IT’S TELEVISION TUESDAY
How to Make a Living Writing One Book a Year with Jami Albright
Author: Chris Muhlenfeld
Narrator: Price Waldman
Length: 9 hours 46 minutes
Publisher: Chris Muhlenfeld⎮2018
Genre: Science Fiction
Series: The Obsolescence Trilogy, Book 1
Release date: Nov. 14, 2018
Synopsis: And then it went dark…the world’s electrical grid was gone.
Who would survive the chaos?
For James and Alexa, they saw it unfold from their ranch, which was a blessing. They were away
from the chaos, and they thought they were safe. They thought wrong.
What will they do?
All across the country cities are in crisis.
Logan and his family look out from their Manhattan penthouse. The world is crumbling before their eyes. Unprepared, he’s got to do something. They can’t stay. But how can they leave and where will they go?
Someone has a solution.
It’s Logan’s domestic android.
Can he believe a machine?
You won’t believe the twists and turns, but you’ll love the adventure.
Get it now.
This was a very fascinating book. The premise was great and it only gets better towards the end. Although it provides good suspense, I thought the author could’ve filled in, or sprinkled, more information in the first and second acts. That’s the only reason I believe that weakened the story. However, everything is tied together quite nicely towards the conclusion of the book. Having this book as the foundation for the rest of the trilogy makes me wonder how the remaining books play out. Looking forward to seeing what happens next!
Narrator Price Waldman does an excellent job with a variety of accents. From British English, to American southern accents, Waldman does a good job of characterization and breathing life into the story.
Chris has been reading and writing science fiction since he was a teenager. After roaming all over the world, he finally settled down in the beautiful mountains of western Montana where he publishes Distinctly Montana magazine with his wife. When he’s not hiking, biking or camping in the Montana wilderness, he and his wife are traveling the world.
Price Waldman is an actor and singer, born and raised in NYC. Classically trained, and working professionally in the theater for over 20 years he is new to the world of audiobooks. As an actor he has performed multiple times on Broadway, toured nationally and internationally and appeared on film and television.
Were those people in Isaiah’s dream the same people from school? Popular soccer star Magda? George, who he’d never heard speak because he always left classes for special services help? Angry Rose, the Chinese girl who was always in trouble for fighting? And why were there dead birds and fish everywhere? When the four encounter one another the next day by the same pond from the dream, they realize they’ve shared a dream and there really are dead birds and fish covering the ground! This leads to real-life adventures and more dreams as they discover a toxic waste plant disposing of poisons illegally. Not friends in the beginning, romance blossoms as they work together with their Power Animals to close down the plant.
The Hidden Worlds
Sandra Ingerman and Katherine Wood
Both of us love working with children and have worked with them for many years, both in healing and in teaching them to perform shamanic journeys as a powerful way to feel empowered in challenging life situations.
Sandy felt it was important to write a book for children that included ways to work with spiritual guides in shamanic journey to help them navigate both personal and planetary challenges. In ancient shamanic cultures, children were taught to do this, to live in harmony with nature, and to use their gifts and strengths for the good of the community. Children are our future, so a story to help them bridge these ancient possibilities was important. So Sandy set the intention to write a beautiful book that would incorporate these practices.
When she showed her draft to her agent, she was told that it needed more to capture the imagination of the readers. The agent said it was too heavy on spiritual lessons with not enough story to draw the reader in. That’s when Sandy asked Katherine to collaborate. Katherine had taught for 31 years, had her own children and had been writing stories and taking workshops on writing for children for many years. She was thrilled by the opportunity.
We brainstormed plot ideas, went deeper into the character development, and selected a setting for the book. These new ideas were woven into the original story and The Hidden Worlds emerged after much revision and reader feedback.
We worked on Skype, on the phone and via e-mail. Sandy’s ideas were already in writing, so Katherine added her ideas to structure the story.
The theme of the book is that every person has the power to make a difference in the world. We all have access to higher powers who can see the whole situation and send in ideas. When working with others and their skills, knowledge and ideas, an amazing project can emerge. We feel collaborating on this book is proof of this theme.
Because human beings are unique and complex, we both felt it was important to show this diversity in our characters. We wanted to show that people in middle school can cross the barriers of cliques to become friends with those unlike them. We wanted to show differing perspectives—someone with a debilitating illness, someone who was brought from another culture into this one, someone in special education, someone heavily involved in sports, someone with anger issues, someone who was a natural born leader who felt invisible, someone who was bullied about weight, someone who was popular with lots of friends, someone with no friends. Despite their differences, however, they each had passion for nature and courage to confront things that were wrong. Their commonalities were more important than their differences.
Power Animals are guides in the spiritual realm. Some say that each person comes in to this life with at least two power animals. In the original story, Sandy paired each of the characters with a specific animal. Each character developed through the loving support of these animals.
It is our hope that our readers will enjoy seeing how Power Animals can help with everyday life situations because they love us, and they want to help us make life better. The book has shown tools that work in real life through the characters and the way they solve the problems they encounter.
They bound me without consent.
I moved with the weight of the world upon my shoulders,
each extremity shackled like a slave.
Hunched like a frail elderly man; I attempted to move about,
all the while under the suppression of guilt,
shame, and condemnation.
Shackled by wounds, I writhed in agony
as they brought me down to the pits of darkness, a land of creeping shadow.
It was there where I was blind to their desire to devour me.
Fallen prey to the animalistic appetite to consume every shred of hope—
Until I came into the light.
Under the shining of the light, I was appalled at their stronghold against me.
The illumination of their strength was all too unsettling.
I couldn’t bear the sight of them.
They surrounded me like a wild forest of Oaks, mocking my every step.
A multitude of tears sought urgent release, to spring forth,
evade the depth of my unconsciousness–but I could not allow them.
Yet there in the light was my salvation.
There in the light, their power over me would heal.
It was there I welcomed glorious liberty.
One like I’ve never experienced before.
The rays of jubilee were before me.
No wild forests to cast a shadow,
pits of darkness of oppression.
No shackles, bonds, or crushing burden.
Only life, light and liberty.
Two young Vushla questioned what everyone knew about death. What should they do with the answer?
When the time comes for Vushla to die, they go into the ocean and are dissolved away. Or so Terrill has always believed, and still believes after taking part in his father’s final journey. But when he meets a young Vushlu who lives by the sea, Terrill must confront information that calls this fundamental belief into question. Will the two of them discover the truth? And what should they do with what they find?
*How did you come up with the title for this book? It sounds rather poetic.
–The idea came from a familiar phrase in the English Burial Service: “ashes to ashes, dust to dust.”
*What exactly is a Vushla?
–The Vushla (plural — singular is Vushlu) are one of the sentient species on a planet humans haven’t found. They could be described as a cross between a centaur and a tortoise: their general body configuration is that of a centaur, and they are largely covered by many small plates of a hard substance they (and their neighbor species, the Weesah) refer to as armor. The armor is often moved as part of gestures and body language. I envision them as roughly human-sized.
*Tell us how the idea for this book came about.
–That was a first for me. The way Vushla typically meet death came to me as an image in a dream. My husband contributed a key plot twist.
*What is the connection between the Vushla, water, and death?
–As described in the Preface and in the book blurb, when a Vushlu knows it is dying (I use “it” for unidentified Vushla and Weesah, and he or she for individuals of known gender), it tries to get to the ocean, where it swims or wades into the surf to dissolve away. If it dies on the journey, the friends and relatives accompanying it on the funeral journey hire fisher folk (who have custom-made waterproof suits) to carry the body into the ocean.
Whether there are other connections . . . you’ll need to read the book to find out. 🙂
*Was your approach different in writing this book?
The origin — a dream, as I mentioned above — was different. Otherwise, I did what I usually do: wrote a (very) rough draft during National Novel Writing Month, aka NaNoWriMo or NaNo; put it aside for a month or so; did multiple revisions and editing passes over the next nine months; sent it to beta readers and made more revisions based on their comments; did the final proofread/edits; and published it (as a preorder) on Amazon and Google Play and via Draft2Digital. (The paperback will, I hope, be ready by the release date of October 17th, at least on Amazon. B&N will take a little longer due to a cumbersome proofing process.)
*What comes first the idea or theme?
That’s an interesting question, especially this time around. What thematic concerns inspired that dream? I can’t say for sure. I certainly had both mortality and parent-child relationships on my mind, as my father died a little more than six months before NaNo began. (I don’t remember exactly when I had the dream, but I would guesstimate it was a month or so before NaNo.)
*What was your experience like writing Water to Water?
I can generally keep up with or stay slightly ahead of the pace NaNo requires (an average of 1,667 words per day), and this time was no exception. My confidence in the story fluctuated about as much as usual — which is to say, frequently but not to the point of either ecstatic certainty or profound gloom. I frequently consulted my general science adviser, aka my husband Paul Hager, on various aspects of world-building.
I approached cover design a little differently this time. I’ve most often collaborated with a particular designer, but that collaboration works best when I have some fairly definite starting ideas. This time, the one idea I had felt insufficient. I decided to spring boldly into the red, financially speaking, and invest in a cover from a designer (or rather, a group of designers) I’d long admired, Damonza. I am delighted with the result, which has gotten consistently favorable comment during the book’s Silver Dagger Book Tour (continuing through October 26th).
Karen A. Wyle is the author of multiple science fiction novels, including The Twin-Bred Series: Books 1-3; near-future novels Division, Playback Effect, and Who: a novel of the near future; and YA near-future novel The Link. Her one novel (so far) outside the SF category is afterlife fantasy/family drama Wander Home. She has also published one nonfiction work, Closest to the Fire: A Writer’s Guide to Law and Lawyers, a resource for authors or for anyone interested in understanding more about American law.
Wyle was born a Connecticut Yankee, but eventually settled in Bloomington, Indiana, home of Indiana University. She now considers herself a Hoosier. Wyle’s childhood ambition was to be the youngest ever published novelist. While writing her first novel at age 10, she was mortified to learn that some British upstart had beaten her to the goal at age 9.
Wyle is an appellate attorney, photographer, political junkie, and mother of two wildly creative daughters. Her voice is the product of almost five decades of reading both literary and genre fiction. It is no doubt also influenced, although she hopes not fatally tainted, by her years of law practice. Her personal history has led her to focus on often-intertwined themes of family, communication, the impossibility of controlling events, and the persistence of unfinished business.
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