realm. Some say that each person comes in to this life with at least two power animals. In the original story, Sandy paired each of the characters with a specific animal. Each character developed through the loving support of these animals.
It is our hope that our readers will enjoy seeing how Power Animals can help with everyday life situations because they love us, and they want to help us make life better. The book has shown tools that work in real life through the characters and the way they solve the problems they encounter.
Stop Looking to Others to Create a Life of Joy
by Renee Linnell,
Author of The Burn Zone: A Memoir
Originally published on Psych Central
I believe there is not enough dialogue out there about soul-sickness, especially among wealthy communities. We are taught to believe from a young age that once we have the perfect partner, house, car, children, and careers, we will be happy. And often times this is not the case; the happiness does not come. There is an insatiable need for more. Because there is no dialogue about this, most people think, I am the only one, something is wrong with me, or no one understands me. This leads to deep despair and usually a diagnosis of depression and medication.
I ruined my life searching for peace. I pushed away everyone and everything I loved. I allowed myself to be emotionally, psychologically, and sexually abused. I allowed myself to be brainwashed in seemingly unhealable ways. And what I finally discovered, after all of my searching, is that the peace and happiness for which I had been searching was inside of me all along. But, and this is a big but, I had to be shattered by life to find it. I had to be shattered to finally stop living a life that was not mine. I had to be shattered to finally decide that following my own heart and being true to myself and creating a life that brought me joy was more important than living a life to please other people. I had to be shattered to start questioning what the hell I had been doing and why the hell I had been doing it and to what point.
Why do we feel the need to say, “to death do us part” and bind ourselves to another person? Why do we ignore the intense fear that comes with this decision? How can we even know that this will be in our best interest or the other person’s for the rest of our lives? Many of us do it because everyone else does. Why do we forgo choosing work that we are born to do, work we are naturally skilled at doing, work we love, work that makes our hearts sing and instead choose a career we hate because it pays more? We do this because we are told to do it by our parents or our teachers, and because everyone else does. Why do we dress the way we dress and worship the way we worship and pick romantic partners the way we do? So often it is because we were told to do it this way, or because everyone else does. Often we don’t question any of this. I know I didn’t.
I believe the only way to true joy, to true bliss, to true freedom, is to begin the work of uncovering our real selves—to chip away at the parts of us that are false, the façade we created to please our families, the mask we built so the world would approve of us. Only when we are willing to stand tall in our own uniqueness, with our own idiosyncrasies, will we be able to do the work we came to do, to build the life we always dreamed of, to excel beyond our wildest dreams, and to live in true joy and abundance. When we finally tap into what we naturally are, we discover we already have the exact right skill set to become everything we have always secretly wanted to be.
We are all flawed, we are all damaged, and we are all beautiful. Each one of us is unique; there is no carbon copy. So how can we possibly follow what others are doing? How can what they are doing be right for us? We were born to blaze our own trails. We were all born with unique abilities and skill sets, with unique damage and unique wounds. I believe we are meant to use this combo to discover who we truly are and why we are truly here. Our wounds are not a mistake, they are given to us for a reason, they are Divine. In the healing of them we soften and we open, and we learn how to help others overcome similar damage. In our speaking about them and our owning of them, we encourage others to do the same and as more and more of us speak our Truth, we all eventually realize we are not alone. We have never been alone. We are surrounded by each other, our brother and sister humans, and we are here to support each other on this crazy amazing Earth Walk.
Yes, the decision to live this way is terrifying; but once we decide to do it, we feel the life force energy coursing through us again, we feel the blood pumping through our veins, we rediscover passion and the thrill of not knowing what tomorrow will bring. We are here for such a very short time; I simply cannot believe we were meant to spend that time in loveless relationships stressed about paying bills.
In my journey to wholeness I discovered that me just being me, dressing the way I want to dress, saying the things I want to say, doing the activities I love to do, putting myself first and making sure I am taken care of before I take care of others—living this way brought me so much joy that I began to radiate joy and light and love and kindness. I discovered a joyful me was a radiating me. A joyful me was a kind me. A joyful me was a patient and compassionate and forgiving me. After destroying myself and my life and all that I loved in order to become Enlightened, in order to become Saint-like, I finally realized that the key to my becoming Saint-like was just being me. When we create a life of joy we stop worrying about what others are doing or not doing. We stop pushing against. And instead we begin loving. And we add our light to the sum of light; we shift the consciousness of the planet from fear to love. What better use of our time here on earth than that?
About the Author:
Renee Linnell is the author of The Burn Zone: A Memoir (She Writes Press; October 2018). She is a serial entrepreneur who has founded and cofounded five companies and has an Executive Masters in Business Administration from New York University. Currently she is working on starting a publishing company to give people from diverse walks of life an opportunity to tell their stories. She divides her time between Colorado and Southern California. For more information, please visit https://reneelinnell.com and follow Renee on Facebook, Twitter and Instagram.
Two young Vushla questioned what everyone knew about death. What should they do with the answer?
When the time comes for Vushla to die, they go into the ocean and are dissolved away. Or so Terrill has always believed, and still believes after taking part in his father’s final journey. But when he meets a young Vushlu who lives by the sea, Terrill must confront information that calls this fundamental belief into question. Will the two of them discover the truth? And what should they do with what they find?
*How did you come up with the title for this book? It sounds rather poetic.
–The idea came from a familiar phrase in the English Burial Service: “ashes to ashes, dust to dust.”
*What exactly is a Vushla?
–The Vushla (plural — singular is Vushlu) are one of the sentient species on a planet humans haven’t found. They could be described as a cross between a centaur and a tortoise: their general body configuration is that of a centaur, and they are largely covered by many small plates of a hard substance they (and their neighbor species, the Weesah) refer to as armor. The armor is often moved as part of gestures and body language. I envision them as roughly human-sized.
*Tell us how the idea for this book came about.
–That was a first for me. The way Vushla typically meet death came to me as an image in a dream. My husband contributed a key plot twist.
*What is the connection between the Vushla, water, and death?
–As described in the Preface and in the book blurb, when a Vushlu knows it is dying (I use “it” for unidentified Vushla and Weesah, and he or she for individuals of known gender), it tries to get to the ocean, where it swims or wades into the surf to dissolve away. If it dies on the journey, the friends and relatives accompanying it on the funeral journey hire fisher folk (who have custom-made waterproof suits) to carry the body into the ocean.
Whether there are other connections . . . you’ll need to read the book to find out. 🙂
*Was your approach different in writing this book?
The origin — a dream, as I mentioned above — was different. Otherwise, I did what I usually do: wrote a (very) rough draft during National Novel Writing Month, aka NaNoWriMo or NaNo; put it aside for a month or so; did multiple revisions and editing passes over the next nine months; sent it to beta readers and made more revisions based on their comments; did the final proofread/edits; and published it (as a preorder) on Amazon and Google Play and via Draft2Digital. (The paperback will, I hope, be ready by the release date of October 17th, at least on Amazon. B&N will take a little longer due to a cumbersome proofing process.)
*What comes first the idea or theme?
That’s an interesting question, especially this time around. What thematic concerns inspired that dream? I can’t say for sure. I certainly had both mortality and parent-child relationships on my mind, as my father died a little more than six months before NaNo began. (I don’t remember exactly when I had the dream, but I would guesstimate it was a month or so before NaNo.)
*What was your experience like writing Water to Water?
I can generally keep up with or stay slightly ahead of the pace NaNo requires (an average of 1,667 words per day), and this time was no exception. My confidence in the story fluctuated about as much as usual — which is to say, frequently but not to the point of either ecstatic certainty or profound gloom. I frequently consulted my general science adviser, aka my husband Paul Hager, on various aspects of world-building.
I approached cover design a little differently this time. I’ve most often collaborated with a particular designer, but that collaboration works best when I have some fairly definite starting ideas. This time, the one idea I had felt insufficient. I decided to spring boldly into the red, financially speaking, and invest in a cover from a designer (or rather, a group of designers) I’d long admired, Damonza. I am delighted with the result, which has gotten consistently favorable comment during the book’s Silver Dagger Book Tour (continuing through October 26th).
Karen A. Wyle is the author of multiple science fiction novels, including The Twin-Bred Series: Books 1-3; near-future novels Division, Playback Effect, and Who: a novel of the near future; and YA near-future novel The Link. Her one novel (so far) outside the SF category is afterlife fantasy/family drama Wander Home. She has also published one nonfiction work, Closest to the Fire: A Writer’s Guide to Law and Lawyers, a resource for authors or for anyone interested in understanding more about American law.
Wyle was born a Connecticut Yankee, but eventually settled in Bloomington, Indiana, home of Indiana University. She now considers herself a Hoosier. Wyle’s childhood ambition was to be the youngest ever published novelist. While writing her first novel at age 10, she was mortified to learn that some British upstart had beaten her to the goal at age 9.
Wyle is an appellate attorney, photographer, political junkie, and mother of two wildly creative daughters. Her voice is the product of almost five decades of reading both literary and genre fiction. It is no doubt also influenced, although she hopes not fatally tainted, by her years of law practice. Her personal history has led her to focus on often-intertwined themes of family, communication, the impossibility of controlling events, and the persistence of unfinished business.
From the million-copy bestselling author, perfect for fans of Stieg Larsson, Anne Holt, and The Killing.
“Michael Ridpath is trouncing the Scandinavians on their home turf. This is international thriller writing at its best.” PETER JAMES
Iceland, 2017: When a young Italian tourist is found brutally murdered at a sacred church in northern Iceland, Magnus Jonson, newly returned to the Reykjavík police force, is called in to investigate. At the scene, he finds a stunned TV crew, there to film a documentary on the life of the legendary Viking, Gudrid the Wanderer.
Magnus quickly begins to suspect that there may be more links to the murdered woman than anyone in the film crew will acknowledge. As jealousies come to the surface, new tensions replace old friendships, and history begins to rewrite itself, a shocking second murder leads Magnus to question everything he thought he knew…
This book is definitely on my radar. First, there’s an amazing endorsement from mega-writer Peter James. Then the blurb kind of sucks you into it’s realm of suspense, intrigue, crime, setting and viking history. The Wanderer is the #5 book in the series so I’ll need to catch up fast!
He slips through the unlocked window. Creeps down the hall. A shadow standing in the bedroom doorway. Will you wake when death comes ripping?
A string of brutal home invasion murders terrifies Dade County Florida. The killer strikes in the dead of the night, savages innocent people in their beds, wipes out entire families.
Skewering them with his blade. Butchering them beyond recognition. Raw. Aggressive.
He attacks at random. Rich. Poor. Young. Old. No one is safe.
When the city sleeps, he comes alive. Stalks the night. Walks among us.
The investigation is hopeless. There’s little physical evidence to work with, and the killer’s chaotic behavior makes him as unpredictable as he is dangerous.
How can anyone make sense of such brutality?
The task force leading the investigation needs a profiler, and there’s only one man for the job.
Loshak. Special Agent Victor Loshak.
The 53 year-old likes his Dunkin’ Donuts coffee shaken, not stirred. And now, for the first time, he’s on his own.
In recent years, Loshak has slowed down some. He relies on more wit than grit these days, often playing a mentor role to his partner, Violet Darger. Until now, she always had more than enough grit for both of them.
But Darger isn’t around this time, and a killer this aggressive will push Loshak to his limits.
What drives someone to such violence? And how far will Loshak have to go to stop him?
Yeah, he’ll need to find that grit again… or die trying.
I’ve read this author and part of the Violet Darger FBI series before, so I know what I’m getting into before I read this. Agent Victor Loshak FBI profiler first makes his appearance in Dead End Girl: A Gripping Serial Killer Thriller (Violet Darger FBI Thriller Book 1). And that book was AMAZING. I wasn’t too impressed with the blurb itself though. Liked bits and pieces of it and disliked others. But the blurb is pointless because I’ve already got a great taste of the series and the lead character anyway. Can’t wait to tap into this puppy.
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Minty Fresh Reads. Murder and mayhem, with a sprig of mint.
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