A Word with Kate Rhodes on Writing

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A Word with Kate Rhodes on Writing

 

 

What’s your creative approach to writing?

I treat it like a job, these days. It may sound unromantic, but writing one or two novels a year takes discipline. I tend to research, write and edit for eight hours, every week day.

 

 

Outlining or pantsing?  

I like to outline, but always veer away from my plan! I wish I could stick to my blueprint, but I get distracted by better ideas, or juicier characters, so my plans are constantly changing.

 

 

 

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When you write crime fiction what comes first? The crime, character, idea?

First the location, then the theme. I fell in love with the Isles of Scilly as a child, for their wild remoteness and knew I had to set a series there.

 

How do you get to know your characters?

I write detailed profiles, so I know all of their quirks.

 

 

 

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What’s the hardest part of writing for you?

Lack of confidence. It doesn’t matter how many books I write, I always reach a point, midway through the writing when my belief takes a nosedive. It takes one heck of a lot of stamina and a robust ego to stay in the writing game.

 

 

How has your writing process changed over the years and books written?

I began life as a poet, writing longhand, but now use my computer for pretty much everything. With poetry you have to agonise over every word because the form is so precise, but prose is much more discursive.

 

 

 

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Did you write poetry before novels?

I surely did. Two collections, Reversal and The Alice Trap, both published by wonderful London press, Enitharmon.

 

 

What do you enjoy most about poetry?

Its impact. If a poem is doing its job well, it can be like a bullet of truth, straight to the heart.

 

 

 

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Can you share one of your poems?

Not right now, I’m afraid, I’m deep in the middle of a crime novel, but my poems are floating around on the net if you go looking for them.

 

 

What next for you?

Two more books in my Hell Bay series, published by Simon and Schuster, which I’m enjoying enormously.

 

 

Hell Bay

Ruin Beach

Burnt Island

 

 

 

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KATE RHODES is a full-time crime writer, living in Cambridge with her husband, a writer and film maker. Kate used to be an English teacher and has published two award winning collections of poetry. In 2015 she won the Ruth Rendell short story prize. Kate is the author of the acclaimed ALICE QUENTIN series, with the fifth book, BLOOD SYMMETRY published in 2016.

In January 2018 Kate will publish the first novel in a new series, HELL BAY, a crime novel set on the remote Cornish island of Bryher, featuring DI Ben Kitto.
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KateRhodeswriter.com

 

 

 

 

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The Book of Mistakes: 9 Secrets to Creating A Successful Future

 

 

 

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The Book of Mistakes: 9 Secrets to Creating a Successful Future by Skip Prichard (thebookofmistakes.com) is now available in paperback! 

 

 

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Have you ever wondered why some people seem to catch all the breaks and win over and over again? What do the super successful know? What is standing between you and your wildest dreams?

 

A Wall Street Journal and Publisher’s Weekly bestseller, The Book of Mistakes will take you on an inspiring journey, following an ancient manuscript with powerful lessons that will transform your life. You’ll meet David, a young man who with each passing day is more disheartened and stressed. Despite a decent job, apartment, and friends, he just feels hollow . . . until one day he meets a mysterious young woman and everything starts to change.

In this self-help tale wrapped in fiction, you’ll learn the nine mistakes that prevent many from achieving their goals. You’ll learn how to overcome these hurdles and reinvent your life.

This success parable is packed with wisdom that will help you discover and follow your personal purpose, push beyond your perceived capabilities, and achieve more than you ever dreamed possible. You’ll find yourself returning again and again to a deceptively simple story that teaches actionable insights and enduring truths.

“This book is written to motivate individuals to consistently achieve their own high goals,” Prichard says. “Creating results and momentum is only possible when readers take personal accountability. That’s what this book is about.”

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Skip Prichard is an accomplished CEO, growth-oriented business leader, and keynote speaker. He is known for his track record of successfully repositioning companies and dramatically improving results while improving the corporate culture. He is a keynote speaker on topics ranging from leadership, personal development, growth strategies, culture, corporate turnarounds, and the future of publishing. His views have been featured in print and broadcast media including the BBC, The New York Times, CNN, NPR, The Daily Beast, Harvard Business Review, Information Today, The Bookseller, Publishers Weekly, Christian Retailing, and the Library Journal.

 

 

 

 

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www.skipprichard.com | Twitter

 

 

 

 

 

 

A Trip to Hidden Worlds with Sandra Ingerman and Katherine Wood

double moon above Crater Landscape on alien Planet.

 

 

 

 

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Were those people in Isaiah’s dream the same people from school? Popular soccer star Magda? George, who he’d never heard speak because he always left classes for special services help? Angry Rose, the Chinese girl who was always in trouble for fighting? And why were there dead birds and fish everywhere? When the four encounter one another the next day by the same pond from the dream, they realize they’ve shared a dream and there really are dead birds and fish covering the ground! This leads to real-life adventures and more dreams as they discover a toxic waste plant disposing of poisons illegally. Not friends in the beginning, romance blossoms as they work together with their Power Animals to close down the plant.

Amazon

 

The Hidden Worlds

Sandra Ingerman and Katherine Wood

 

 

  • Describe the initial idea behind The Hidden Worlds and its development into a viable story.

 

Both of us love working with children and have worked with them for many years, both in healing and in teaching them to perform shamanic journeys as a powerful way to feel empowered in challenging life situations.

 

Sandy felt it was important to write a book for children that included ways to work with spiritual guides in shamanic journey to help them navigate both personal and planetary challenges. In ancient shamanic cultures, children were taught to do this, to live in harmony with nature, and to use their gifts and strengths for the good of the community. Children are our future, so a story to help them bridge these ancient possibilities was important. So Sandy set the intention to write a beautiful book that would incorporate these practices.

 

When she showed her draft to her agent, she was told that it needed more to capture the imagination of the readers. The agent said it was too heavy on spiritual lessons with not enough story to draw the reader in. That’s when Sandy asked Katherine to collaborate. Katherine had taught for 31 years, had her own children and had been writing stories and taking workshops on writing for children for many years. She was thrilled by the opportunity.

 

We brainstormed plot ideas, went deeper into the character development, and selected a setting for the book. These new ideas were woven into the original story and The Hidden Worlds emerged after much revision and reader feedback.

 

 

  • How did the two of you collaborate to write The Hidden Worlds together?

 

We worked on Skype, on the phone and via e-mail. Sandy’s ideas were already in writing, so Katherine added her ideas to structure the story.

 

 

  • Does the book bear a certain theme?

 

The theme of the book is that every person has the power to make a difference in the world. We all have access to higher powers who can see the whole situation and send in ideas. When working with others and their skills, knowledge and ideas, an amazing project can emerge. We feel collaborating on this book is proof of this theme.

 

 

  • How did you select the POV characters for your book?

 

Because human beings are unique and complex, we both felt it was important to show this diversity in our characters. We wanted to show that people in middle school can cross the barriers of cliques to become friends with those unlike them. We wanted to show differing perspectives—someone with a debilitating illness, someone who was brought from another culture into this one, someone in special education, someone heavily involved in sports, someone with anger issues, someone who was a natural born leader who felt invisible, someone who was bullied about weight, someone who was popular with lots of friends, someone with no friends. Despite their differences, however, they each had passion for nature and courage to confront things that were wrong. Their commonalities were more important than their differences.

 

 

  • What are the Power Animals and what affect do they have on the characters in the story?

 

Power Animals are guides in the spiritual realm. Some say that each person comes in to this life with at least two power animals. In the original story, Sandy paired each of the characters with a specific animal. Each character developed through the loving support of these animals.

 

 

  • What do you hope for readers to take away from The Hidden Worlds?

 

It is our hope that our readers will enjoy seeing how Power Animals can help with everyday life situations because they love us, and they want to help us make life better. The book has shown tools that work in real life through the characters and the way they solve the problems they encounter.

 

 

  • Where can our audience find more information about the book?

 

Readers can purchase the book on Amazon.com. Katherine’s website is www.KatherineWoodAuthor.com. Sandra’s website is www.SandraIngerman.com.

 

 

 

Sandra

 

 

 

 

Katherine

 

 

 

Interview with Janice Cantore Author of the Line of Duty Series

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JANICE CANTORE

 

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Janice Cantore is a police officer turned writer. She retired from the Long Beach (California) Police Department after twenty-two years—sixteen in uniform, six as a noncareer employee. She is currently writing romantic suspense for Tyndale House, and her newest release, Lethal Target, second in the Line of Duty series, following Crisis Shot, is set in a small town in Oregon.

 

 

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Police Chief Tess O’Rourke thought she’d taken care of her small town’s drug problem last year. But now Rogue’s Hollow residents are up in arms over a contentious vote on legalizing the sale of marijuana within city limits. And when an eighteen-year-old is found dead of a possible overdose, Tess wonders if the local pot farms might be involved and begins to fear that a new, deadlier drug supply chain has cropped up. As tempers flare and emotions boil over, Tess faces the possibility of losing the town’s support.

With her relationship to Sergeant Steve Logan on shaky ground, Tess could really use a friend, and she feels drawn to Pastor Oliver Macpherson’s quiet presence. But the anger she holds over her father’s death prevents her from embracing his faith and finding peace.

Battling storms within and without, Tess is shocked when a familiar face from her past shows up in town to stir up more trouble. And his threats against Tess may prove lethal.

 

 

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INTERVIEW

 

What led you to apply to the police department? 

 

I had just earned a degree in physical education and I was looking for a career that would challenge me. I didn’t want to teach, and I didn’t want to be locked inside. I do like to help people, so law enforcement seemed a good choice.

 

*Where did you develop your sense of justice, and did that play a role in your applying for law enforcement?

 

My stories are always faith based, and so I would have to say that my sense of justice comes from my faith. I don’t like to see the weak or the innocent exploited or hurt. When I was a police officer, the best part of the job was stopping a bad person from hurting an innocent person.

 

 

“If you want peace work for justice.” -Pope Paul VI

 

 

*Did you ever think you’d be author one day?

 

When I was a kid I wrote horse books, and I did want to be writer. But my father didn’t think I could make a living at it, so I chose a different career path in college. The desire to write never went away. After working the Rodney King riots, which truly impacted me, I started to write about experiences at work. That led to my imagination taking over, I started asking the “what if” question and novels were born.

 

*How would you define justice?

 

Fairness, accountability, bad people being punished for doing bad things, and the innocent and weaker individuals being protected.

 

 

 

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*In the Line of Duty, Cold Case, and Pacific Justice series, is there a certain underlying theme?

 

In Pacific Coast Justice, the theme that wove through all the books was forgiveness. Woven through the series was the story of Carly and Nick, the restoration of their marriage as Carly learned to forgive. In the Cold Case series, it was justice, catching the killer that had evaded the law for years. Abby’s parent’s killer had gone free for thirty years. And in Line of Duty, after Tess’s shooting, it was about recognizing that God is sovereign and trusting him even when things go terribly wrong.

 

*Who is Tess O’Rourke and what motivates her?

 

Tess is the daughter of a police officer who was killed in the line of duty. She has the goal of becoming the first female chief of police in Long Beach. But when she is involved in a controversial shooting, her life is turned upside down. The story becomes one of redemption, faith, and community. Tess is motivated by justice, doing what is right and being the best officer she can be to honor her father’s memory.

 

*What’s your experience like writing the Line of duty series versus the others you’ve written?

 

The writing process for me is the same, asking the “what if” questions. But Line of Duty is set in a very rural area, in stark contrast to where I worked in Long Beach. I made up my own town and police department. It was great fun. I really wanted to develop a small town and the sense of community.

 

*Your newest book is Lethal Target. Name the most challenging things during the writing process. 

 

The most challenging part of any novel is the writing the end. I always have a hard time writing the end, making sure it’s plausible and satisfying for the reader.

 

*What’s next for you?

 

Cold Aim, the last book in the Line of Duty series, It finishes up the story of Tess and Oliver. Now, I’m working on a proposal for a new book and a new series.

 

 

 

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Available now for pre-order. Out July 19, 2019.

 

 

 

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What Could Go Wrong: Interview with Author Brett Grayson

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There comes a time when couples decide to create and raise tiny helpless human beings, hoping they one day become non-tiny and less helpless.

This is one family’s journey through ten months of pregnancy (isn’t it supposed to be nine months?), the first years of parental cluelessness, the terrible twos, threenagers, and the few years that follow when they begin to learn about a world that’s even crazier than they are.

Join the author and his wife as they navigate those ten months, from the always romantic conception, to her water breaking in the most unique way possible. Then watch them attempt parenthood, from the seemingly simple routine of dressing their kids for school, to the complex experience of teaching them to use public bathrooms.

It’s mostly a breeze…

No it isn’t. Pre and postnatal complications; battles with their own mental health; and those rapidly growing and irrational miniature versions of themselves. Some of it is devastating. Much of it is overwhelming. All of it challenges them to maintain their sense of humor.

And when they attempted to go on an airplane as a family… that was a sh*tshow.

 

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An interview with Brett Grayson

author of What Could Go Wrong? My Mostly Comedic Journey Through Marriage, Parenting and Depression

Why did you decide to write What Could Go Wrong?

Well, deep down it’s probably because I’m a narcissist. Anyone who writes about their life and expects others to care has to be a little self-absorbed and potentially delusional. 

On a practical level, I am a person who struggles to get out of bed each morning unless there’s something for me to shoot for. This book gave me a purpose that was lacking in my life for so many years.

The book is full of hilarious parenting anecdotes. Can you share your favorite story?

That’s like picking my favorite dog. I should be reticent to do so, but unlike with my kids, my dogs don’t understand it anyway, so I have no problem choosing a favorite.

And speaking of dogs, my favorite story from the book is probably the night my wife Lauren’s water broke in a bizarre way which related to my dogs. So I used to cook our dogs their dinner because when you don’t have children yet, you have too much time on your hands and do insane things like cook for your dogs. Well, one night I made salmon and the smell permeated the air in our tiny apartment and led to Lauren getting nauseous and facilitated her water breaking.

You are very honest in describing the good, the bad, and the ugly of parenthood, including tough times your family has had. How does your wife, Lauren, and the other people in your life feel about this honesty? Has writing the book changed any of your relationships?

With Lauren, no. The book wouldn’t have been possible without her being on board from the start. She knew it would be revealing and signed off on it, which is freaking amazing as she’s more naked in the book than I am. (Figuratively naked, I mean. It’s not a porn book.) I’m not sure I’m a secure enough person that I would have been as understanding if she were the one writing it. But that’s why I married her. She’s better than me.

My parents have been a mixed bag as they’re from a generation where you don’t share your secrets, especially anything about mental health. Slowly though, as I’ve revealed a lot through my blog, and people have responded so positively, they’ve come around.

They were also rightly concerned about my career as a lawyer being compromised by the mental health revelations. That was the driving force behind me using a pen name for the book. I can keep the two careers separate.

In the book you talk about your struggles with depression and anxiety, as well as Lauren’s postpartum depression. What has been the biggest challenge in relation to your mental health and your role as a parent?

I think being present and active in their lives is a daily challenge. On one hand, I’m better around them because they don’t know about my struggles and also because being with them gives me meaning and forces me to be present. On the other hand, they are difficult to handle for long periods of time. They always require attention and sometimes I have a hard time taking care of others when I’m so caught in my own head. They also don’t listen and require patience, which I don’t always have.

It’s hard to admit, but at times I fight the urge to want to get away from them, and at night to rush them to bed. Life is easier to handle when you don’t have to care for others. But paradoxically life is also meaningless if you’re not helping others. And I know this and love them so much and try to remind myself to appreciate my time with them rather than rush through it.

How has becoming a parent changed your relationship with Lauren?

I go into this a lot in the book and I hope my honesty on it will be relatable. Because I’m not sure that becoming parents has necessarily been a good thing for my marriage. Yes, it creates meaning and gives you motivation to work through your problems for the sake of the kids. But kids are also a burden on a marriage in many ways. You don’t get to spend a lot of quality time alone, which is something I miss and has caused us to drift apart at times. Kids also have led to a lot of fighting for us on the issue of how to raise them. Lauren and I just disagree a lot about parenting decisions.

In the book you talk about your son’s diagnosis of CLOVES syndrome. How has this diagnosis impacted your family, and how is he doing today?

He has a big surgery coming up in the first half of 2019. It’s the first big one, though likely not the last. At four-years-old, he’s still in the dark about all of it. Which is both good and bad. On a social level, we’re worried about how he’s going to do once other kids start commenting on his different appearance. But we’re not there yet.

In terms of its effect on us as a family, it’s actually brought Lauren and I closer together. While we have our challenges as I’ve elaborated in the prior answer, experiencing this with our son together is a great emotional equalizer for us. Now I’d rather find a different equalizer, but I can’t make that trade. So experiencing all this with Lauren-the trips to Boston, the dozens of doctors’ appointments-are an experience that we share and few others can understand.

What advice would you give new fathers and fathers-to-be?

  1. Don’t cook salmon when your wife is about to burst.
  2. This may slightly ridiculous – but actually sit down and talk to your wife ahead of time about

how you intend to parent. And write it down. For example, Are you going to let your baby cry or are you going to run into their room the second they cry? It seems unimportant until that moment when you start disagreeing while it’s happening.

What’s next for you?

I intend to keep writing about the absurdities and meaningful parts of my experience as a parent. I’m not sure I have another book in me for a while on this topic, as this book covered a six-year period in our lives. I’m sure I’ll be sharing my story in some form, though.

 

I’d also like to write a bit more about mental health and continue to raise awareness and reduce the stigma of anxiety and depression. It’s just so prevalent in our society. I’m not sure I really understood the extent of it until I started blogging about my own struggles. More than anything I’ve written about, my blogs on mental health have garnered the biggest response.

Where can we learn more about What Could Go Wrong?

 

Go to Amazon and buy the book. Half the money is going to support a charity for our son’s condition (CLOVES Syndrome). So you’re being a good person regardless.

And I think you’ll enjoy the book. Worst case scenario – it winds up on that place on the back of your toilet that I don’t know the name of.

 

Website | Bio | Amazon | Goodreads

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Writing Fantasy with Toni Cox author of Elemental Trilogy

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*Your dream from a young age has been to put your imagination into words. Is it as easy as you thought it would be?

Dreaming? Definitely! Putting them into words? Not so much, hahaha. I have stories enough (they are piling up like a TBR list on my laptop), and simply not enough time to write them (yet). I still have a full-time job, so I write, do marketing, editing, and everything else book related after hours and weekends. It is like having a second and third job… but I love every moment of it.

This year I will be branching out into dystopian fantasy, as well as starting a new dragon series. I will also release another one of my Elemental short stories, and partake in an Anthology. My word target for this year is just over half a million words. This is about 3-4 books, plus the short story and anthology. Once I can write full-time, and have someone that can handle more of the marketing for me, I will aim for a word target of one million words, just to catch up with the number of books that are already outlined and ready to write on my laptop.

Otherwise, I may still be writing by the time I turn 100!

 

 

 

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*Describe the decision to follow your dream after being diagnosed with Rheumatoid arthritis.

The first thing the doctors do when someone is diagnosed with an incurable disease is, prescribe anti-depressants. I took them for a whole 3 days and then took them back to my doctor. I thought there must be something more to life than pills. My family saw me through that very tough first year and it was because of them that I had the courage to say, hey, let’s try something new. Being unable to function like a healthy person; and deteriorating steadily; makes you think about the future a lot. I do not want to be a burden to my husband and children by the time I am unable to go to work any more. So, what is it that I love almost as much as my family? BOOKS! One day I just picked up a pen and a notepad and I started writing. All those stories and dreams I had had from when I was young just poured out and Elemental Rising happened. It felt liberating.

 

 

*What makes a great fantasy book?

Benjamin, that is a terribly broad question, lol. In my eyes… DRAGONS! But, no, there are a number of things that can drive a good fantasy story. A fantasy book can be character driven, or plot driven, or even both. Either way, for me, what makes a good fantasy book is how involved you become when you read the story. Do the characters, or does the plot, draw you in? Are you invested in their actions? I do like the dragons and strange creatures of fantasy, but if the characters and the plot leave me cold, then the book soon ends up on DNF (did not finish) pile.

 

 

 

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*How do you approach writing? Structure, pantsing, or both?

Hmm… that is a very difficult question to answer because I think I may be neither. I thought I was a plotter (structure) but then caught myself pantsing, until Sian B. Claven (we work together) pointed out that what I was doing wasn’t really pantsing either. I do A LOT of research before I start writing. Often even while I am writing. I make notes on all the research, character names, character description, setting, animals, and so forth. Then, I usually do a “word vomit”.  This is where I write the entire story out in short sentences over a space of 2-6 A4 pages. By hand usually. This will then form the skeleton, or the backbone, of my story.

From this backbone, I devise a rough timeline. (This is especially important for me as I write on a large scale and I have seasonal changes that I need to take into account, as well as numerous plot lines that need to tie up at various points of the story.)

And then, I write. I write slowly and methodically. I put in paragraph breaks. Dot my i’s, cross my t’s. I pretty much edit as I write. As I write it, it usually goes straight to my editor without me having to do rewrites. It is a slower writing process but takes less editing time.

I have yet to meet someone else that write like I do, lol.

 

Woman Writing BookCoffee Shop Concept

 

 

*Who is Maia,

Elf princess of Elveron, and why does she want to become a Prime Elemental?

When I first dreamed up Maia, I was still very young. I wanted to be just like her. Young, strong, beautiful, powerful, yet humble, protective, and innocent. It turned out to be quite difficult to write a character that is that strong and has that much power to be humble as well. And, Maia does not want to be a Prime. She was born a Prime. But, you know the saying: With great power comes great responsibility? So, a Prime isn’t given her power all at once. She has to learn to wield it first and as she grows stronger, the more magic grows within her. She meets another Prime during the telling of the trilogy. Primes are rare and it usually spells disaster when two meet. She is Life, he is Death. He is fully trained, she is not. The power struggle is real, so is the threat. Maia has to look deep within herself to unlock the magic to save them all.

 

 

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*How do you craft and develop your characters?

People have history. They are shaped, made into what they are today, by what has happened to them in the past. If you know their history, you know them as a person. So first, I try to set up their past. It usually goes hand in hand with world building. Let’s say I create a city. Within the city, there are 1000 households. I then make a list of all the professions that make an appearance in my novel… princess, servant, blacksmith, hunter, etc. … and then create a family for each of these, giving them a background and history. Then, when I write, the character has depth, and isn’t simply a name and placeholder.  (In the Elemental Trilogy, there are close to 70 professions)

 

*What have you learned from creating settings for your books?

Don’t. Forget. To. Write. The. Book!

I absolutely LOVE world building. I could spend hours on just setting up the perfect mountainside hideaway, with a cabin, a lake, tall pine, a waterfall, … see, lost already. But, saying that, settings do set the tone. You can have wonderful characters and a great plot, but if they hover in this constant grey cloud of nothingness, the story will eventually get boring.  I have learned that finding a happy medium between overwhelming the reader with information, and not telling him anything is pretty much where you want to be. I like to show the reader my world but leave just enough for the imagination for the reader to make the world his own.

 

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*If we were to travel to Elveron what would it be like?

All 11 Life Planets of the Milky Way have similarities to Earth. Some more so than others but, they all have an atmosphere, water, landmasses, people, and animals. Elveron is slightly smaller than Earth. It has no oceans, only lakes. Three of these lakes are salt lakes. The climate is similar to Earth, but the vegetation, the people, and the animals are all slightly different. The people, for instance, differ from Humans by 1 chromosome or so, making them Elves.  I started with the story about Maia and Elveron because it is the place where I would like to live. It is pure, untouched by pollution, industry, overpopulation, and all the things that we are making Earth endure.

 

*What bearing does the nation of Grildor have on the story?

Maia is still very young, only 122 years old. Due to some misunderstandings early in her life, she assumed that it was expected of her to become a Prime as soon as possible. (The average age for the initiation ceremony is 250 years old). So, when she returns from her final test, she takes her ceremony to become a Prime. But, young and inexperienced as she is, when they are suddenly threatened her angst is overwhelming. She believes she is not strong enough, not good enough, not powerful enough. Only the love for her people, the nation of Grildor, drives her forward. Through all her trials and tribulations, it is what keeps her going time and again.

 

 

*What’s are the hardest things about writing fantasy?

You got me there… I think it must be answering interview questions, hahaha.

I don’t know, Benjamin. I love writing fantasy. Love every aspect of it. With every book I write, I get better at it. I cannot see myself doing anything else.

 

*Name some good fantasy books you’ve read recently.

Bentwhistle the Dragon – by Paul Cude

Requiem: Song of Dragons – by Daniel Arenson

The Rain Wild Chronicles – by Robin Hobb

The Rhenwars Saga – by M.L. Spencer

 

 

*What’s next for you?

2019 – on paper, it looks to be an exciting year.

Up next: LUKE – book 4 of the Elemental short stories

Then: The submission to the anthology (cannot say much about it yet… shhh)

And: DRAGONLORE: MASTER OF LEGENDS – book 1

Followed by: RESILIENT – my first dystopian fantasy novel  

After that, we will see how much there is left of the year. I will either release another of the Elemental short stories, another Dragonlore, or, if time lets me, the first book of my new Trilogy set in the Milky Way – this time on the planet Pud.

THANKS TONI!!

 

 

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Born in Germany in 1976, Toni Cox moved to South Africa in 1991. Although she has spent much of her working career in the timber wholesale business, she is also an accomplished horse rider, has a diploma in project management, photography, and nutrition, and has a passion for books and all things fantasy.

From a young age, her dream had always been to put her imagination into words – give the stories life. When she was diagnosed with Rheumatoid Arthritis in 2013, she decided life is too short not to follow her dream. So, with the support of her husband and three children, she began writing book 1 of the Elemental Trilogy in January 2015.

Toni Cox writes: Epic Fantasy – The Milky Way Chronicles (including The Elemental Trilogy), Young Adult Fantasy – (including The Elemental Short Stories), Sci-Fi Fantasy – The Andromeda Saga, Fantasy – The Dragonlore Series, Dystopian Fantasy – these are set on Earth, the first one (Resilient) will be released in 2019.

 

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Building Readership with Youtube with Garrett Robinson & Antoine Bandele

IT’S TELEVISION TUESDAY

 

 

Retro TV on a dark background.

 

 

 

Building Readership with Youtube with Garrett Robinson & Antoine Bandele

 

 

 

 

Benjamin Thomas

@thewritingtrain

www.mysterythrillerweek.com

 

 

 

Retro steam train.

 

 

 

 

 

 

Stop Looking for Others to Create a Life of Joy – by Renee Linnell

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~Easily the best memoir I’ve ever read~

 

 

 

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Stop Looking to Others to Create a Life of Joy

by Renee Linnell,

Author of The Burn Zone: A Memoir

 

Originally published on Psych Central

 

I believe there is not enough dialogue out there about soul-sickness, especially among wealthy communities. We are taught to believe from a young age that once we have the perfect partner, house, car, children, and careers, we will be happy. And often times this is not the case; the happiness does not come. There is an insatiable need for more. Because there is no dialogue about this, most people think, I am the only one, something is wrong with me, or no one understands me. This leads to deep despair and usually a diagnosis of depression and medication.

I ruined my life searching for peace. I pushed away everyone and everything I loved. I allowed myself to be emotionally, psychologically, and sexually abused. I allowed myself to be brainwashed in seemingly unhealable ways. And what I finally discovered, after all of my searching, is that the peace and happiness for which I had been searching was inside of me all along. But, and this is a big but, I had to be shattered by life to find it. I had to be shattered to finally stop living a life that was not mine. I had to be shattered to finally decide that following my own heart and being true to myself and creating a life that brought me joy was more important than living a life to please other people. I had to be shattered to start questioning what the hell I had been doing and why the hell I had been doing it and to what point.

Why do we feel the need to say, “to death do us part” and bind ourselves to another person? Why do we ignore the intense fear that comes with this decision? How can we even know that this will be in our best interest or the other person’s for the rest of our lives? Many of us do it because everyone else does. Why do we forgo choosing work that we are born to do, work we are naturally skilled at doing, work we love, work that makes our hearts sing and instead choose a career we hate because it pays more? We do this because we are told to do it by our parents or our teachers, and because everyone else does. Why do we dress the way we dress and worship the way we worship and pick romantic partners the way we do? So often it is because we were told to do it this way, or because everyone else does. Often we don’t question any of this. I know I didn’t.

I believe the only way to true joy, to true bliss, to true freedom, is to begin the work of uncovering our real selves—to chip away at the parts of us that are false, the façade we created to please our families, the mask we built so the world would approve of us. Only when we are willing to stand tall in our own uniqueness, with our own idiosyncrasies, will we be able to do the work we came to do, to build the life we always dreamed of, to excel beyond our wildest dreams, and to live in true joy and abundance. When we finally tap into what we naturally are, we discover we already have the exact right skill set to become everything we have always secretly wanted to be.

We are all flawed, we are all damaged, and we are all beautiful. Each one of us is unique; there is no carbon copy. So how can we possibly follow what others are doing? How can what they are doing be right for us? We were born to blaze our own trails. We were all born with unique abilities and skill sets, with unique damage and unique wounds. I believe we are meant to use this combo to discover who we truly are and why we are truly here. Our wounds are not a mistake, they are given to us for a reason, they are Divine. In the healing of them we soften and we open, and we learn how to help others overcome similar damage. In our speaking about them and our owning of them, we encourage others to do the same and as more and more of us speak our Truth, we all eventually realize we are not alone. We have never been alone. We are surrounded by each other, our brother and sister humans, and we are here to support each other on this crazy amazing Earth Walk.

Yes, the decision to live this way is terrifying; but once we decide to do it, we feel the life force energy coursing through us again, we feel the blood pumping through our veins, we rediscover passion and the thrill of not knowing what tomorrow will bring. We are here for such a very short time; I simply cannot believe we were meant to spend that time in loveless relationships stressed about paying bills.

In my journey to wholeness I discovered that me just being me, dressing the way I want to dress, saying the things I want to say, doing the activities I love to do, putting myself first and making sure I am taken care of before I take care of others—living this way brought me so much joy that I began to radiate joy and light and love and kindness. I discovered a joyful me was a radiating me. A joyful me was a kind me. A joyful me was a patient and compassionate and forgiving me. After destroying myself and my life and all that I loved in order to become Enlightened, in order to become Saint-like, I finally realized that the key to my becoming Saint-like was just being me. When we create a life of joy we stop worrying about what others are doing or not doing. We stop pushing against. And instead we begin loving. And we add our light to the sum of light; we shift the consciousness of the planet from fear to love. What better use of our time here on earth than that?   

 

 

 

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About the Author:

Renee Linnell is the author of The Burn Zone: A Memoir (She Writes Press; October 2018). She is a serial entrepreneur who has founded and cofounded five companies and has an Executive Masters in Business Administration from New York University. Currently she is working on starting a publishing company to give people from diverse walks of life an opportunity to tell their stories. She divides her time between Colorado and Southern California. For more information, please visit https://reneelinnell.com and follow Renee on Facebook, Twitter and Instagram.

 

 

 

 

 

Author Karen A. Wyle releases her new novel: Water to Water

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Two young Vushla questioned what everyone knew about death. What should they do with the answer?

When the time comes for Vushla to die, they go into the ocean and are dissolved away. Or so Terrill has always believed, and still believes after taking part in his father’s final journey. But when he meets a young Vushlu who lives by the sea, Terrill must confront information that calls this fundamental belief into question. Will the two of them discover the truth? And what should they do with what they find?

 

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Questionmark at the Wall

 

 

 

*How did you come up with the title for this book? It sounds rather poetic.

–The idea came from a familiar phrase in the English Burial Service: “ashes to ashes, dust to dust.”

 

*What exactly is a Vushla?

–The Vushla (plural — singular is Vushlu) are one of the sentient species on a planet humans haven’t found. They could be described as a cross between a centaur and a tortoise: their general body configuration is that of a centaur, and they are largely covered by many small plates of a hard substance they (and their neighbor species, the Weesah) refer to as armor. The armor is often moved as part of gestures and body language. I envision them as roughly human-sized.

 

*Tell us how the idea for this book came about.

–That was a first for me. The way Vushla typically meet death came to me as an image in a dream. My husband contributed a key plot twist.

 

*What is the connection between the Vushla, water, and death?

–As described in the Preface and in the book blurb, when a Vushlu knows it is dying (I use “it” for unidentified Vushla and Weesah, and he or she for individuals of known gender), it tries to get to the ocean, where it swims or wades into the surf to dissolve away. If it dies on the journey, the friends and relatives accompanying it on the funeral journey hire fisher folk (who have custom-made waterproof suits) to carry the body into the ocean.

 

Whether there are other connections . . . you’ll need to read the book to find out. 🙂

 

*Was your approach different in writing this book?

 

The origin — a dream, as I mentioned above — was different. Otherwise, I did what I usually do: wrote a (very) rough draft during National Novel Writing Month, aka NaNoWriMo or NaNo; put it aside for a month or so; did multiple revisions and editing passes over the next nine months; sent it to beta readers and made more revisions based on their comments; did the final proofread/edits; and published it (as a preorder) on Amazon and Google Play and via Draft2Digital. (The paperback will, I hope, be ready by the release date of October 17th, at least on Amazon. B&N will take a little longer due to a cumbersome proofing process.)

 

*What comes first the idea or theme?

 

That’s an interesting question, especially this time around. What thematic concerns inspired that dream? I can’t say for sure. I certainly had both mortality and parent-child relationships on my mind, as my father died a little more than six months before NaNo began. (I don’t remember exactly when I had the dream, but I would guesstimate it was a month or so before NaNo.)

 

*What was your experience like writing Water to Water?

 

I can generally keep up with or stay slightly ahead of the pace NaNo requires (an average of 1,667 words per day), and this time was no exception. My confidence in the story fluctuated about as much as usual — which is to say, frequently but not to the point of either ecstatic certainty or profound gloom. I frequently consulted my general science adviser, aka my husband Paul Hager, on various aspects of world-building.

I approached cover design a little differently this time. I’ve most often collaborated with a particular designer, but that collaboration works best when I have some fairly definite starting ideas. This time, the one idea I had felt insufficient. I decided to spring boldly into the red, financially speaking, and invest in a cover from a designer (or rather, a group of designers) I’d long admired, Damonza. I am delighted with the result, which has gotten consistently favorable comment during the book’s Silver Dagger Book Tour (continuing through October 26th).

 

 

 

Karen A Wyle

 

Karen A. Wyle is the author of multiple science fiction novels, including The Twin-Bred Series: Books 1-3; near-future novels DivisionPlayback Effect, and Who: a novel of the near future; and YA near-future novel The Link. Her one novel (so far) outside the SF category is afterlife fantasy/family drama Wander Home. She has also published one nonfiction work, Closest to the Fire: A Writer’s Guide to Law and Lawyers, a resource for authors or for anyone interested in understanding more about American law.

Wyle was born a Connecticut Yankee, but eventually settled in Bloomington, Indiana, home of Indiana University. She now considers herself a Hoosier. Wyle’s childhood ambition was to be the youngest ever published novelist. While writing her first novel at age 10, she was mortified to learn that some British upstart had beaten her to the goal at age 9.

Wyle is an appellate attorney, photographer, political junkie, and mother of two wildly creative daughters. Her voice is the product of almost five decades of reading both literary and genre fiction. It is no doubt also influenced, although she hopes not fatally tainted, by her years of law practice. Her personal history has led her to focus on often-intertwined themes of family, communication, the impossibility of controlling events, and the persistence of unfinished business.

 

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An Excerpt: Becoming Starlight: A Shared Death Journey from Darkness to Light

Becoming Starlight

 

 

Becoming Starlight

Excerpted from Becoming Starlight: A Shared Death Journey from Darkness to Light by Sharon Prentice, PhD. Copyright © 2018 by Sharon Prentice. https://sharonprentice.com

 

Heaven. There are many different words for it in many different languages. And each day, it’s a “place” that’s referred to more than any other in the world. Why? Every single race, religion, ethnicity, and culture—members of each one believe in the concept of Heaven. Religious scholars and philosophers have debated, argued, and fought over the very nature of Heaven since time immemorial and they have written reams and reams of papers about it and stockpiled book after book on library shelves for millennia.   

But it’s not the conversations or writings of the religious scholars or philosophers that touch the true nature of “that place.” It’s the conversations that take place in the hospices, hospitals, ICU’s and funerals of the world that take us into the soul of humanity and, therefore –into Heaven. It’s in times of great personal trauma that many of these discussions take place. And, sometimes, these private moments can become very heated due to the stress and fear that exist in the trying moments before the death of a loved one. Once the word “Heaven” is spoken out loud, the underlying, unacknowledged, unspoken word that goes with it is death. Fear that death is near–especially in the waiting rooms of the ICU–prompts exchanges that are not normally heard in everyday family life.

When “the end” is near, people shy away from using the word “death”; their conversation will, instead, turn to the “place” where their loved one “is going” and to each person’s individual interpretation of exactly what and where Heaven is–and everyone has their own “truth.”   Listening to, and being part of these conversations, is both joyous and heart wrenching as families try to come to terms with exactly “where” their loved one will be after they die. This conversation is repeated countless times, every single day, all over the globe.

The conflict begins the very minute someone questions the interpretation of another. In these moments of great tragedy, having one’s viewpoint understood and accepted as truth–the only truth–is vitally important to each person’s peace of mind. Therein lies the problem. The discussion turns to debate–then to all-out disagreement.

I understand the conflict. Over the years, I have shared my SDE with many friends, colleagues, and mentors, and my explanations and descriptions have sometimes caused heated debate among them. I have spoken to individuals from all walks of life, from all the great religions of the world, from every background and school of thought, and every one of them had their own version of what “truth” should “be” or “is.” While all their “truths” were different, they did have a unifying thread–a belief in an afterlife. “Heaven” and “Hell” were central to every debate and the descriptions of these “places” were similar in both nature and belief.

In the course of these debates and conversations, I have been asked to explain “where” I was taken, what I meant by “I became Starlight,” and to describe exactly what “God” looked like. It is so very difficult to accurately relay my experience because I must rely on “words.” To use words such as “majestic, magnificent, purity defined, peaceful, still, home” dulls the experience because of the mere fact that labeling it–using words to describe the indescribable–just doesn’t do the SDE justice. To characterize the face of God, the touch of God, is tantamount to explaining perfection itself–how can it be done?  How do you depict an emanation of love and joy combined with otherworldly purity? How do you describe an ethereal form that consists of pure light? The “how” lies in the experience itself as given to you by God Himself–His face, His thoughts, His Word engraved upon your heart–how do you give voice to that feeling?

The “how” lies hidden in the vision, the “feeling” of pure Spirit–the soul must feel its way through to see perfection without being polluted by the scripts we grew up identifying with and falling victim to. “God looked like love I have never experienced before” has always been my answer. There are some feelings and thoughts that can never be expressed–words don’t exist to describe them. Our own humanity puts locks on the words felt in the Soul. The physicality of God’s appearance—it simply wasn’t important. I felt absolutely no curiosity about it–His touch was just too all-consuming and comforting to think of anything else. Perhaps one day, someone will invent a word that accurately depicts “the pure light that is love” that will get us one step closer to seeing His perfection.

Once the head shaking stops from my lack of a physical description, the conversation turns to “where” was I? Most organized religion tells us that God is “separate” from us, that He lives somewhere “out there,” above the clouds in a place called Heaven. Religion teaches us that God is the creator and final arbiter of the rights and wrongs of living and that we all will surely answer to Him for all our wrong doings. And just as we’ve been told who and what God is, we’ve also been told what “heaven” is, in descriptive terms that everyone can visualize. Heaven is a specific place, the likes of which there is no equal. It is an “other” world, out there somewhere, filled with everything wonderful and beautiful, full of creature comforts that we only dream about. Mansions line golden streets encrusted with pearls and diamonds, and everyone has everything they ever wanted–and everyone who was the best “good little boy or girl” has even bigger and better things than those who weren’t quite as good in this life. We earn that mansion on that particular street in that particular neighborhood by the things we do or believe or by the things we don’t do or don’t believe while living on this earth. Sounds like a bigger and better version of life here, doesn’t it? I fully accepted that version, that description of Heaven given to me as a child. The innocence of childhood demands “pictures” we can understand. Adjectives that paint a picture of a human paradise comfort and console us when we think of death–ours or anyone else’s.

But that is not what I found in “that place” among my stars. Was there physicality, a form, a space–a specific place that could be described? I can’t say there was! What I found, and felt, instead, in the place where I was held, was magnificence itself: Pure Starlight–and God Himself. And the most amazing surprise of all–I found the “me” as God intended me to be from the moment He formed me in my mother’s womb–before this world got ahold of me and slapped labels on me that told me who to “be” and what to believe. But in “that place,” I found myself as a magnificent extension of God. My answer to the question, “What does God look like?” has always been the same: to describe God, I would be describing my own Soul. And to describe “that place” requires a complete letting go of everything that any logic and human reasoning would dictate.

The very essence of God, of Heaven, was in and of that Starlight. I discovered–no, I just knew–that there is nowhere that God is not. He is in and of everything that has ever existed. There is nothing that He is not. There is no place that He is not. If it exists, it is a part of Him–His thoughts created everything, including every one of us. We exist purely because he thought of each one of us. We are the physical forms of His thoughts. We are his creations–part of a whole that we can’t perceive. We are all intricately combined as one thought of God but gloriously separate as individuals for some reason unknown to us–but known to Him from the moment He gave each of us life.

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About the Author:

Dr. Sharon Prentice is the author of Becoming Starlight: A Shared Death Journey from Darkness to Light. Soon after completing her graduate studies in psychology, Dr. Prentice longed to discover “the why’s” about her own intimate experience with death in the form of an SDE, and that of others who had experienced something “weird, unbelievable, odd” at the time of the death of a loved one. Dr. Prentice is in private practice as a Licensed Clinical Pastoral Counselor – Advanced Certification. She is also a Board Certified Spiritual Counselor (SC-C) and holds Board Certification in Cognitive Behavioral Therapy, Group Therapy, Integrated Marriage and Family Therapy, and Crisis and Abuse Therapy. She is also a Board Certified Temperament Counselor. Dr. Prentice is a Professional Member of the American Counselors Association, a Professional Clinical member of the National Christian Counselors Association, a Clinical member of the American Mental Health Counselors Association, and a Presidential member of the American Association of Christian Counselors. She is also a Commissioned Minister of Pastoral Care. For more information, please visit https://sharonprentice.com and follow the author on Facebook and Twitter.