IT’S TELEVISION TUESDAY
Exciting August Book Haul with Regan from Peruse Project
Instagram: Peruse Project
Think this couldn’t happen to your family? Think again.
In the winter of January 1998, the small town of Escondido, California, was horrified when the body of 12-year-old Stephanie Crowe was found brutally murdered in her own bedroom. The police used psychological manipulation to force three 14-year-old boys to falsely confess to the murder. She’s So Cold traces the twists and turns of a real-life mystery which eventually changed the lives of fifteen people and cost a district attorney his job.
To protect children and teens from such manipulation in the future, McInnis proposes a new Children’s Miranda Rights Warning and a Bill of Rights for Children who are being questioned as suspects. These proposals must be adopted in order to prevent minors from making false confessions that could destroy their futures.
She’s So Cold is the story of a broken system. A system stacked against families and, most of all, against children.
As one of the defense attorneys in the Crowe murder case, what enrages me most about the botched investigation into the brutal death of 12-year-old Stephanie Crowe is that her father, Steven, and mother, Cheryl, never got the closure of knowing that the real killer had been caught, convicted, and sentenced to prison. To make matters worse, these parents had to suffer through the horror of their 14-year-old son being prosecuted for Stephanie’s murder.
The incredibly frustrating fact is that the Escondido detectives had all the evidence they needed to arrest the man whom a jury would eventually convict for killing the little girl. Instead, they followed the hunch of a uniformed officer who felt Michael was not showing enough grief over the loss of his sister.
What evidence did the detectives overlook? On the night of the stabbing of young Stephanie Crowe, a vagrant named Richard Tuite was seen in the neighborhood peering through windows, knocking on doors, and walking into homes looking for a young woman named Tracy – a young woman who looked like Stephanie.
The day after the discovery of Stephanie’s body, the police had already decided that the murder was the result of a well-thought-out plan, since they had found no evidence at the murder scene that could lead them to the murderer. The police therefore expanded their initial investigation and went looking for the 28-year-old vagrant. Tuite was found in a laundromat several miles away from the Crowes’ home. The patrol officer, following protocol, took Tuite to the police station, where the suspect was stripped of his clothes, photographed, interviewed, and given new clothing; his clothing was bagged and catalogued. In the investigating officer’s opinion, however, Tuite was mentally incapable of such a “sophisticated” murder, so he was released.
Tuite’s clothing, along with clothing of the Crowe family, was examined by the local crime lab. No physical evidence was found connecting anyone to the murder. But instead of sending the clothing on to another lab for advanced DNA testing, the evidence was stored at the police station.
Since the police had no other leads, they turned to 14-year-old Michael Crowe. After two days of interrogation, they got a confession. Two friends of Michael’s, 14-year-old Joshua Treadway and 15-year-old Aaron Houser, were also interrogated, and incriminating statements were obtained. The Escondido police had their man, or at least their boys. Case closed.
Until a year after the murder, when the defense attorneys for the three boys demanded further DNA testing, and Tuite’s clothing was sent to an advanced lab in Berkeley, California. By now, Joshua Treadway’s trial was starting. Then came the news that shocked everyone: Tuite’s clothing had splatters of Stephanie’s blood on it. All charges against the boys were dropped and Tuite was charged for Stephanie’s murder.
Very few of us know what it is like to lose a child, much less by the supposed hand of your own son, who you know in your heart could not have committed such a horrible act. Steven and Cheryl had to live with this terrible reality simply because the police proceeded on a hunch and saw no need to send Tuite’s clothing for further DNA testing.
But the dismissal of charges against Michael was not the end of the Crowe family’s suffering. After two jury trials for murder and nearly 12 years after Stephanie’s death, Richard Tuite was found not guilty of the murder, due in part to how the police handled the evidence. Not only did the one person the Crowes felt could have murdered Stephanie go free, but now this family faced the worst possible ending to their daughter’s death — no closure. One can’t image the continuing pain the Crowe family has had to live with these last 20 years.
It is hoped my book She’s So Cold, a true and accurate telling of the failed police investigation, once and for all sets the story straight as to why Michael and his friend were maliciously interrogated and prosecuted for a crime they did not commit. Their story of what happens when the police interrogate a child is a warning to every parent: Do not let this happen to your child.
In an effort to prevent such catastrophes in the future, I propose new Miranda rights warnings specifically worded so children can better understand their constitutional rights, and a Bill of Rights for Children for when they are being investigated by police. These new protections are in the Appendix to She’s So Cold. We need not repeat the painful agony that the Crowe family continues to live with to this very day.
ABOUT THE AUTHOR:
Donald E. McInnis is the author of She’s So Cold: Murder, Accusations and the System that Devastated a Family. He is a California criminal defense attorney, and he represented one of the three accused boys, Aaron Houser, in the Stephanie Crowe murder case. Over the span of his 40-year legal career, Mr. McInnis has worked alternately for the prosecution and for the defense, having served as a deputy district attorney for two California counties and as a deputy public defender for one California county during his early professional years. For more information, please visit https://donaldmcinnis.com
Like Swans of Fifth Avenue and Truman Capote’s Answered Prayers, Richard Kirshenbaum’s Rouge gives readers a rare front row seat into the world of high society and business through the rivalry of two beauty industry icons (think Helena Rubenstein and Elizabeth Arden), by the master marketer and chronicler of the over-moneyed.
Rouge is a sexy, glamorous journey into the rivalry of the pioneers of powder, mascara and rouge.
This fast-paced novel examines the lives, loves, and sacrifices of the visionaries who invented the modern cosmetics industry: Josiah Herzenstein, born in a Polish Jewish Shtlel, the entrepreneur who transforms herself into a global style icon and the richest woman in the world, Josephine Herz; Constance Gardiner, her rival, the ultimate society woman who invents the door-to-door business and its female workforce but whose deepest secret threatens everything; CeeCee Lopez, the bi-racial beauty and founder of the first African American woman’s hair relaxer business, who overcomes prejudice and heartbreak to become her community’s first female millionaire. The cast of characters is rounded out by Mickey Heron, a dashing, sexy ladies’ man whose cosmetics business is founded in a Hollywood brothel. All are bound in a struggle to be number one, doing anything to get there…including murder.
From Rouge: A Novel of Beauty and Rivalry. Copyright © 2019 by Richard Kirshenbaum and reprinted with permission from St. Martin’s Press.
New York City, 1933
A Technicolor sky hung over the city even though it was only early May. At times, even New York City seemed to have caught the bug. The pear trees that bloomed like white fireworks every April may as well have sprouted palm trees. Everyone, it seemed, had just stepped out of a Garbo movie, and Josephine Herz (née Josiah Herzenstein) would be damned if she would not capitalize on this craze.
A young, well-kept woman was the first to grace her newly opened, eponymous salon on Fifth Avenue. With bleached-blond “marcelled” hair, a substantial bust, and a mouth that looked as though it had been carved from a pound of chopped meat, her new client had all the ammunition to entrap any man in the city, to keep him on the dole, and her cosmetic hygienist, in this case Herz Beauty, on the payroll. She lowered herself onto the padded leather salon chair like a descending butterfly and batted her eyes as though they too might flutter from her face.
“I want thickah,” she whined. She said this in a Brooklyn accent that would have killed her chances had she been an actress transitioning from silent to talkies.
Josephine nodded and reached into her arsenal, procuring the favored Herz moisturizer for a dewy complexion. She removed and unscrewed the glass jar, leaned over her client, and began to apply it to her cheekbones in soft, round swirls.
“No!” The client swatted her hand away as though to scold and dispose of a landed bug. “Not my skin,” she said. “My lashes.”
“Oh.” Josephine withdrew her hand and held it, poised high above her client’s face, as though hovering a spoon over a boiling pot.
“I want thicker lashes,” said the blonde. “Like Gloria.”
“Gloria?” Josephine was perplexed.
“Swanson!” the client said, shaking her head, miffed that she was not understood.
“I see.” Josephine replaced the glass jar in her holster bag and procured a separate, zippered case. “For the thick-eyelash look, you have two options: tinting or application.” She removed both a small black cake and a moistened brush to apply the pigment and a plastic box of spidery lashes and displayed them as though they were a cache of jewels. The tube of adhesive gum came next.
The blonde’s eyes widened. She shook her head and sat bolt upright on her chair. A convalescent, revived from the dead. “Ya don’t mean you want to glue them on?”
Josephine took a long, deep breath. “How else do you think women get them?” she said. “If there were a drink ve could drink to grow them, I assure you I’d let you know,” she said in her Polish-tinged English.
“I just assumed…,” said the blonde. Miffed, she reached into her pocketbook and produced a magazine clipping from a crumpled stash. She unfurled a luminous, if wrinkled, image of Gloria Swanson, the Hollywood glamour girl, from the latest issue of Motion Picture. All lips, pouting like a put-out princess. She had the brow of an Egyptian goddess, the same distinctive beauty mark, and the eyelashes of a jungle cat. “Like that,” she said, pointing at her eyes. “I want to look like that for a party tonight.”
Josephine’s perfectly lacquered blood-red nails grazed the wrinkled page. She studied Gloria’s fabulous face, the brow, the lash, the pout.
“Application,” Josephine said, returning the image.
“Geez,” said the client. “You’d think by now you people would come up with something better than that.”
It was her duty, Josephine had come to feel, to tolerate stings and slights like this. But a new thought occurred to her as she prepped the lashes for application, as she meticulously heated and applied the adhesive gum. Her client was right. She often worked the floor to do just that: to listen to her patrons, her clients. And now that she was in New York, she knew enough never to be too far away from what real American women wanted. And so she took in the woman’s request with deep reverence, as she knew nothing was more important to her future sales than her clients’ needs. Blanche or Betty—or whatever the tacky blonde’s name was—was right. It was high time someone came up with something better. Josephine was certainly up to this task. The only problem was that across town, a woman named Constance Gardiner was doing the very same thing.
* * *
Josephine Herz was not, of course, the first to invent mascara. But she would be the first to invent one devoid of mess and fuss and to make it available to the masses. As early as ancient Egypt, women found their facial fix. Considered to be a necessary accoutrement in every woman’s and man’s daily regime, kohl, a combination of galena, lead sulfide, or copper and wax, was applied to the eyes, the eyebrows and lashes, to ward off evil spirits and to protect from sun damage. Most any image of Egyptian gods or goddesses will reveal hieroglyphs, not only on pyramid walls but on the Egyptians’ faces. The bold, black lines on the female face lost fashion over the centuries, especially in more recent times when Victorian ladies eschewed color of all kind on the face. But it was not long before women craved—and chemists created—a new brand of adornment for the eye. Coal, honey, beeswax—all the traditional ingredients had to be tested and tried. Josephine could smell a market maker from a mile away, and in this, she sensed a new moment for the eye. From Los Angeles to Larchmont, women were craving new ways to look like the stars of the silver screen, new ways to dress, look, and behave in a modern woman’s ever-changing role. These women needed a product that would make them look and feel like Garbo or Swanson, something simpler, cleaner, and quicker than the application of false eyelashes every six to eight weeks. These women needed a product that was cheap, fuss-free, and less mess than the old option made from charcoal, which, in the very worst cases, caused blindness.
Copyright © 2019 by Richard Kirshenbaum
ABOUT THE AUTHOR:
RICHARD KIRSHENBAUM is the author of Rouge: A Novel of Beauty and Rivalry (St. Martin’s Press). He is CEO of NSG/SWAT, a high-profile boutique branding agency. He has lectured at Harvard Business School, appeared on 20/20, was named to Crain’s New York Business’s “40 under 40” list, and has been inducted into the Advertising Hall of Fame. He is the author of Under the Radar, Closing the Deal, Madboy, and Isn’t That Rich? and the New York Observer’s “Isn’t That Rich?” column. He lives in New York City with his wife and three children.
Toby Neal was raised on Kauai in Hawaii. She wrote and illustrated her first story at age 5. After initially majoring in journalism, she eventually settled on mental health as a career and loves her work, saying, “I’m endlessly fascinated with people’s stories.”
Toby credits her counseling background in adding depth to her characters–from the villains to Lei Texeira, the courageous and vulnerable heroine in the Lei Crime Series, to the wounds and psychological implications of the heroes of the Scorch Series.
Sam returns home from a business trip a day before his son’s thirteenth birthday and is looking forward to being with his family, when his world is cruelly shattered in one fell swoop. Initially he thinks he can cope with the loss, but finally seeks the help of Cynthia, an experienced therapist, to regain his equipoise. What he does not know is that Cynthia herself is trying to cope with a debilitating divorce and the sinister shadow of her ex-husband over her daughter…
What happens when doctor and patient find themselves in the same sinking boat? Moreover, when they are rowing in opposite directions–one clinging to the past, and the other unable to get rid of it! In the midst of it all is Lily, Cynthia’s daughter, who harbours a secret that has the power to explode the lives around her.
Dark Blossom. I love the title of this book. Was this your first fiction book? What’s the story behind it? (No pun intended)
Thanks! To be honest, the title appeared to me in a dream. And since I’m being honest, I must also admit that I fell into writing rather serendipitously as well. Dark Blossom is indeed my first work of fiction and both the story and the characters were more or less cleaved by an imagination that had run amok at a time when I was struggling with empathy in my life.
While the characters are all very different from me and the ordeals faced by them are exaggerations of what I was going through, my innate spirit wanted to describe their experiences and interactions in a way that was entertaining for readers. This duality of finding entertainment and perhaps even levity in daily strife exists in everyone including my characters and the title from my dream captured that essence. Here’s a snippet from my book launch on that topic: https://www.youtube.com/watch?v=iodpyiw4Z7Y&t=3s
What do you enjoy most about storytelling?
Given how and when I fell into storytelling, I soon found writing to be an unbridled expression of empathy. First, I needed it for my characters to allow them a full and vibrant range of expression and then, for my readers to help them partake of such expression in a riveting way. So writing afforded me a double dose of empathy if you will – and it helped fill that personal void in my life too.
In retrospect though, there is one other thing about writing and storytelling that I enjoyed as much. Call me a masochist, but I fell in love with playing around with language – its syntax, semantics, and subtleties, all of it! How a word here instead of there, a moved punctuation, or a replaced synonym can affect the way people understand intellectually and perceive viscerally is all very fascinating. As a life-long learner too, I think I have fallen in love with this process of reflection followed by articulation.
Which came first idea, theme, or character?
If I were to think about just the idea and the characters, I would have to say it’s a judicious mix. In order for a story to take place, not only must the idea be important to the characters but also they must have something important to say about it. Once this scaffolding is in place, then the idea might change less and the theme is driven by its interplay with the characters, but it’s the characters that really have to evolve the most. They have to – to fight increasing stakes, win small battles, and eventually come out on top at the end of the war!
What’s your method for character creation?
Good stories take place at the intersection of personal authenticity and people’s perceptions. Ergo, good characters must be borne from a place of sincerity. If that’s not the case, then it will be difficult to convince readers. Once I am able to make this genuine empathic connection with my characters, I follow a five-step process to give them substance – Read, Research, Reflect, Rest, and Repeat. First, I read and research a lot and this includes conversations with people who might provide inspiration. Then I let it percolate by backing off completely after a period of reflection, of course. Lastly, I find myself having to go back to the start of the loop at times when I get stuck.
What can you tell us about Sam?
Phew! Now that’s a toughie. Let me explain. Part of the inspiration behind the novel is my belief that the solution to a rapidly fracturing world lies in peeling enough layers to discover the similarities, rather than judging on mere superficialities. And Sam’s character is supposed to catalyze readers to reflect on how we judge the motives of those around us. In fact, I have even incentivized such reflection with a contest at www.WinTrip2NY.com.
So while Sam’s loss and his tribulations are real, his characterization has been somewhat abstract. Let it suffice to say that he is an immigrant who has assimilated well and is unsure about how to cope with a very deep loss.
Who is Cynthia and what role does she play in the story?
Cynthia is a psychologist and she finds herself alone with her patient and her daughter in a sinking boat. Moreover, they all seem to be rowing away from one another. While trying to heal from a debilitating divorce, Cynthia is helping her patient, Sam, who is struggling with the worst kind of loss there is. She is also trying to mend her relationship with her daughter, Lily, who is not only fighting her own demons but also holding on to a secret that has the power to explode the lives around her.
What was your experience writing the point of view?
From the very beginning, I wanted to narrate the story from Cynthia’s perspective. This was daunting since I am neither a woman psychologist nor do I share a cultural background with her. So I knew I was trying to fill shoes much larger than my own and I had to both step out of my comfort zone and dig deep. And I’d like to believe that I have grown much as a person because of it. So not only was the process personally gratifying but also her perspective turned out to be most relevant for the plot.
Was it easy writing about flawed characters?
Aren’t we all?! But yes, confronting these flaws, let alone embracing or articulating them, is never easy. Fortunately, I strongly believe that such duality exists in all of us and I’m quite comfortable with both my flaws and my struggles with them. Even though writing about these flaws in characters that are different from me wasn’t easy, the fact that I enjoyed this process helped me immensely. Now, as to whether or not I was able to do justice to such expression – I think I’ll let readers be the judge of that.
What’s next for you?
I have only recently started researching and outlining my next novel. It’s also going to be narrated from the perspective of a young woman, Abigail, who has just started her first job as a nanny at a prominent bureaucrat’s home. The story starts with her charge, six-year-old Stewart, fighting for his life in the pool. And Abigail soon discovers that June, the boy’s older sister, may have been the one who pushed him in.
Neel Mullick is the author of Dark Blossom. The Head of Product and Information Security at a Belgian family-office technology company, Mullick is a graduate of Carnegie Mellon University and INSEAD. He mentors female entrepreneurs through the Cherie Blaire Foundation for Women, is involved in raising a generation of digital and socially aware leaders with Nigeria’s Steering for Greatness Foundation, supports improvement in the quality of life of domestic workers through Peru’s Emprendedoras del Hogar, and works with IIMPACT in India to help break the cycle of illiteracy plaguing young girls from socially and economically impoverished communities. Dark Blossom is his first novel.
Have you ever wondered why some people seem to catch all the breaks and win over and over again? What do the super successful know? What is standing between you and your wildest dreams?
A Wall Street Journal and Publisher’s Weekly bestseller, The Book of Mistakes will take you on an inspiring journey, following an ancient manuscript with powerful lessons that will transform your life. You’ll meet David, a young man who with each passing day is more disheartened and stressed. Despite a decent job, apartment, and friends, he just feels hollow . . . until one day he meets a mysterious young woman and everything starts to change.
In this self-help tale wrapped in fiction, you’ll learn the nine mistakes that prevent many from achieving their goals. You’ll learn how to overcome these hurdles and reinvent your life.
This success parable is packed with wisdom that will help you discover and follow your personal purpose, push beyond your perceived capabilities, and achieve more than you ever dreamed possible. You’ll find yourself returning again and again to a deceptively simple story that teaches actionable insights and enduring truths.
“This book is written to motivate individuals to consistently achieve their own high goals,” Prichard says. “Creating results and momentum is only possible when readers take personal accountability. That’s what this book is about.”
Skip Prichard is an accomplished CEO, growth-oriented business leader, and keynote speaker. He is known for his track record of successfully repositioning companies and dramatically improving results while improving the corporate culture. He is a keynote speaker on topics ranging from leadership, personal development, growth strategies, culture, corporate turnarounds, and the future of publishing. His views have been featured in print and broadcast media including the BBC, The New York Times, CNN, NPR, The Daily Beast, Harvard Business Review, Information Today, The Bookseller, Publishers Weekly, Christian Retailing, and the Library Journal.
There comes a time when couples decide to create and raise tiny helpless human beings, hoping they one day become non-tiny and less helpless.
This is one family’s journey through ten months of pregnancy (isn’t it supposed to be nine months?), the first years of parental cluelessness, the terrible twos, threenagers, and the few years that follow when they begin to learn about a world that’s even crazier than they are.
Join the author and his wife as they navigate those ten months, from the always romantic conception, to her water breaking in the most unique way possible. Then watch them attempt parenthood, from the seemingly simple routine of dressing their kids for school, to the complex experience of teaching them to use public bathrooms.
It’s mostly a breeze…
No it isn’t. Pre and postnatal complications; battles with their own mental health; and those rapidly growing and irrational miniature versions of themselves. Some of it is devastating. Much of it is overwhelming. All of it challenges them to maintain their sense of humor.
And when they attempted to go on an airplane as a family… that was a sh*tshow.
An interview with Brett Grayson
author of What Could Go Wrong? My Mostly Comedic Journey Through Marriage, Parenting and Depression
Why did you decide to write What Could Go Wrong?
Well, deep down it’s probably because I’m a narcissist. Anyone who writes about their life and expects others to care has to be a little self-absorbed and potentially delusional.
On a practical level, I am a person who struggles to get out of bed each morning unless there’s something for me to shoot for. This book gave me a purpose that was lacking in my life for so many years.
The book is full of hilarious parenting anecdotes. Can you share your favorite story?
That’s like picking my favorite dog. I should be reticent to do so, but unlike with my kids, my dogs don’t understand it anyway, so I have no problem choosing a favorite.
And speaking of dogs, my favorite story from the book is probably the night my wife Lauren’s water broke in a bizarre way which related to my dogs. So I used to cook our dogs their dinner because when you don’t have children yet, you have too much time on your hands and do insane things like cook for your dogs. Well, one night I made salmon and the smell permeated the air in our tiny apartment and led to Lauren getting nauseous and facilitated her water breaking.
You are very honest in describing the good, the bad, and the ugly of parenthood, including tough times your family has had. How does your wife, Lauren, and the other people in your life feel about this honesty? Has writing the book changed any of your relationships?
With Lauren, no. The book wouldn’t have been possible without her being on board from the start. She knew it would be revealing and signed off on it, which is freaking amazing as she’s more naked in the book than I am. (Figuratively naked, I mean. It’s not a porn book.) I’m not sure I’m a secure enough person that I would have been as understanding if she were the one writing it. But that’s why I married her. She’s better than me.
My parents have been a mixed bag as they’re from a generation where you don’t share your secrets, especially anything about mental health. Slowly though, as I’ve revealed a lot through my blog, and people have responded so positively, they’ve come around.
They were also rightly concerned about my career as a lawyer being compromised by the mental health revelations. That was the driving force behind me using a pen name for the book. I can keep the two careers separate.
In the book you talk about your struggles with depression and anxiety, as well as Lauren’s postpartum depression. What has been the biggest challenge in relation to your mental health and your role as a parent?
I think being present and active in their lives is a daily challenge. On one hand, I’m better around them because they don’t know about my struggles and also because being with them gives me meaning and forces me to be present. On the other hand, they are difficult to handle for long periods of time. They always require attention and sometimes I have a hard time taking care of others when I’m so caught in my own head. They also don’t listen and require patience, which I don’t always have.
It’s hard to admit, but at times I fight the urge to want to get away from them, and at night to rush them to bed. Life is easier to handle when you don’t have to care for others. But paradoxically life is also meaningless if you’re not helping others. And I know this and love them so much and try to remind myself to appreciate my time with them rather than rush through it.
How has becoming a parent changed your relationship with Lauren?
I go into this a lot in the book and I hope my honesty on it will be relatable. Because I’m not sure that becoming parents has necessarily been a good thing for my marriage. Yes, it creates meaning and gives you motivation to work through your problems for the sake of the kids. But kids are also a burden on a marriage in many ways. You don’t get to spend a lot of quality time alone, which is something I miss and has caused us to drift apart at times. Kids also have led to a lot of fighting for us on the issue of how to raise them. Lauren and I just disagree a lot about parenting decisions.
In the book you talk about your son’s diagnosis of CLOVES syndrome. How has this diagnosis impacted your family, and how is he doing today?
He has a big surgery coming up in the first half of 2019. It’s the first big one, though likely not the last. At four-years-old, he’s still in the dark about all of it. Which is both good and bad. On a social level, we’re worried about how he’s going to do once other kids start commenting on his different appearance. But we’re not there yet.
In terms of its effect on us as a family, it’s actually brought Lauren and I closer together. While we have our challenges as I’ve elaborated in the prior answer, experiencing this with our son together is a great emotional equalizer for us. Now I’d rather find a different equalizer, but I can’t make that trade. So experiencing all this with Lauren-the trips to Boston, the dozens of doctors’ appointments-are an experience that we share and few others can understand.
What advice would you give new fathers and fathers-to-be?
how you intend to parent. And write it down. For example, Are you going to let your baby cry or are you going to run into their room the second they cry? It seems unimportant until that moment when you start disagreeing while it’s happening.
What’s next for you?
I intend to keep writing about the absurdities and meaningful parts of my experience as a parent. I’m not sure I have another book in me for a while on this topic, as this book covered a six-year period in our lives. I’m sure I’ll be sharing my story in some form, though.
I’d also like to write a bit more about mental health and continue to raise awareness and reduce the stigma of anxiety and depression. It’s just so prevalent in our society. I’m not sure I really understood the extent of it until I started blogging about my own struggles. More than anything I’ve written about, my blogs on mental health have garnered the biggest response.
Where can we learn more about What Could Go Wrong?
Go to Amazon and buy the book. Half the money is going to support a charity for our son’s condition (CLOVES Syndrome). So you’re being a good person regardless.
And I think you’ll enjoy the book. Worst case scenario – it winds up on that place on the back of your toilet that I don’t know the name of.
book blogger & reviewer
Minty Fresh Reads. Murder and mayhem, with a sprig of mint.
A Grand Procession of the Writing Community
Reviewing young adult, new adult, and romance since 2013.
Author of the psychological thriller series, Incalculable
Author of the Commune Series
Blog posts from writers of authentic crime fiction.
The online home of author and animal lover, Candice Fox.
New York Times-bestselling author