How To Find and Fix Your Book Sales Problem With Dave Chesson & Joanna Penn

IT’S TELEVISION TUESDAY FOLKS!

 

 

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Book Marketing Tips: How To Find and Fix Your Book Sales Problem With Dave Chesson

 

 

 

Check out Dave Chesson on Kindlepreneur.com

 

Dave Chessons Free 5 day course Sell More Books with Amazon Book Ads

 

 

 

 

Benjamin Thomas

@thewritingtrain

Mysterythrillerweek.com

 

 

 

 

 

 

 

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Self-Publishing Formula: Indie Authors, Marketing & Publishing

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Indie Publishing with James & Jeanette Hunter

 

 

 

 

Enjoy!

 

 

 

 

 

Benjamin Thomas

@thewritingtrain

http://www.mysterythrillerweek.com

 

 

 

 

 

 

 

 

 

Why You Need to be Publishing Audiobooks with Mark Dawson & Tina Dietz

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Why You Need to be Publishing Audiobooks SPF 137 Tina Dietz

 

 

 

 

Have you made any audiobooks yet? Tell us in the comments!

 

 

Benjamin Thomas

@thewritingtrain

http://www.mysterythrillerweek.com

Joanna Penn discusses Global Publishing with Kinga Jentetics from PublishDrive

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Global Publishing With Kinga Jentetics From PublishDrive

 

 

 

 

Have you heard of PublishDrive? Tell us in the comments.

 

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Link to transcript: thecreativepenn.com

PublishDrive.com

 

 

Benjamin Thomas

@thewritingtrain

http://www.mysterythrillerweek.com

Interview with Author D.M. Pulley

Interview in progress sign on office door

 

 

Interview with D.M. Pulley

 

*In the beginning of your writing career you underlined the struggles you had, but in the end you said, “But I had  a story to tell.” I love that! Can you tell us about this feeling?

 

The building that inspired The Dead Key haunted me for ten years before I really sat down to write the story. In that time, I changed jobs, I got married, and I had children, but no matter where life took me, the abandoned vault below the Euclid Avenue and its unclaimed safe deposit boxes followed. It nagged at me in daydreams and every time I picked up a novel. Whenever I talked about the vacant building with friends, I could tell they were intrigued. When I considered what treasures and secrets had been left buried in the basement of that old bank, my toes would curl up with anticipation. The story just wouldn’t leave me alone.

 

*How did the story about the torso killer emerge and made you want to tell it?

 

Another abandoned building in Cleveland inspired The Unclaimed Victim. I had no idea that the Torso Killer would become the focus of the story. I just began researching the empty Union Gospel Press building’s history, particularly its years as a religious mission in the 1920s and 1930s, and became fascinated with the nun-like “Sallies” that lived there and the city of Cleveland during the Great Depression. The labyrinthine factory cried out for a serial killer in the mold of H.H. Holmes (see Devil in the White City by Erik Larson), and the Torso Killer became an obvious, albeit daunting, choice. So much has been written about the Torso Murders, I was reluctant to take on these true crimes, but as I delved into the research, it became clear that not every story about the murders had been told.

 

*Describe how you came up with the title, The Unclaimed Victim.

 

With this book, I wanted to tell a serial killer story from the victims’ perspective. So many thrillers are told from the detective’s or the killer’s point of view, and the victims become more like objects than people. The fact that only three of the thirteen official Torso victims were ever identified or claimed by their families struck me as another injustice of these crimes. It was my intent to breathe life into the Torso Killer victims with the hope that one might just get away.

 

*What was your first reaction when you heard about the Torso killer?

 

First I was horrified, then morbidly fascinated, then ultimately skeptical of the official findings. The Torso Killer became a media sensation as one of the nation’s most notorious maniacs back in a time before the term “serial killer” even existed. The detectives and coroners that worked the case were certainly devoted and professional, but they had no concept of modern profiling or access to modern forensics. After looking at the facts, I couldn’t shake the feeling that some evidence and potential suspects slipped through the cracks. The killer was never officially identified.

 

 

 

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*Describe your experience writing about him, the unclaimed victim, and the final conclusion (no spoilers of course!).

 

It took eight months of research and drafting to really find the story I wanted to tell and another several months to finish it. I don’t outline, so I usually don’t know the answer to the mystery until I write the ending. As a result, I’m on the edge of my seat as the final scenes unfold. The process of writing this book took me to some pretty dark places where I considered murder on an intimate level from many angles, and asked myself almost daily what it would take for me to kill someone. My kids gave me funny looks for a few weeks there.

 

 

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*How does it feel knowing the success you have today versus the struggles you began with?

 

I feel unbelievably lucky that my books have found an audience and I am able to write full time right now. I try to be thankful each day I sit down to work. I am currently editing my fourth novel, and I’ve found that every book presents different struggles and challenges. I still try to write my first draft like nobody will ever read it. I still worry the literary police will take me away in handcuffs any day now for impersonating a writer.

 

*Do you like historical fiction?

 

I love historical fiction, but I generally prefer to write and read stories about the 20th century. Some of my favorites right now are The Paris Wife by Paula McClain, All the Light We Cannot See by Anthony Doerr, and The Stranger House by Reginald Hill.

 

 

 

History Wooden Letterpress Concept

 

 

 

*Are your stories always based upon true crime?

 

I like to use real history as a backdrop for my stories. The Dead Key wasn’t based on true crime as much as Cleveland’s history of political corruption and financial default. Similarly, The Buried Book was inspired by true events like the 1953 Flint-Beecher tornadoes and Detroit-area history. My third and fourth novels were inspired by true crimes from Cleveland’s past.

 

*What would you say to all the struggling writers out there?

 

Keep writing. Keep reading. Don’t fall in love with your words; just find and follow the story. Don’t be afraid to try and fail. Always be willing to re-write, rework, and re-examine. Don’t give up. I also recommend reading craft books including On Writing by Stephen King, No Plot, No Problem by Chris Baty, and Save the Cat by Blake Snyder.  

 

*What are you working on next?

 

My fourth book is a historical mystery about a hundred-year-old mansion in Shaker Heights, Ohio and the decades of secrets and lies hidden behind its facade.

 

 

 

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About D. M. Pulley

Before becoming a full-time writer, D.M. Pulley worked as a Professional Engineer, rehabbing historic structures and conducting forensic investigations of building failures. Pulley’s structural survey of a vacant building in Cleveland inspired her debut novel, The Dead Key, the winner of the 2014 Amazon Breakthrough Novel Award. The disappearance of a family member formed the basis for her second historical mystery, The Buried Book. Pulley’s third novel, The Unclaimed Victim, delves into the dark history behind Cleveland’s Torso Killer and is due out November 14, 2017. She lives in northeast Ohio with her husband, her two children, and a dog named Hobo, and she is hard at work on her fourth book.

 

Website | Twitter | Facebook | Amazon

 

 

 

 

 

From Author To Screenwriter: Tips For Taking your Books To Hollywood With Huss McClain

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Old Classic Television In A Room

 

 

 

From Author To Screenwriter: Tips For Taking your Books To Hollywood With Huss McClain

 

 

 

 

 

What do you think? Tell us in the comments!

 

 

 

 

 

Benjamin Thomas

@thewritingtrain

http://www.mysterythrillerweek.com

Mark Dawson’s Book Lab Part 2 with Helena

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Booklab 2 featuring Helena

 

 

 

 

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Benjamin Thomas

@thewritingtrain

www.mysterythrillerweek.com

The Power of Collaboration with Mark Dawson

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SPF Podcast 126 Rhett Bruno & Steve Beaulieu Collaboration

 

 

 

 

How do you feel about collaboration? Tell us in the comments!

 

 

 

Benjamin Thomas

@thewritingtrain

http://www.mysterythrillerweek.com

 

 

 

Strategy And Business Plans for Authors With Johanna Rothman

It’s Television Tuesday!

 

 

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Strategy And Business Plans for Authors With Johanna Rothman

 

 

 

 

What do you take away from this? Tell us in the comments!

 

 

Benjamin Thomas

@thewritingtrain

http://www.mysterythrillerweek.com

 

 

 

 

 

 

Interview with Travis Smith Author of Superhero Ethics- Part II

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Interview with Travis Smith,
Author of Superhero Ethics

 

About the Author:

Travis Smith is the author of Superhero Ethics (Templeton Press). He is an associate professor at Concordia University where he teaches political philosophy. He remembers seeing Superman: The Movie with his dad on the big screen at the age of five. He has been collecting comic books since he bought a copy ofUncanny X-Men #207 in 1986 with his allowance from the racks at Stan’s Variety. For over thirty years, Travis has made a weekly stop at his local comic shop on the day new comics are released to pick up the books on his pull list–from Comic Connection in Hamilton, Ontario, while he attended McMaster University, to the Million Year Picnic in Cambridge, Massachusetts, as he earned his doctorate at Harvard University, to Major Comics in Montreal, Quebec, the city where he now teaches Hobbes, Tocqueville, Plato and Aristotle by day, and fights crime by night.

For more information, please visit www.templetonpress.org/books/superhero- ethics

 

 

 

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What is the overall theme of the book?

It’s ostensibly about superheroes but it’s really about us, in our early twenty-first century moment—the challenges of living in our world today; wondering what kind of people we should aspire to be; and what it means to be responsible, for ourselves and to others.

 

Describe your process of breaking down each character’s moral code of ethics.

I gathered information about each character’s origin, powers, relationships, major stories, successes and failures—rewatching many movies and shows, reading and rereading comic books. Then I tried to discern what was at their core. What kinds of people do they resemble if you don’t take the fanciful elements too literally? What part of the human condition—which temperaments and tendencies, which dilemmas, dreams, and dangers—do they represent? Then I had to pair each one up with another character I saw as essentially speaking to a similar part of the human condition, but in a distinctive enough way so as to avoid overlap and repetition.

 

 

 

Choosing Between Right or Wrong

 

 

What is the significance of hero’s vigilante justice?

Superhero stories reflect our society’s uneasy relationship with violence. We abhor it yet remain fascinated by it. These stories give that impulse a vicarious outlet. But your question reminds me of when I told my wife that I was watching the Rocky movies with our young son and she said, with faux outrage, “you’re watching movies about fighting with him?” I protested, “the fighting is a metaphor!” With a wink, she replied, “a metaphor for what? For fighting?!?” My approach in Superhero Ethics downplays the vigilantism and the violence, fully aware of how ironic it is to use characters best known for participating in violent spectacles as models for more civilized behavior. But I’m also a fan of professional wrestling, and in that genre of simulated combat, each bout should, as they say, “tell a story.”

 

 

Vigilante on the white background, red illustration

 

 

In every chapter I get an impression there’s an inherent need of saving or altering the human condition. Explain.

Superheroes definitely speak to our hopes and fears regarding technological science. Most of my work as a professor of political theory focuses on early modern thought. In a way, you might say that the great early modern philosophers, such as Francis Bacon and Thomas Hobbes, were trying to be superheroes. They were trying to find ways to abolish suffering—or else make the promise of its abolition seem believable. They took the Biblical idea of saving the world and made it a project for human beings to pursue—with or without God’s help. What’s more comical than that? So, I’m not surprised that the models of heroism found in the modern medium of comic books are representatives of that endeavor.

 

 

“Suffering is one of life’s great teachers.” – Bryant H. McGill

 

 

 

What role does heroism play in our society?

I wouldn’t want to downplay the heroism of the bravest among us. In fact, I think our society tends to pooh-pooh heroics, as if only jerks and dolts try to be heroes and their spiritedness only puts the rest of us in danger. (Thomas Hobbes deserves a lot of credit for instilling this attitude in us.) But for the purposes of this book, I’m more interested in asking whether superheroes model behaviors that we non-heroic types can and should labor to exhibit in our own lives, for our individual and collective well-being.

 

 

 

Hero Concept Pinned Cards and Rust

 

 

 

What do you think of the contrast between Daredevil and the Punisher?

You’re right. That warrants a chapter-length treatment, doesn’t it?

 

Do you have more books planned about Superhero ethics? (Please, don’t make me beg.)

If I could write any book on philosophy and popular culture that I wanted to next, it would be about women’s professional wrestling. I think that’s the most exciting and inspiring thing out there today in sports and entertainment.

 

 

 

 

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Your book touches on a very fundamental and  complicated subject. What is justice? What is the right way to live? Who or what determines what is right or wrong? Where does our sense of ethics come from and why do we seek to emulate it in fictional characters? This book was epic and I loved every bit of it! Definitely would be interested if you wrote more. Perhaps the role of villains? Hint, hint.

 

I can imagine a volume on super-villains. Nobody wants global governance more than they do! And as they say, compelling villains believe they’re the real heroes. I have been thinking a lot lately, for instance, about what the character of Killmonger from Black Panther is intended to communicate about the nature of injustice. Anyway, thank you to The Writing Train for the opportunity to discuss my book. I’m glad you enjoyed it!

 

 

 

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Thanks Travis!

 

 

SuperHero ethics image

 

 

Whether in comic books or on movie screens, superhero stories are where many people first encounter questions about how they should conduct their lives.

Although these outlandish figures—in their capes, masks, and tights, with their unbelievable origins and preternatural powers—are often dismissed as juvenile amusements, they really are profound metaphors for different approaches to shaping one’s character and facing the challenges of life.

But, given the choice, which superhero should we follow today? Who is most worthy of our admiration? Whose goals are most noble? Whose ethics should we strive to emulate?

To decide, Travis Smith takes ten top superheroes and pits them one against another, chapter by chapter. The hero who better exemplifies how we ought to live advances to the final round. By the end of the book, a single superhero emerges victorious and is crowned most exemplary for our times.

How, then, shall we live?

 

    • How can we overcome our beastly nature and preserve our humanity? (The Hulk vs. Wolverine)

 

    • How far can we rely on our willpower and imagination to improve the human condition? (Iron Man vs. Green Lantern)

 

    • What limits must we observe when protecting our neighborhood from crime and corruption? (Batman vs. Spider-Man)

 

    • Will the pursuit of an active life or a contemplative life bring us true fulfillment? (Captain America vs. Mr. Fantastic)

 

    • Should we put our faith in proven tradition or in modern progress to achieve a harmonious society? (Thor vs. Superman)

 

Using superheroes to bring into focus these timeless themes of the human condition, Smith takes us on an adventure as fantastic as any you’ll find on a splash page or the silver screen—an intellectual adventure filled with surprising insights, unexpected twists and turns, and a daring climax you’ll be thinking about long after it’s over.

 

Amazon | Goodreads | Templeton Press