Collaborative Writing: 10,000 Books to Glastonbury
Geoff Symon is a 20-year Federal Forensic Investigator and Polygraph Examiner. His participation in high-profile cases includes the attacks on September 11, 2001, the War in Iraq, the Space Shuttle Columbia explosion, the 2002 bombings in Bali and the Chandra Levy investigation, among countless other cases.
He has direct, first-hand experience investigating cases including murder (of all types), suicide, arson, kidnapping, bombings, sexual assault, child exploitation, theft and financial crimes. He has specified and certified training in the collection and preservation of evidence, blood-spatter analysis, autopsies and laboratory techniques. You can reach him at GeoffSymon.com.
Want to add an autopsy that won’t kill your story? Death swings its scythe in every genre, from family funerals to crime scenes to creatures that won’t stay buried. This user-friendly, illustrated reference digs into all things posthumous and postmortem.
Presented as a research manual for the experienced writer, this “Forensics for Fiction” title offers practical approaches and realistic details by covering:
¤ Terms and techniques used during autopsy procedures
¤ Different postmortem professionals and their specialties
¤ The stages of decomposition in different environments
¤ Methods used to estimate the time of death
¤ Case studies in which autopsies cracked the crime
¤ Examples of how to use autopsies in any popular genre
Whether you’re writing about dissection or resurrection, this guidebook covers it all from cadaver to slab as an easy-to-understand resource for dead-on storytelling.
Resources mentioned in this episode: BONUS CONTENT: Free sample report from Alex and K-Lytics – http://k-lytics.com/SPF
SPF 101: The 101 course is open for enrollment for a limited time. – https://selfpublishingformula.com/101
The award-winning author of The Music of the Primesexplores the future of creativity and how machine learning will disrupt, enrich, and transform our understanding of what it means to be human.
Can a well-programmed machine do anything a human can―only better? Complex algorithms are choosing our music, picking our partners, and driving our investments. They can navigate more data than a doctor or lawyer and act with greater precision. For many years we’ve taken solace in the notion that they can’t create. But now that algorithms can learn and adapt, does the future of creativity belong to machines, too?
It is hard to imagine a better guide to the bewildering world of artificial intelligence than Marcus du Sautoy, a celebrated Oxford mathematician whose work on symmetry in the ninth dimension has taken him to the vertiginous edge of mathematical understanding. In The Creativity Code he considers what machine learning means for the future of creativity. The Pollockizer can produce drip paintings in the style of Jackson Pollock, Botnik spins off fanciful (if improbable) scenes inspired by J. K. Rowling, and the music-composing algorithm Emmy managed to fool a panel of Bach experts. But do these programs just mimic, or do they have what it takes to create? Du Sautoy argues that to answer this question, we need to understand how the algorithms that drive them work―and this brings him back to his own subject of mathematics, with its puzzles, constraints, and enticing possibilities.
While most recent books on AI focus on the future of work, The Creativity Code moves us to the forefront of creative new technologies and offers a more positive and unexpected vision of our future cohabitation with machines. It challenges us to reconsider what it means to be human―and to crack the creativity code.
Mark Dawson has worked as a lawyer and in the London film industry. His first books, The Art of Falling Apart and Subpoena Colada, have been published in multiple languages. He is currently writing three series. The John Milton series features a disgruntled assassin who aims to help people make amends for the things that he has done. The Beatrix Rose series features the headlong fight for justice of a wronged mother–who happens to be an assassin–against the six names on her Kill List. Soho Noir is set in the West End of London between 1940 and 1970. The first book in the series, The Black Mile, deals with the (real-life but little-known) serial killer who operated in the area during the Blitz. The Imposter traces the journey of a criminal family through the period; it has been compared to The Sopranos in austerity London. Mark lives in Wiltshire with his family.
From the Self Publishing Formula
Options for authors are increasing all the time. James talks to Kinga Jentetics about PublishDrive, an aggregator that can distribute books globally, including growing English markets like China and India.
Highlights on this episode:
Jerry Bruce Jenkins is an American novelist and biographer. He is best known as co-author of the Left Behind series of books with Tim LaHaye. Jenkins has written over 185 books, including mysteries, historical fiction, biblical fiction, cop thrillers, international spy thrillers, and children’s adventures, as well as non-fiction. His works usually feature Christians as protagonists. In 2005, Jenkins and LaHaye ranked 9th in Amazon.com’s10th Anniversary list of Hall of Fame authors based on books sold at Amazon.com during its first 10 years. Jenkins now teaches writers to become authors here at his website. He and his wife Dianna have three sons and eight grandchildren.
Minty Fresh Reads. Murder and mayhem, with a sprig of mint.
A Grand Procession of the Writing Community
Reviewing young adult, new adult, and romance since 2013.
Author of the psychological thriller series, Incalculable
Author of the Commune Series
Blog posts from writers of authentic crime fiction.
The online home of author and animal lover, Candice Fox.
New York Times-bestselling author