Give Your Readers What They Want – with Melanie Harlow & Mark Dawson

IT’S TELEVISION TUESDAY

Give Your Readers What They Want – with Melanie Harlow ( The Self Publishing Show, episode #297)

When Two Editors Are Better Than One with Andrew Lowe & Jennie Nash

When Two Editors are Better Than One – The Self Publishing Show Episode #280

https://selfpublishingformula.com/launches/

From Supermax Prison to Self-Publishing With Mark Dawson & Jeffrey P. Frye

IT’S TELEVISION TUESDAY

From Supermax Prison to Self-Publishing (The Self Publishing Show, episode 268)

 

 

Self Publishing Formula Foundation

Self Publishing Formula Shorts presents MASTER SCRIVENER

How to Print Your Book All Over the World With Jason Miletsky & Mark Dawson

IT’S TELEVISION TUESDAY

How to Print Your Book All Over the World (The Self Publishing Show, episode 259)

 

 

Jaymiletsky.com

Self Publishing University

The Writer’s Cookbook: Recipes for Author Success – Mark Dawson & Kristina Adams

IT’S TELEVISION TUESDAY

The Writer’s Cookbook: Recipes for Author Success – (The Self Publishing Show, episode 254)

 

www.writerscookbook.com

selfpublishingformula.com

How to Write About the FBI and Get it Right with Jerri Williams & Mark Dawson

 

IT’S TELEVISION TUESDAY

 

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How to Write About the FBI (and Get it Right) (The Self Publishing Show, episode 193)

 

 

 

 

Self Publishing Formula Patreon Page

LIVE EVENT: Information about SPF Live Event in March 2020

HANDOUT: Jerri Williams Free giveaway FBI Myths and Conceptions

 

 

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7 WAYS TO FULLY HARNESS YOUR CREATIVITY | How To Boost Your Creativity In Life with Kristen Martin

 

TELEVISION TUESDAY

 

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7 WAYS TO FULLY HARNESS YOUR CREATIVITY | How To Boost Your Creativity In Life

 

 

 

 

 

www.thatsmarthustle.com

www.kristenmartinbooks.com

 

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Pinterest and Instagram for Writers with Frances Caballo

IT’S TELEVISION TUESDAY

 

 

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Pinterest and Instagram for Writers with Frances Caballo

 

 

 

 

Social Media in 30 minutes a day Frances Caballo

 

 

What if you no longer had to worry that social media marketing would take hours, leaving you with less time to focus on your writing?

Social Media in 30 Minutes a Day provides a formula that authors can follow to help them save time online without losing their effectiveness or impact.

In just eleven chapters, Frances Caballo helps writers:

implement the same four-step formula that she uses every day
understand the new formula for saving time online
learn how to become a more effective and efficient marketer
learn about hashtags, buzz words, and social media’s lexicon
discover apps that can help writers save time while using social media
use the best tips and best practices you need to know to successfully market your book and blog

If you’ve avoided social media because you felt that you didn’t have enough time for it, you’ve used it sporadically, or you’ve been frustrated by how much time social media networking takes, this book is for you.

Once you read this book, you’ll never waste time online again.

 

Amazon | Goodreads

 

 

Frances Caballo image

 

Frances Caballo is an author and social media strategist and manager for writers. She’s a regular speaker at the San Francisco Writers Conference. In addition, she’s a contributing writer at TheBookDesigner.com, and blogger and Social Media Expert for BookWorks.

She’s written several social media books including The Author’s Guide to Goodreads, Social Media Just for Writers, and Social Media in 30 Minutes a Day. Her focus is on helping authors surmount the barriers that keep them from flourishing online, building their platform, finding new readers, and selling more books. Her clients include authors of every genre and writers’ conferences. Not sure how you’re doing online? Sign up for her free email course at www.SocialMediaJustforWriters.com 

 

 

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This is Where it Starts by Author Margot Kinberg

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This is Where it Starts

 

Thanks so much for having me here, Benjamin! It’s a privilege. One of the things that many writers struggle with is how to begin their stories. And that’s not just a problem for new writers, either. Even very experienced writers can find that first bit of a story to be a challenge.

There are lots of different ways to get started, and no one way is ‘the right way.’ So, I can just share the approach that’s worked for me. I write crime fiction, and, most of the time, that means that at least one character is going to get killed. The thing is, though, that most of us couldn’t imagine taking a life. So, if a story’s going to be believable, there has to be something about the victim that gives someone a compelling reason to kill.

That’s one reason I start my stories by introducing the victim in some way. I want readers to get a sense of who this person is (or was). Then, I hope I can convince them that this is a plausible murder victim. Starting a story with the victim also gives me the chance to make that character seem like a real human being. This, I hope, invites the reader to engage in the story.

I’ve used different strategies to introduce the victim. In my first two novels, the first sentence of the story takes us into the victim’s life. Here, for instance, is the first sentence of B-Very Flat:

‘Serena Brinkman smiled as she took a deep breath of the crisp October air.’

The next sentences place Serena on the campus of (fictional) Tilton University, where she is a student. Then, she encounters other characters, and readers get a sense (I hope) of what her relationships with those characters are, and why she would become a victim.

In my second two novels, the victim’s basically dead before the story really starts (although in one, the victim dies in the prologue). Those novels begin as the victim’s death is discovered, and the police, as well as my sleuth, Joel Williams, start to ask questions. That approach lets me offer the ‘hook’ of a murder case to the reader, and still lets me introduce the victim as the case is investigated.

There are, of course, lots of other ways to start a story and invite readers to engage themselves. Some crime writers introduce a story with the sleuth. Others start with a particularly compelling setting or incident. I do it by introducing the victim, but there really is no one ‘correct’ approach. As long as the story gets the reader’s attention, that’s what matters.

Thanks again for hosting me, Benjamin!

 

 

Margot Kinberg

 

 

About Margot Kinberg

 

Margot Kinberg is a mystery author and Associate Professor. Born and raised in Pennsylvania, Kinberg graduated from Indiana University of Pennsylvania, then moved to Philadelphia, which Kinberg still considers home.

Kinberg had always been fascinated by crime fiction and mystery novels. In fact, she became an “addict” while still in her teens. So in 2007, she began her fiction writing career with her debut novel, Publish or Perish. In that novel, Kinberg put her experience in the world of higher education to use in creating a murder mystery that takes place at fictional Tilton University. This story introduces Joel Williams, a former police detective-turned-professor, who teaches in Tilton University’s Department of Criminal Justice. In this first outing, Williams helps solve the murder of a graduate student. The second in Kinberg’s Joel Williams series is B-Very Flat, in which Williams helps to solve the murder of a young violin virtuosa who dies suddenly on the night of an important musical competition. Kinberg’s third Joel Williams novel, Past Tense, begins when a set of bones is discovered at a construction site on campus. This case ties in with a missing person case from 1974.

Kinberg, who now lives with her family in Southern California, is currently at work on her fourth Joel Williams novel.

WebsiteAmazon | Twitter

 

 

 

 

 

 

Plotter or Pantser? What’s Your Style? I Think I’m a Binge Writer

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Plotter or Pantser? What’s Your Style? I Think I’m a Binge Writer

 

 

Thank you so much for letting me stop by for a visit on your blog. I love to talk about books and writing.

Writers usually fall into one of two camps, plotters (those who plan, plot, and outline before writing), and pantsers (those who write by the seat of their pants). Plotters know the path and the plan to get to the end. Pantsers go where the characters and story takes them.

I am probably a hybrid of the two, though I lean heavily on the plotter side. I plot everywhere. I jot ideas on sticky notes and on scraps of paper. I carry a notebook in my purse for plotting emergencies.  I have outlines, character biographies, and color-coded storylines.  I keep a chart of all the places and characters. I describe them to the nth degree. This is also helpful if you decide to write a series. That way, my character’s eye color or the color of her kitchen doesn’t change in a later work.

I also use this to take care of my urge to write backstory. I put all the details in this document. Some of the information will never see the light of day, but it keeps me from overloading the story with too much history. Backstory or historical details are better sprinkled in throughout the work.

After my major plotting, I’m ready to start writing. And that’s when the pantser raises its head. I always decide I like a minor character better than another, and sometimes the story takes a tangent. In my first novel, Secret Lives and Private Eyes (May 2016), I planned to keep one character around for the series to create some tension. But as it turned out, I liked another character much better, and his role took on a life of its own. So, without spoiling the surprise, character two is around for book two.

 

 

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After the plotting and the first draft, which my friend Mary Burton calls the “sloppy copy,” I am ready to revise. This phase takes me the longest. I can write pretty quickly once I get started, but it takes me forever to reorder, change, and revise. And what I think is chapter one during the writing stage, never ends up that way in the final, published version.

I try to write every day, but it doesn’t always happen. I work full-time in IT, and sometimes the only thing I wrote in a week were performance evaluations and budget recommendations. Life gets in the way. I’m much happier when I stopped beating myself up about writing and hitting daily word counts. I write when I can. I binge write. I get up at 5:00 AM and write or do my social media promotion before work. I write at lunch. My coworkers tease me when I write in the cafeteria (but they always want to know who dies in the next book). I write a lot on my days off, weekends, and holidays.

You need to decide what works for you and create your style. It is harder to pick up your writing after you’ve been away for a while, but you need to balance your writing with everything else in your life. The best advice that I’ve received throughout the years is to be persistent and keep writing if you want to be published.

 

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Heather Weidner image

 

 

Author Biography

Heather Weidner, a member of SinC – Central Virginia and Guppies, is the author of the Delanie Fitzgerald Mysteries, Secret Lives and Private Eyes and The Tulip Shirt Murders. Her short stories appear in the Virginia is for Mysteries series and 50 Shades of Cabernet. She has a novella included in To Fetch a Thief (November 2018).

Heather lives in Virginia with her husband and a pair of Jack Russell terriers, Disney and Riley. She’s been a mystery fan since Scooby Doo and Nancy Drew.

Some of her life experience comes from being a technical writer, editor, college professor, software tester, IT manager, and cop’s kid. She blogs at Pens, Paws, and Claws.

 

Synopsis

Private investigator Delanie Fitzgerald, and her computer hacker partner, Duncan Reynolds, are back for more sleuthing in The Tulip Shirt Murders. When a local music producer hires the duo to find out who is bootlegging his artists’ CDs, Delanie uncovers more than just copyright thieves. And if chasing bootleggers isn’t bad enough, local strip club owner and resident sleaze, Chaz Smith, pops back into Delanie’s life with more requests. The police have their man in a gruesome murder, but the loud-mouthed strip club owner thinks there is more to the open and shut case. Delanie and Duncan link a series of killings with no common threads. And they must put the rest of the missing pieces together before someone else is murdered.

The Tulip Shirt Murders is a fast-paced mystery that appeals to readers who like a strong female sleuth with a knack for getting herself in and out of humorous situations such as larping and trading elbow jabs with roller derby queens.

 

 

 

Contact Information

Website and Blog: http://www.heatherweidner.com

Pens, Paws, and Claws Blog: http://penspawsandclaws.com/

Twitter: https://twitter.com/HeatherWeidner1

Facebook: https://www.facebook.com/HeatherWeidnerAuthor

Instagram: https://www.instagram.com/heather_mystery_writer/

Goodreads: https://www.goodreads.com/author/show/8121854.Heather_Weidner

Amazon Authors: http://www.amazon.com/-/e/B00HOYR0MQ

Pinterest: https://www.pinterest.com/HeatherBWeidner/

LinkedIn: https://www.linkedin.com/in/heather-weidner-0064b233?trk=hp-identity-name

BookBub: https://www.bookbub.com/authors/heather-weidner-d6430278-c5c9-4b10-b911-340828fc7003

 

Book Links

Amazon: https://www.amazon.com/dp/B077CSZ53X

Apple: https://itunes.apple.com/us/book/id1310643581

Barnes and Noble: https://www.barnesandnoble.com/w/the-tulip-shirt-murders-heather-weidner/1127425899?ean=2940155054696

Kobo: https://www.kobo.com/us/en/ebook/the-tulip-shirt-murders

Scribd: https://www.scribd.com/book/363967058/The-Tulip-Shirt-Murders-The-Delanie-Fitzgerald-Mysteries-2

24Symbols: https://www.24symbols.com/book/x/x/x?id=2468512

Playster: https://play.playster.com/books/10009780999459812/the-tulip-shirt-murders-heather-weidner

Goodreads: https://www.goodreads.com/book/show/36591325-the-tulip-shirt-murders?from_search=true