Story Structure First Act by Usvaldo De Leon

Close up hand of young woman with pen writing on notebook at riverside in the evening.

 

 

Story Structure First Act

by Usvaldo De Leon

 

Structuring a story is a challenge that writers meet in one of two ways: either they outline diligently before they write so much as a sentence, OR: they fire up the word maker and see what happens. The former are called plotters. The latter people are called pantsers and I am one of them.

The difference between the groups lies in how comfortable a writer is with chaos. To write is to literally visit a foreign land. Plotters like to have an itinerary. They know where they will be in the morning, where they are eating lunch, etc. Pantsers wake up and walk out the door with nary a thought for the day. Plotters attempt to impose control. Pantsers attempt to maximize experience.

I view writing as a discovery process. It lets me explore the characters, their interactions, the plot and setting. It lets me feel the story. I’m frequently surprised by what occurs, which leads me to more character driven, organic stories. For plotters, the outline process performs the same function.  The end result for both groups is a story that is thematically and narratively coherent.

For me a story begins with either a situation or an image. If I see an image then it is usually the climax. Seven men on a sailboat in the Pacific. One of them is trying to sabotage the boat, everyone knows it and everyone is on edge. If I have a situation, it is usually the inciting incident. A dying billionaire wants to read his obituary so he fakes his death.

Why my brain works like this is not something I think about. I believe it is churlish to be picky about how one receives inspiration. One does not find a ten dollar bill on the sidewalk and get upset it was not a twenty. Inspiration is a gift.

Next I figure out the bones of the story, a.k.a. structure. Authors use story structure because it is how people’s brains and hearts respond to narrative.

In the first act, the character sees a flaw in the normal world and ventures into the unknown to fix it. In the second act, the character faces myriad challenges to create a solution to the problem. In the third act, the character braces for a final showdown to win the prize and restore the normal world. This template covers everything from Star Wars to Liar Liar and all points in between.

 

 

Resources:

How to Take the Guesswork Out of What Scenes Belong in Your First Act

The First Act Turning Point

The First Act: Nailing Your Novel’s Opening Chapters

 

 

 

Write Sign, Love for Writing, for writers and authors.

 

 

 

 

 

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Stop Looking for Others to Create a Life of Joy – by Renee Linnell

Renee Linnell photo 1

 

 

 

~Easily the best memoir I’ve ever read~

 

 

 

Burn Zone image

 

 

 

Stop Looking to Others to Create a Life of Joy

by Renee Linnell,

Author of The Burn Zone: A Memoir

 

Originally published on Psych Central

 

I believe there is not enough dialogue out there about soul-sickness, especially among wealthy communities. We are taught to believe from a young age that once we have the perfect partner, house, car, children, and careers, we will be happy. And often times this is not the case; the happiness does not come. There is an insatiable need for more. Because there is no dialogue about this, most people think, I am the only one, something is wrong with me, or no one understands me. This leads to deep despair and usually a diagnosis of depression and medication.

I ruined my life searching for peace. I pushed away everyone and everything I loved. I allowed myself to be emotionally, psychologically, and sexually abused. I allowed myself to be brainwashed in seemingly unhealable ways. And what I finally discovered, after all of my searching, is that the peace and happiness for which I had been searching was inside of me all along. But, and this is a big but, I had to be shattered by life to find it. I had to be shattered to finally stop living a life that was not mine. I had to be shattered to finally decide that following my own heart and being true to myself and creating a life that brought me joy was more important than living a life to please other people. I had to be shattered to start questioning what the hell I had been doing and why the hell I had been doing it and to what point.

Why do we feel the need to say, “to death do us part” and bind ourselves to another person? Why do we ignore the intense fear that comes with this decision? How can we even know that this will be in our best interest or the other person’s for the rest of our lives? Many of us do it because everyone else does. Why do we forgo choosing work that we are born to do, work we are naturally skilled at doing, work we love, work that makes our hearts sing and instead choose a career we hate because it pays more? We do this because we are told to do it by our parents or our teachers, and because everyone else does. Why do we dress the way we dress and worship the way we worship and pick romantic partners the way we do? So often it is because we were told to do it this way, or because everyone else does. Often we don’t question any of this. I know I didn’t.

I believe the only way to true joy, to true bliss, to true freedom, is to begin the work of uncovering our real selves—to chip away at the parts of us that are false, the façade we created to please our families, the mask we built so the world would approve of us. Only when we are willing to stand tall in our own uniqueness, with our own idiosyncrasies, will we be able to do the work we came to do, to build the life we always dreamed of, to excel beyond our wildest dreams, and to live in true joy and abundance. When we finally tap into what we naturally are, we discover we already have the exact right skill set to become everything we have always secretly wanted to be.

We are all flawed, we are all damaged, and we are all beautiful. Each one of us is unique; there is no carbon copy. So how can we possibly follow what others are doing? How can what they are doing be right for us? We were born to blaze our own trails. We were all born with unique abilities and skill sets, with unique damage and unique wounds. I believe we are meant to use this combo to discover who we truly are and why we are truly here. Our wounds are not a mistake, they are given to us for a reason, they are Divine. In the healing of them we soften and we open, and we learn how to help others overcome similar damage. In our speaking about them and our owning of them, we encourage others to do the same and as more and more of us speak our Truth, we all eventually realize we are not alone. We have never been alone. We are surrounded by each other, our brother and sister humans, and we are here to support each other on this crazy amazing Earth Walk.

Yes, the decision to live this way is terrifying; but once we decide to do it, we feel the life force energy coursing through us again, we feel the blood pumping through our veins, we rediscover passion and the thrill of not knowing what tomorrow will bring. We are here for such a very short time; I simply cannot believe we were meant to spend that time in loveless relationships stressed about paying bills.

In my journey to wholeness I discovered that me just being me, dressing the way I want to dress, saying the things I want to say, doing the activities I love to do, putting myself first and making sure I am taken care of before I take care of others—living this way brought me so much joy that I began to radiate joy and light and love and kindness. I discovered a joyful me was a radiating me. A joyful me was a kind me. A joyful me was a patient and compassionate and forgiving me. After destroying myself and my life and all that I loved in order to become Enlightened, in order to become Saint-like, I finally realized that the key to my becoming Saint-like was just being me. When we create a life of joy we stop worrying about what others are doing or not doing. We stop pushing against. And instead we begin loving. And we add our light to the sum of light; we shift the consciousness of the planet from fear to love. What better use of our time here on earth than that?   

 

 

 

Renee Linnell photo 2

 

 

About the Author:

Renee Linnell is the author of The Burn Zone: A Memoir (She Writes Press; October 2018). She is a serial entrepreneur who has founded and cofounded five companies and has an Executive Masters in Business Administration from New York University. Currently she is working on starting a publishing company to give people from diverse walks of life an opportunity to tell their stories. She divides her time between Colorado and Southern California. For more information, please visit https://reneelinnell.com and follow Renee on Facebook, Twitter and Instagram.

 

 

 

 

 

Author Karen A. Wyle releases her new novel: Water to Water

Water to Water image

 

 

Two young Vushla questioned what everyone knew about death. What should they do with the answer?

When the time comes for Vushla to die, they go into the ocean and are dissolved away. Or so Terrill has always believed, and still believes after taking part in his father’s final journey. But when he meets a young Vushlu who lives by the sea, Terrill must confront information that calls this fundamental belief into question. Will the two of them discover the truth? And what should they do with what they find?

 

Amazon | Goodreads

 

 

 

Questionmark at the Wall

 

 

 

*How did you come up with the title for this book? It sounds rather poetic.

–The idea came from a familiar phrase in the English Burial Service: “ashes to ashes, dust to dust.”

 

*What exactly is a Vushla?

–The Vushla (plural — singular is Vushlu) are one of the sentient species on a planet humans haven’t found. They could be described as a cross between a centaur and a tortoise: their general body configuration is that of a centaur, and they are largely covered by many small plates of a hard substance they (and their neighbor species, the Weesah) refer to as armor. The armor is often moved as part of gestures and body language. I envision them as roughly human-sized.

 

*Tell us how the idea for this book came about.

–That was a first for me. The way Vushla typically meet death came to me as an image in a dream. My husband contributed a key plot twist.

 

*What is the connection between the Vushla, water, and death?

–As described in the Preface and in the book blurb, when a Vushlu knows it is dying (I use “it” for unidentified Vushla and Weesah, and he or she for individuals of known gender), it tries to get to the ocean, where it swims or wades into the surf to dissolve away. If it dies on the journey, the friends and relatives accompanying it on the funeral journey hire fisher folk (who have custom-made waterproof suits) to carry the body into the ocean.

 

Whether there are other connections . . . you’ll need to read the book to find out. 🙂

 

*Was your approach different in writing this book?

 

The origin — a dream, as I mentioned above — was different. Otherwise, I did what I usually do: wrote a (very) rough draft during National Novel Writing Month, aka NaNoWriMo or NaNo; put it aside for a month or so; did multiple revisions and editing passes over the next nine months; sent it to beta readers and made more revisions based on their comments; did the final proofread/edits; and published it (as a preorder) on Amazon and Google Play and via Draft2Digital. (The paperback will, I hope, be ready by the release date of October 17th, at least on Amazon. B&N will take a little longer due to a cumbersome proofing process.)

 

*What comes first the idea or theme?

 

That’s an interesting question, especially this time around. What thematic concerns inspired that dream? I can’t say for sure. I certainly had both mortality and parent-child relationships on my mind, as my father died a little more than six months before NaNo began. (I don’t remember exactly when I had the dream, but I would guesstimate it was a month or so before NaNo.)

 

*What was your experience like writing Water to Water?

 

I can generally keep up with or stay slightly ahead of the pace NaNo requires (an average of 1,667 words per day), and this time was no exception. My confidence in the story fluctuated about as much as usual — which is to say, frequently but not to the point of either ecstatic certainty or profound gloom. I frequently consulted my general science adviser, aka my husband Paul Hager, on various aspects of world-building.

I approached cover design a little differently this time. I’ve most often collaborated with a particular designer, but that collaboration works best when I have some fairly definite starting ideas. This time, the one idea I had felt insufficient. I decided to spring boldly into the red, financially speaking, and invest in a cover from a designer (or rather, a group of designers) I’d long admired, Damonza. I am delighted with the result, which has gotten consistently favorable comment during the book’s Silver Dagger Book Tour (continuing through October 26th).

 

 

 

Karen A Wyle

 

Karen A. Wyle is the author of multiple science fiction novels, including The Twin-Bred Series: Books 1-3; near-future novels DivisionPlayback Effect, and Who: a novel of the near future; and YA near-future novel The Link. Her one novel (so far) outside the SF category is afterlife fantasy/family drama Wander Home. She has also published one nonfiction work, Closest to the Fire: A Writer’s Guide to Law and Lawyers, a resource for authors or for anyone interested in understanding more about American law.

Wyle was born a Connecticut Yankee, but eventually settled in Bloomington, Indiana, home of Indiana University. She now considers herself a Hoosier. Wyle’s childhood ambition was to be the youngest ever published novelist. While writing her first novel at age 10, she was mortified to learn that some British upstart had beaten her to the goal at age 9.

Wyle is an appellate attorney, photographer, political junkie, and mother of two wildly creative daughters. Her voice is the product of almost five decades of reading both literary and genre fiction. It is no doubt also influenced, although she hopes not fatally tainted, by her years of law practice. Her personal history has led her to focus on often-intertwined themes of family, communication, the impossibility of controlling events, and the persistence of unfinished business.

 

Website | Goodreads | Twitter | Amazon

 

 

 

 

 

 

 

 

Tips For Long-Term Author Success With Sherrilyn Kenyon & Joanna Penn

IT’S TELEVISION TUESDAY!

 

 

1950s TV Set

 

 

 

80 Million Books Sold. Tips For Long-Term Author Success With Sherrilyn Kenyon

 

 

 

 

Benjamin Thomas

@thewritingtrain

http://www.mysterythrillerweek.com

 

 

 

 

 

 

An Excerpt: Becoming Starlight: A Shared Death Journey from Darkness to Light

Becoming Starlight

 

 

Becoming Starlight

Excerpted from Becoming Starlight: A Shared Death Journey from Darkness to Light by Sharon Prentice, PhD. Copyright © 2018 by Sharon Prentice. https://sharonprentice.com

 

Heaven. There are many different words for it in many different languages. And each day, it’s a “place” that’s referred to more than any other in the world. Why? Every single race, religion, ethnicity, and culture—members of each one believe in the concept of Heaven. Religious scholars and philosophers have debated, argued, and fought over the very nature of Heaven since time immemorial and they have written reams and reams of papers about it and stockpiled book after book on library shelves for millennia.   

But it’s not the conversations or writings of the religious scholars or philosophers that touch the true nature of “that place.” It’s the conversations that take place in the hospices, hospitals, ICU’s and funerals of the world that take us into the soul of humanity and, therefore –into Heaven. It’s in times of great personal trauma that many of these discussions take place. And, sometimes, these private moments can become very heated due to the stress and fear that exist in the trying moments before the death of a loved one. Once the word “Heaven” is spoken out loud, the underlying, unacknowledged, unspoken word that goes with it is death. Fear that death is near–especially in the waiting rooms of the ICU–prompts exchanges that are not normally heard in everyday family life.

When “the end” is near, people shy away from using the word “death”; their conversation will, instead, turn to the “place” where their loved one “is going” and to each person’s individual interpretation of exactly what and where Heaven is–and everyone has their own “truth.”   Listening to, and being part of these conversations, is both joyous and heart wrenching as families try to come to terms with exactly “where” their loved one will be after they die. This conversation is repeated countless times, every single day, all over the globe.

The conflict begins the very minute someone questions the interpretation of another. In these moments of great tragedy, having one’s viewpoint understood and accepted as truth–the only truth–is vitally important to each person’s peace of mind. Therein lies the problem. The discussion turns to debate–then to all-out disagreement.

I understand the conflict. Over the years, I have shared my SDE with many friends, colleagues, and mentors, and my explanations and descriptions have sometimes caused heated debate among them. I have spoken to individuals from all walks of life, from all the great religions of the world, from every background and school of thought, and every one of them had their own version of what “truth” should “be” or “is.” While all their “truths” were different, they did have a unifying thread–a belief in an afterlife. “Heaven” and “Hell” were central to every debate and the descriptions of these “places” were similar in both nature and belief.

In the course of these debates and conversations, I have been asked to explain “where” I was taken, what I meant by “I became Starlight,” and to describe exactly what “God” looked like. It is so very difficult to accurately relay my experience because I must rely on “words.” To use words such as “majestic, magnificent, purity defined, peaceful, still, home” dulls the experience because of the mere fact that labeling it–using words to describe the indescribable–just doesn’t do the SDE justice. To characterize the face of God, the touch of God, is tantamount to explaining perfection itself–how can it be done?  How do you depict an emanation of love and joy combined with otherworldly purity? How do you describe an ethereal form that consists of pure light? The “how” lies in the experience itself as given to you by God Himself–His face, His thoughts, His Word engraved upon your heart–how do you give voice to that feeling?

The “how” lies hidden in the vision, the “feeling” of pure Spirit–the soul must feel its way through to see perfection without being polluted by the scripts we grew up identifying with and falling victim to. “God looked like love I have never experienced before” has always been my answer. There are some feelings and thoughts that can never be expressed–words don’t exist to describe them. Our own humanity puts locks on the words felt in the Soul. The physicality of God’s appearance—it simply wasn’t important. I felt absolutely no curiosity about it–His touch was just too all-consuming and comforting to think of anything else. Perhaps one day, someone will invent a word that accurately depicts “the pure light that is love” that will get us one step closer to seeing His perfection.

Once the head shaking stops from my lack of a physical description, the conversation turns to “where” was I? Most organized religion tells us that God is “separate” from us, that He lives somewhere “out there,” above the clouds in a place called Heaven. Religion teaches us that God is the creator and final arbiter of the rights and wrongs of living and that we all will surely answer to Him for all our wrong doings. And just as we’ve been told who and what God is, we’ve also been told what “heaven” is, in descriptive terms that everyone can visualize. Heaven is a specific place, the likes of which there is no equal. It is an “other” world, out there somewhere, filled with everything wonderful and beautiful, full of creature comforts that we only dream about. Mansions line golden streets encrusted with pearls and diamonds, and everyone has everything they ever wanted–and everyone who was the best “good little boy or girl” has even bigger and better things than those who weren’t quite as good in this life. We earn that mansion on that particular street in that particular neighborhood by the things we do or believe or by the things we don’t do or don’t believe while living on this earth. Sounds like a bigger and better version of life here, doesn’t it? I fully accepted that version, that description of Heaven given to me as a child. The innocence of childhood demands “pictures” we can understand. Adjectives that paint a picture of a human paradise comfort and console us when we think of death–ours or anyone else’s.

But that is not what I found in “that place” among my stars. Was there physicality, a form, a space–a specific place that could be described? I can’t say there was! What I found, and felt, instead, in the place where I was held, was magnificence itself: Pure Starlight–and God Himself. And the most amazing surprise of all–I found the “me” as God intended me to be from the moment He formed me in my mother’s womb–before this world got ahold of me and slapped labels on me that told me who to “be” and what to believe. But in “that place,” I found myself as a magnificent extension of God. My answer to the question, “What does God look like?” has always been the same: to describe God, I would be describing my own Soul. And to describe “that place” requires a complete letting go of everything that any logic and human reasoning would dictate.

The very essence of God, of Heaven, was in and of that Starlight. I discovered–no, I just knew–that there is nowhere that God is not. He is in and of everything that has ever existed. There is nothing that He is not. There is no place that He is not. If it exists, it is a part of Him–His thoughts created everything, including every one of us. We exist purely because he thought of each one of us. We are the physical forms of His thoughts. We are his creations–part of a whole that we can’t perceive. We are all intricately combined as one thought of God but gloriously separate as individuals for some reason unknown to us–but known to Him from the moment He gave each of us life.

Amazon | Goodreads

 

 

About the Author:

Dr. Sharon Prentice is the author of Becoming Starlight: A Shared Death Journey from Darkness to Light. Soon after completing her graduate studies in psychology, Dr. Prentice longed to discover “the why’s” about her own intimate experience with death in the form of an SDE, and that of others who had experienced something “weird, unbelievable, odd” at the time of the death of a loved one. Dr. Prentice is in private practice as a Licensed Clinical Pastoral Counselor – Advanced Certification. She is also a Board Certified Spiritual Counselor (SC-C) and holds Board Certification in Cognitive Behavioral Therapy, Group Therapy, Integrated Marriage and Family Therapy, and Crisis and Abuse Therapy. She is also a Board Certified Temperament Counselor. Dr. Prentice is a Professional Member of the American Counselors Association, a Professional Clinical member of the National Christian Counselors Association, a Clinical member of the American Mental Health Counselors Association, and a Presidential member of the American Association of Christian Counselors. She is also a Commissioned Minister of Pastoral Care. For more information, please visit https://sharonprentice.com and follow the author on Facebook and Twitter.

 

 

 

 

Books & Blurbs: The Wanderer by Michael Ridpath, Good and Evil by E.M. Smith,Vargus, McBain.

Wanderer by Michael Ridpath book 5

 

 

From the million-copy bestselling author, perfect for fans of Stieg Larsson, Anne Holt, and The Killing.

“Michael Ridpath is trouncing the Scandinavians on their home turf. This is international thriller writing at its best.” PETER JAMES

Iceland, 2017: When a young Italian tourist is found brutally murdered at a sacred church in northern Iceland, Magnus Jonson, newly returned to the Reykjavík police force, is called in to investigate. At the scene, he finds a stunned TV crew, there to film a documentary on the life of the legendary Viking, Gudrid the Wanderer.

Magnus quickly begins to suspect that there may be more links to the murdered woman than anyone in the film crew will acknowledge. As jealousies come to the surface, new tensions replace old friendships, and history begins to rewrite itself, a shocking second murder leads Magnus to question everything he thought he knew…

 

Amazon | Goodreads

 

Blurb rating: 8/10

This book is definitely on my radar. First, there’s an amazing endorsement from mega-writer Peter James. Then the blurb kind of sucks you into it’s realm of suspense, intrigue, crime, setting and viking history. The Wanderer is the #5 book in the series so I’ll need to catch up fast!

 

 

Good and Evil Viktor Loshak book one

 

 

He slips through the unlocked window. Creeps down the hall. A shadow standing in the bedroom doorway. Will you wake when death comes ripping?

A string of brutal home invasion murders terrifies Dade County Florida. The killer strikes in the dead of the night, savages innocent people in their beds, wipes out entire families.

Skewering them with his blade. Butchering them beyond recognition. Raw. Aggressive.

He attacks at random. Rich. Poor. Young. Old. No one is safe.

When the city sleeps, he comes alive. Stalks the night. Walks among us.

The investigation is hopeless. There’s little physical evidence to work with, and the killer’s chaotic behavior makes him as unpredictable as he is dangerous.

How can anyone make sense of such brutality?

The task force leading the investigation needs a profiler, and there’s only one man for the job.

Loshak. Special Agent Victor Loshak.

The 53 year-old likes his Dunkin’ Donuts coffee shaken, not stirred. And now, for the first time, he’s on his own.

In recent years, Loshak has slowed down some. He relies on more wit than grit these days, often playing a mentor role to his partner, Violet Darger. Until now, she always had more than enough grit for both of them.

But Darger isn’t around this time, and a killer this aggressive will push Loshak to his limits.

And beyond.

What drives someone to such violence? And how far will Loshak have to go to stop him?

Yeah, he’ll need to find that grit again… or die trying.

 

Amazon | Goodreads

 

 

Blurb rating: 7/10

 

I’ve read this author and part of the Violet Darger FBI series before, so I know what I’m getting into before I read this. Agent Victor Loshak FBI profiler first makes his appearance in Dead End Girl: A Gripping Serial Killer Thriller (Violet Darger FBI Thriller Book 1)And that book was AMAZING. I wasn’t too impressed with the blurb itself though. Liked bits and pieces of it and disliked others. But the blurb is pointless because I’ve already got a great taste of the series and the lead character anyway. Can’t wait to tap into this puppy.

 

 

 

 

 

Talking Writing Points with Ames Karas

Draft Preliminary First Attempt Try Word Stamp 3d Illustration

 

 

 

READ THIS FIRST

Starting Point:

Today is a writing day. This is about word production. Start at the beginning then go in chronological order. When finished, put the word count in the title. Change the icon to something awesome like a star or something.

 

STARTUP: Keep a legal pad handy for notes.

-What’s my goal for today’s writing session?

-Word count by 15 minute increment.

-Doubts about my character.

-Doubts about my fictional characters.

-Doubts about the direction of the scene.

-Possible fixes.

-Questions about the next scene.

-Any other interrupting thoughts.

 

Then at the end of a writing session:

-What did I accomplish? Yay me!

-What should I do before next writing session?

-What will I write next?

-Review these notes before the next Day’s writing.

 

NOW CRUMPLE IT UP AND THROW IT AWAY! YAY!

KEEP IN MIND WHILE WRITING:

-Why do I love writing?

-What is my story about in a paragraph?

 

 

 

Closeup woman shocked face with eyeglasses

 

 

 

Act 1 is a bitch.

It took me 2 years to write Act 1 of my recently completed WIP Winded Embers. It took 7 months to write Act 2.  

Act 3 took less than a week.

 

Act 1 seems daunting because there are multitudinous variables to organize and implement. You must answer questions like: What does this character want? Why does he want it? Who is in his way? Why?

I’ll stop now lest I begin sobbing. You will revise so breathe.

 

That is just what comes from the story. Never forget, humans are pre-fabricated with self-doubt and anxiety. This is extra true for creatives who must essentially get naked in public. Accusation and questions will flood you while you write.  

 

What if I suck and have to re-write the entire thing? Wow, am I screwed up for writing about this? Who am I going to offend by writing? Worse, I am not going to offend anyone? Am I writing garbage that doesn’t mean anything?

 

In my experience (limited though it is) stories tend to come more easily when unimpeded by Writer’s block. Industry secret: Writer’s block= personal problems.

Here is my advice on surviving the production of act 1.

Create a positive writing habit (more on this in “go Analog”).

 

Recruit allies. Writer buddies can shut down your self-doubt and make you work better. There are some questions you cannot answer about your own book. Knowing you have beta readers creates a mental toilet for the questions you can’t answer. “Is my character relatable?” I have Betas for that. ::FLUSH::  

 

Go Analog. never underestimate the power of paper. Physically setting down a noisome idea is underrated. Nothing gets rid of negative thoughts like a pad of paper. Little in this world is as satisfying as crumpling said thoughts and winging them across the coffee shop into the waste basket. I’m just sayin’

Below is my warm-up. I needed it while writing Act 1.  KEY: This worked for me. Use what works for YOU!

Now go write and be awesome, you writer you.

Ames Karas   candor.amykaras.com

 

 

 

Man ready to run

 

This is Where it Starts by Author Margot Kinberg

Undecided businessman weighing his choice

 

 

This is Where it Starts

 

Thanks so much for having me here, Benjamin! It’s a privilege. One of the things that many writers struggle with is how to begin their stories. And that’s not just a problem for new writers, either. Even very experienced writers can find that first bit of a story to be a challenge.

There are lots of different ways to get started, and no one way is ‘the right way.’ So, I can just share the approach that’s worked for me. I write crime fiction, and, most of the time, that means that at least one character is going to get killed. The thing is, though, that most of us couldn’t imagine taking a life. So, if a story’s going to be believable, there has to be something about the victim that gives someone a compelling reason to kill.

That’s one reason I start my stories by introducing the victim in some way. I want readers to get a sense of who this person is (or was). Then, I hope I can convince them that this is a plausible murder victim. Starting a story with the victim also gives me the chance to make that character seem like a real human being. This, I hope, invites the reader to engage in the story.

I’ve used different strategies to introduce the victim. In my first two novels, the first sentence of the story takes us into the victim’s life. Here, for instance, is the first sentence of B-Very Flat:

‘Serena Brinkman smiled as she took a deep breath of the crisp October air.’

The next sentences place Serena on the campus of (fictional) Tilton University, where she is a student. Then, she encounters other characters, and readers get a sense (I hope) of what her relationships with those characters are, and why she would become a victim.

In my second two novels, the victim’s basically dead before the story really starts (although in one, the victim dies in the prologue). Those novels begin as the victim’s death is discovered, and the police, as well as my sleuth, Joel Williams, start to ask questions. That approach lets me offer the ‘hook’ of a murder case to the reader, and still lets me introduce the victim as the case is investigated.

There are, of course, lots of other ways to start a story and invite readers to engage themselves. Some crime writers introduce a story with the sleuth. Others start with a particularly compelling setting or incident. I do it by introducing the victim, but there really is no one ‘correct’ approach. As long as the story gets the reader’s attention, that’s what matters.

Thanks again for hosting me, Benjamin!

 

 

Margot Kinberg

 

 

About Margot Kinberg

 

Margot Kinberg is a mystery author and Associate Professor. Born and raised in Pennsylvania, Kinberg graduated from Indiana University of Pennsylvania, then moved to Philadelphia, which Kinberg still considers home.

Kinberg had always been fascinated by crime fiction and mystery novels. In fact, she became an “addict” while still in her teens. So in 2007, she began her fiction writing career with her debut novel, Publish or Perish. In that novel, Kinberg put her experience in the world of higher education to use in creating a murder mystery that takes place at fictional Tilton University. This story introduces Joel Williams, a former police detective-turned-professor, who teaches in Tilton University’s Department of Criminal Justice. In this first outing, Williams helps solve the murder of a graduate student. The second in Kinberg’s Joel Williams series is B-Very Flat, in which Williams helps to solve the murder of a young violin virtuosa who dies suddenly on the night of an important musical competition. Kinberg’s third Joel Williams novel, Past Tense, begins when a set of bones is discovered at a construction site on campus. This case ties in with a missing person case from 1974.

Kinberg, who now lives with her family in Southern California, is currently at work on her fourth Joel Williams novel.

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Why You Need to be Publishing Audiobooks with Mark Dawson & Tina Dietz

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http://www.mysterythrillerweek.com

How To Find And Work With A Professional Editor

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Benjamin Thomas

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