Mark Dawson Live from Florida! At the NINC Conference

 

IT’S TELEVISION TUESDAY

 

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Live from Florida! At the NINC Conference (The Self Publishing Show, episode 194)

 

 

 

Patreon: Self Publishing Formula Show’s Patreon Page: Patreon

Self Publishing Formula 101 Course: SPF 101

 

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How to Write About the FBI and Get it Right with Jerri Williams & Mark Dawson

 

IT’S TELEVISION TUESDAY

 

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How to Write About the FBI (and Get it Right) (The Self Publishing Show, episode 193)

 

 

 

 

Self Publishing Formula Patreon Page

LIVE EVENT: Information about SPF Live Event in March 2020

HANDOUT: Jerri Williams Free giveaway FBI Myths and Conceptions

 

 

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Thrillerfest 2019 Inside Stories Part 3

 

 

IT’S TELEVISION TUESDAY

 

 

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Thrillerfest 2019 Inside Stories Part 3 (The Self Publishing Show, episode 186)

 

 

 

 

Thrillerwriters.org

Selfpublishingformula.com

 

 

 

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Thrillerfest 2019 Inside Stories Part 2 (The Self Publishing Show, episode 185)

 

IT’S TELEVISION TUESDAY

 

 

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Thrillerfest 2019 Inside Stories Part 2 (The Self Publishing Show, episode 185)

 

 

 

 

Thrillerwriters.org

Selfpublishingformula.com

 

 

 

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How to Run an Indie Author Business via Self Publishing Formula

IT’S TELEVISION TUESDAY

 

 

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How to Run an Indie Author Business (The Self Publishing Show, episode 182)

 

 

 

selfpublishingformula.com

Transcript and Show Notes

The Business of Writing Handout

 

 

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Driving Non-Fiction Book Sales with Amazon ads

IT’S TELEVISION TUESDAY

 

 

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Driving Non-Fiction Book Sales with Amazon ads (The Self Publishing Show, episode 179)

 

 

 

 

 

 

 

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Keeping It Clean With Post-Apocalyptic Fiction

IT’S TELEVISION TUESDAY

 

 

 

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Keeping It Clean With Post-Apocalyptic Fiction (The Self Publishing Show, episode 178)

 

 

 

 

 

SelfPublishingformula.com

 

 

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Writing Memoir And Marketing Under A New Author Pen Name With Toby Neal

IT’S TELEVISION TUESDAY

 

 

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Writing Memoir And Marketing Under A New Author Pen Name With Toby Neal

 

 

 

 

 

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Toby Neal was raised on Kauai in Hawaii. She wrote and illustrated her first story at age 5. After initially majoring in journalism, she eventually settled on mental health as a career and loves her work, saying, “I’m endlessly fascinated with people’s stories.”

Toby credits her counseling background in adding depth to her characters–from the villains to Lei Texeira, the courageous and vulnerable heroine in the Lei Crime Series, to the wounds and psychological implications of the heroes of the Scorch Series.

 

Website | Twitter | Goodreads | Amazon

 

 

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Writing Conflict In Crime Fiction With Detective Adam Richardson

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Writing Conflict In Crime Fiction With Detective Adam Richardson

 

 

 

 

 

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Want to write a crime-fiction story but not sure where to start? Are you between drafts and feeling stuck? Do you feel that you just don’t know enough about police work to write a believable police detective protagonist?

In this conversational and fact-filled handbook, veteran police detective Adam Richardson answers the criminal investigation questions most frequently asked by authors and screenwriters. Unlike many other writing guides about “the cop stuff,” the Writer’s Detective Handbook addresses police procedure and criminal investigation from the storyteller’s perspective.

The Writer’s Detective Handbook: Criminal Investigation for Authors and Screenwriters equips storytellers with the ability to tell a great story while keeping the police-work aspects believable. Reading this book will empower you to write the crime-fiction story you’ve been dying to tell!

 

Available August 18, 2019 Preorder now

 

www.writersdetective.com

Writer”s Detective Bureau Facebook Community

 

 

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The Importance of Setting in Historical Fiction

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I had opportunity to interview some great historical mystery writers, asking them about the importance of setting; Denise Domning, Lee Strauss, and Rhys Bowen. Here’s what they said…

 

From Denise Domning author of The Servant of the Crown series.

 

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How important is setting in historical fiction versus the setting in other genres?

I can’t say that setting is any more or less important to historical fiction than any other genre as every genre has its conventions. What makes or breaks a novel is how deft an author is at conveying the expected milieu. In that, historical fiction can be unforgiving. Readers who love this genre already know their history. Beware the author who doesn’t check her facts for she will suffer the slings and arrows of critics who remind her that sycamores are an American tree and potatoes come from the New World. For the record, neither of those were my errors but I have heard from readers protesting facts that in other genres would be deemed unworthy of comment.

In historical fiction it’s not enough to be comfortable with the details of your chosen time period. You also have to get that information from your brain through your fingers and into the book in a way that doesn’t stop the flow. For me that requires writing out all the details I think I’ll need for a particular scene, say a meal in a merchant’s house. How many tables are there and how are they set? What’s on the floor? Where are the windows, if there are windows? Is there a newfangled chimney or is there a central hearth? What colors/designs are painted on the walls? What

furniture might there be besides the tables? Is there crockery? How does it smell? What sounds fill the air from nearby homes or their own workshops? Are they close enough to hear the bells from the nearest church? Are there regraters outside in the street selling goods? Is the neighboring merchant shouting out to passers-by about his wares?

Once I’ve answered those questions, I go back and tighten, tighten, tighten, eliminating this, shortening that, until there are just enough details to describe the scene without slowing the action. This is very hard to do for someone who writes history textbooks disguised as novels to educate unsuspecting readers. I want to share every cool fact I’ve learned. To protect my readers, I employ this mantra: “If I love it, take it out.”

 

 

From Lee Strauss author of the Ginger Gold and Higgins & Hawke mystery series.  

 

Murder aboard the flying scotsman Ginger goldMurder at the boat club Ginger gold

 

 

*How important is the setting in historical mysteries?

I would say very. The historical backdrop is almost like a character in itself. Readers love the details and historical trivia. Otherwise, you might as well stick to a contemporary setting.

 

 

From  Rhys Bowen author of the Royal Spyness mystery series.

 

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How important is setting for historical fiction writers?

Rhys: for me setting drives many of my stories. NAUGHTY IN NICE. TIME OF FOG AND FIRE. Etc etc

And it’s important to get every detail right. I read biographies, accounts of battles, diaries, study old maps.

 

Rhys Bowen

Lee Strauss

Denise Domning

 

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