The “Chosen One” Trope: Walking The Line Between Classic And Cliché By Desiree Villena

The “Chosen One” Trope: Walking The Line Between Classic And Cliché

There are plenty of explanations for why the “Chosen One” is such an evergreen trope, appealing to writers and readers alike. It’s a truly versatile device that presents ample opportunities for authors to craft complex worlds and relatable characters. However, because of its ubiquity, you also run the risk of writing yourself into a cliché-filled corner!

Learning how to avoid clichés, and lazy writing in general, is essential to literary success. To that end, I wanted to give some advice on how to make this classic trope work — and crucially, how to avoid its worst pitfalls. First and foremost, you need to…

1. Understand the trope

The Chosen One, as the term implies, is a character who has somehow been “chosen” as the only one capable of defeating evil, saving the world, or resolving some kind of major conflict in a story. It is especially common in speculative fiction and is often paired with a hero’s journey

Some well-known examples include King Arthur, Buffy the Vampire Slayer, and Katniss Everdeen from The Hunger Games. Indeed, this trope can be adapted for any genre; what unites these characters is that they have all been elected to play a pivotal role in their respective worlds. 

With countless “Chosen One” sub-tropes to explore, my first tip for any writer is to read extensively! This tried-and-tested method gives you a chance to:

  • Absorb what has been said before, what you think works and what doesn’t; 
  • Take inspiration from what does work, and;
  • Figure out how to craft something original.

2. Avoid the major pitfalls

While I can’t warn you against every potential pitfall with the Chosen One (there are too many variations of this trope for that), here are some key things to watch out for. 

A) The destiny trap

For every story that features an element of “chosenness,” there is usually some flavor of destiny or predetermination involved. This can (unsurprisingly) lead to predictability — the protagonist discovering their chosenness, setting out on a quest, and meeting some type of opposition so they can undergo personal growth and, eventually, realize their true potential to defeat their opponent.

It’s a tricky line to skate. As a writer, you want there to be some element of inevitability, because it’s a central conceit of the Chosen One narrative. Perhaps you can twist it a bit in your writing (the reluctant hero’s internal battle against their true destiny is always a fun one).

That said, destiny can start to eat away at the agency of your characters, or inadvertently give away the plot. After all, if we’re so sure the hero’s going to defeat the villain, why bother reading to the end of the book? This is why you need to keep readers on their toes, even if it means misleading them for a little while.

Carefully planning your novel can help you maintain good pacing to keep readers on the edge of their seats, even if they already have an inkling of the overall arc. The potentially predictable nature of Chosen One plots require extra care to prevent readers from growing disinterested. If you’re struggling with this, break it down into manageable chunks! Make sure you have at least the following things outlined before you start writing:

  • A narrative arc with a beginning, midpoint, and end;
  • Character profiles for your main characters;
  • A clear setting.

This will give you a solid idea of when best to deploy certain action beats to keep your pacing tight, while still allowing the creative freedom to get from point A to B. In short: you can ensure you have a good grasp on all the different threads that need to be tangled and subsequently untangled over the course of your novel, and become a true puppet master of your characters.

B) The flat character trap

Once you’ve structured your novel with plenty of surprises, you’ll want to map out your characters. Unfortunately, the Chosen One device can lead to lazy characterizations because well, she’s the chosen one — isn’t that interesting enough? Spoiler alert: it’s not.

Flat characters are the kiss of death to any book, and what could be more flat than a perceived lack of agency? Predictability and inevitability can make your characters seem powerless and anonymous, as well as utterly replaceable. It also makes it tough to create the necessary tension to carry the novel forward and make your readers really root for the protagonist.

So how do you avoid this? It’s actually pretty simple: give your “Chosen One” their own choices and introduce them as having a real personality and relationships, using the following tactics: 

  • Create backstories for your characters. Include only necessary details in the story itself, but let a more elaborate mosaic of character memories and personal history inform your character’s thoughts and actions to create consistency. Not sure where to start? Check out this character questionnaire to get the ball rolling.
  • Have your main character act decisively, or make a choice with real stakes (even if it has negative consequences in the short term). You want to remind the reader that, while fate has given them a helping hand, they’re still agents in the story whose choices matter.
  • Pay attention to character descriptions. Don’t write as if you’re describing someone to a forensic artist, with physical traits only! Instead, pick one deeper aspect that would stand out to you if you met them in real life and slowly build from there. Describe your protagonist’s thoughts, actions, and interactions to reflect their personality, rather than using basic exposition (in other words: show, don’t tell).

C) The good vs. evil trap

Every good Chosen One story needs a great antagonist. It doesn’t have to be a person, but it often is — which may tempt you to create an out-and-out villain, verging on caricature, to offset your good guy/girl. This might be fun to write, but it isn’t super compelling to read. And, more importantly, writing a strong, complex antagonist is a useful way to avoid accidentally making your story’s morality too black-and-white.

Whether your main character is facing an evil mastermind or fighting a wider threat to peace, plan your antagonist(s) out and consider what motivates them. One good exercise is to think about how you would write the story from their perspective, and incorporate your insights about their motivations and feelings into your main story.

It’s easy to over-simplify the world around us and write an antagonist who’s obviously, undeniably evil, but people rarely think of their own choices as such. It is far more interesting to read something that makes you question your own assumptions about what is right and wrong, so adding shades of gray and character flaws to your antagonist (and your protagonist too!) is an opportunity to shy cleverly away from this binary worldview and spice up your Chosen One tale.

3. When in doubt, look inward, not outward

When you take on a common trope, there’s a great deal of pressure to create something familiar yet unique. If you’ve made it this far and you think it seems like an impossible task, I have one more tip that might help you think of it in a different, more freeing way.

I’ve hinted at this already, but once you know the pitfalls like the back of your hand, you can use them to your fullest advantage. Toy with your readers by subverting the common characteristics of the Chosen One trope and make it fit your story, not the other way around. Instead of trying to reinvent the wheel, which can stump even the most imaginative authors, look for what is real.

By all means, use your imagination to make up whole new worlds, but always put your story and characters first to create something readers can relate to and which speaks to them. Religiously adhering to a mold other people have created (or trying desperately to avoid one in the pursuit of originality) is not going to serve you in the long run. When you write what is real to you, it doesn’t matter if it has been done before, because it will feel fresh and unique to the reader. 

Whether it was some mysterious force that put a pen in your hand or your own pure determination, you’ve got this! Happy writing.


Desiree Villena is a writer with Reedsy, a marketplace that connects self-publishing authors with the world’s best editors, designers, and marketers. In her spare time, Desiree enjoys reading contemporary fiction, writing short stories, and analyzing literature into the ground.

COVID-19: How it Impacted the Indie Industry with Mark Dawson & Alex Newton

 

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COVID-19: How it Impacted the Indie Industry (The Self Publishing Show, episode 236)

 

 

 

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The Fiction Formula on The Self Publishing Show, episode 209

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The Fiction Formula (The Self Publishing Show, episode 209)

 

 

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Pro Writing Aid: The Personal Trainer for Authors SPF episode 227

 

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Pro Writing Aid: The Personal Trainer for Authors (The Self Publishing Show, episode 227)

 

 

 

WEBINAR: The Three Secrets of Bestselling Authors with Suzy Quinn.

 

 

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Walking & Writing: How to Write Better With Dictation with Kevin J. Anderson

 

 

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Walking & Writing: How to Write Better With Dictation with Kevin J. Anderson – (The Self Publishing Show, episode 214)

 

 

 

 

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Joanna Penn discusses Global Publishing with Kinga Jentetics from PublishDrive

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Global Publishing With Kinga Jentetics From PublishDrive

 

 

 

 

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Benjamin Thomas

@thewritingtrain

http://www.mysterythrillerweek.com

How to Write A 5 Day Novel with Scott King

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How to Write A 5 Day Novel with Scott King

 

 

 

 

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Benjamin Thomas

@thewritingtrain

http://www.mysterythrillerweek.com

Great Interview with Marc Rainer Author of the Jeff Trask Crime Series

 

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Everyone Please Welcome

Marc Rainer Author of the  Jeff Trask legal thriller series

 

 

 

 

 

welcome-home

 

 

 

 

 

About the Author:


Marc Rainer is a former prosecutor in the federal and local courts of the District of Columbia, and a former circuit prosecutor for the U.S. Air Force’s Judge Advocate General (JAG) Corps. A graduate of the U.S. Air Force Academy, he has more than thirty years experience in the prosecution of major cases. He is married to a former Air Force OSI Special Agent, and lives in a suburb of a major American city.



A Winter of Wolves will be available via Amazon and in select brick-and-mortar retailers as of October 2016.




 

winter-of-wolves

According to Goodreads

Federal prosecutor Jeff Trask and a team of investigators are on the trail of what they believe is a lone wolf terrorist who is murdering law enforcement officers in the nation’s capital. Their investigation leads them into a firefight with a cell of radical Islamic terrorists who have something much more terrible in mind. If successful, the terrorists’ plan will threaten the entire eastern seaboard of the United States. The fourth book in Marc Rainer’s Jeff Trask crime drama series is a contemporary historical novel incorporating issues associated with many current events.

A Winter of Wolves is also the 4th volume in the series.  Check out the first three volumes on Goodreads.



          Let’s begin….

          What led you to become a writer?

          After 30 years of service as a federal prosecutor, I had collected hundreds of professional “war stories” from cases. Told correctly, these are also known as “plot lines.” My wife kept saying, “You should write a book,” so I did.

          There’s no better fuel than life experience. Excellent!




          Which authors inspire your writing the most?

          If any served as inspiration, it would be the W.E.B. Griffin  father-son team and series, since it showed me how characters could be developed over the course of a series of novels. I also love the way Michael Connelly writes.

          Haven’t heard of W. E. B. Griffin, but I also love Michael Connelly. Great source of inspiration! 




          inspiration




          What’s your goal in becoming a writer?

          I honestly just wanted to see what I could do. Nothing beyond that. The modest success (about 40,000 sales as a self-published author) has been a pleasant surprise.

          Wonderul. I believe it’ll only get better. The reviews are great!




          What three things have hindered your writing?

          I don’t have three. The only obstacle before I retired was the day job; in other words, having enough time. Since then, the retail bias against self-published authors may have hindered sales, but not the writing itself.

          Having enough time is always a struggle. 




          time-clock




          What keeps you motivated?

          I just like to write.

          That’s good enough motivation for anyone.





          “Good writing is clear thinking made visible.” -Bill Wheeler




          What is my antagonist?

          I don’t allow those, don’t have one.

          Oh, I love that attitude. Excellent.




          Compared to my previous work, what’s it like being a writer?

          First, I like my boss a lot more. Second, since I was a career prosecutor, I miss the cops and agents – real-life heroes – with whom I had the pleasure of working for years. Third, my schedule is my own now, and being comfortably retired, there’s no pressure. I’m very fortunate in that way.

          This sounds like a very sweet experience. I wish I had it! 







          home




          What would I say to a writer who has given up?

          Find something you believe in enough to NOT give up on. Examine yourself. Why did you give up on writing? Lack of financial success? Self doubt? One can be overcome with perseverance. The other is a sign of some deeper issues. Identify them and start to deal with them.

          Perseverance is the name of the game. I needed to hear this myself. 





          What are the key elements to a legal thriller?

          I try very hard to avoid formulas. In real-life legal work – especially in solving criminal cases –  formulaic approaches can lead to “tunnel vision.” By that, I mean that if you approach a case the same way every time, trying to solve a case using the same method that happened to work the last time, you can miss a lot of clues, make a lot of serious mistakes. Each case involves different people with different motivations. Some criminals act without rational motivation at all; they are creatures of impulse. A crime-based legal thriller by definition has to involve a crime, or series of crimes. After that, I climb on board with my characters for the investigative “ride,” to see where that leads. The solution can occur in or out of the courtroom.

          I agree wholeheartedly. Formulas can be quite boring.  






          justice





          Introduce us to the Jeff Trask series.

          Trask is my fictional alter-ego. A lot of my plot lines are based upon actual cases, and I use trial transcripts from actual cases in the books, with the usual name changes “to protect the innocent” (and guilty). While Trask and I share a lot of experiences, he probably learns faster on the job than I did. I strive for realism. There aren’t any Hollywood gun fights where the good guys snapshoot someone off the roof of a building a hundred yards away with a handgun, then outrun a string of machine gun bullets. I also try not to use the hackneyed lone, tortured soul, alcoholic detective approach. Complex crimes are not solved by rogue superheroes acting alone. They are solved by teams of good people – cops, medical examiners, forensic specialists, and then prosecutors and their staffs – all working together. I’ve been fortunate enough to earn praise from professionals in these fields who say,  “Finally, somebody got it right.” Some critics have said that Trask is “too perfect,” in that he is NOT the typical tortured hero. We all have some demons, but I don’t seek readers who have to look down on a character in order to feel better about themselves. I don’t write literary fiction, and don’t have to apologize for that. The series is about how real teams solve real cases, facing criminals or criminal organizations posing real threats. It also has a lot of dark humor in it, which is also real, in that the guys and gals who do this work for a living have to have that sense of humor to do their jobs without going nuts.

          I love the whole team idea to solving crimes. Not conforming to the typical hero complex is a great way to step outside the box. 





          Outside the box.jpeg





          What are the chief characteristics of Jeff Trask?  

          Smart. Occasionally a smart-ass, in fact. He does not, however, talk down to anyone or use his brain for anything other than finding solutions. He loves classic rock, and always has a jukebox playing in his head, usually providing a theme-based tune to any situation in which he finds himself. For example, in one book, he encounters a crime scene with about a dozen victims – gang members – shot to hell by a rival criminal element. Oingo Boingo’s “Dead Man’s Party” starts playing in his mind. Trask works well with others as long as they are interested in being part of the solution and not the problem.

          The characteristics of the protagonist help readers fall in love with them. 





          Any planned releases for 2017?

          The next book in the series has already started to take shape in my head. It will find its way to a keyboard some time next year.

          Looking forward to it! it’ll give me some time to catch up in the series.





          coming-soon-1604663__340





          Favorite quotes:




          “Government’s never react well, but they over-react superbly.” Robert Lassiter, Trask’s fictional mentor.





          Connect with Marc Rainer

          Facebook | Goodreads | www.marcrainer.com | Amazon




          Thanks Marc!

          Begin 2017 with a challenge. Join the Book Hoarders Bucket List Reading Challenge.

           

          Join the Goodreads group: Book Hoarders Bucket List Challenge.

           

          A Challenge for Book Hoarders Like Me at SallyAllenBooks.com

           

          Don’t miss the inaugural powerhouse event of 2017!! Check out Mystery Thriller Week on my other site: Mysterythrillerweek.com

          Thanks for ridin’ the Train folks!  Come again!

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          Benjamin Thomas

          @thewritingtrain

          http://www.thewritingtrain.com

          Watch “A VERY EXCITING ANNOUNCMENT!” on YouTube

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          Let’s talk publishing in the comments!



           

           

          BENJAMIN THOMAS 

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          Benjamin Thomas