IT’S TELEVISION TUESDAY
How to Write an Oscar-Nominated Screenplay (The Self Publishing Show, episode 201)
Author: Jennifer Anne Davis
Narrator: Kim Bretton
Length: hours minutes
Publisher: Reign Publishing⎮2019
Series: Knights of the Realm, Book 1
Release date: Oct. 11, 2019
Synopsis: Reid has spent her whole life pretending to be a man so she can inherit her father’s estate, but when a chance encounter threatens to expose her lie, she is forced to risk everything.
In the kingdom of Marsden, women are subservient to men, and land can only pass from father to son. So, when Reid Ellington is born, the fifth daughter to one of the wealthiest landholders in the kingdom, it’s announced that Reid is a boy.
Eighteen years later, Reid struggles to conceal the fact she’s actually a young woman. Every day, her secret becomes harder to keep. When one of Marsden’s princes sees her sparring with a sword, she is forced to accept his offer and lead her father’s soldiers to the border. Along the way, she discovers a covert organization within the army known as the Knights of the Realm.
If Reid wants to save her family from being arrested for treason and robbed of their inheritance, she will have to join the knights and become a weapon for the crown.
To protect her family, Reid must fight like a man. To do that, she’ll need the courage of a woman.
This is the first book in a new fantasy series from best-selling author Jennifer Anne Davis
The Realm of Knights is a gem! I was very delighted to find this book via Audiobookwormpromotions.com. The premise, plotting, characterization is excellent. Reid Ellington is faced with a dilemma at every turn that forces her to comply and keep her family secret. I thought the writing was brilliant. It kept me turning the pages!
How often do you write?
I write five days a week, 8-10 hours a day. I usually set a goal for myself, and I’ll work until I reach that goal. When I’m writing a first draft, I try and write 5,000 words a day. Then when I’m editing, I usually try and edit 10 pages a day.
Tell us a little bit about the characters in Realm of Knights.
Realm of Knights is centered around Reid Ellington. She’s an 18 year old young woman, and the fifth daughter of Duke Ellington. Since land and title can only pass from father to son, the duke tells everyone Reid is a boy when she’s born. So Reid has grown up wearing boy clothing and playing with boys. It has made her fiercely independent and she views the world differently than those around her. There are a few other characters of importance in the book. Her best friend, Harlan, helps her out. He’s the sort of guy that’s always there, fiercely loyal, and he respects Reid even when he learns she’s a woman. Then there’s the princes—Ackley and Gordon. They’re brothers and best friends. Ackley is tall and lean. There’s a fierceness to him that he manages to keep hidden. Gordon is the commander of the army. He’s shorter and stockier than Ackley, he’s fairly quiet, and he’s a little stubborn.
How do you balance other aspects of your life with your writing?
It’s hard to balance everything. I treat writing as my full-time job (because it is). It allows me the freedom to be there for my kids when they need me. However, when I’m on a deadline, it can be rough revising when I need everything to be quiet around me. Thankfully, my family is very supportive and we make it work.
What makes a great story line?
Interesting characters that the reader can connect with, an obstacle the main character has to overcome, a fantastic villain, and a unique love interest.
What is the hardest thing about writing a book?
Revising. Writing the first draft is the fun part. Revising—which is basically rewriting the entire story—is difficult for me. I want to make sure that everything I’m thinking and feeling in my head is exposed on the page. It usually takes me about 25 min to revise one page.
Do you have any people who help you with your story lines as well beta reading and such?
Yes. I have two people that read everything I write. They’ve both been with me for years, and I couldn’t write without them. One started out as my biggest critic and now is my biggest cheerleader. The other is a pro at finding plot holes and inconsistencies.
How did you choose your narrator?
For Realm of Knights, I wanted a female voice with a British accent. It was important to me that the narrator have a youthful voice since Reid is only 18. However, I also wanted her to have a maturity to her that hints at the hardships Reid has faced over the years. When I was listening to auditions, the second I heard Kim’s voice, I knew I’d found the perfect narrator. I was so excited when she agreed to take on the project, that I had her sign for all three books in the series. She is the perfect person for these books, and I couldn’t be happier.
Jennifer Anne Davis graduated from the University of San Diego with a degree in English and a teaching credential. She is currently a full-time writer and mother of three kids, one weimaraner, and a tortoise. She is happily married to her high school sweetheart and lives in the San Diego area.
Jennifer is the recipient of the San Diego Book Awards Best Published Young Adult Novel (2013), winner of the Kindle Book Awards (2018), a finalist in the USA Best Book Awards (2014), and a finalist in the Next Generation Indie Book Awards (2014).
Publishers Marketplace listed Jennifer as one of the best-selling indie authors in June 2017. She has also been ranked among the top 100 best-selling authors on Amazon.
Kim is an accomplished and award winning actress and director with West End/Broadway theatre credits. Kim has narrated over 35 audiobooks and counting. She is also an in demand voice over talent in the commercial and corporate arena and owns her own class A recording studio in Nashville. Kim is from the UK but has lived in NYC, L.A. and now Nashville TN. She continues to work in Theatre, Film and TV as an actress and a director alongside narrating audiobooks and commercial voice overs.
Former opera singer Emma Streat has survived the murder of her husband and the destruction of her beautiful old house. Now a full-time single mother, she struggles to move forward and make a home for her two sons. Because of her detection skills, she has become a go-to person for help–so, when her rich, feisty, socialite godmother is blackmailed, she turns immediately to Emma. Soon, Emma founds herself thrust into the dark world of cybercrime. Mounting challenges take her to exclusive European settings where she mixes with top people in the financial and art collecting worlds and has intriguing and emotion-packed experiences with men–including her dynamic ex-lover, Lord Andrew Rodale. When she is targeted by a cybercrime network using cutting-edge technology, it takes all of Emma’s resilience and wits to survive and bring the wily, ruthless criminal she’s hunting to justice. Action-packed and full of twists and turns, this third book of the Emma Streat Mystery series does not disappoint!
Excerpted from Firewall: An Emma Streat Mystery by Eugenia Lovett West. Copyright © 2019 Eugenia Lovett West. All rights reserved. Published by SparkPress.
A spring blizzard was cascading snow over Boston’s Public Garden. I poured my first cup of coffee and went to the living room window of my temporary apartment. People going to work struggled along the paths, heads bent, feet slipping. I watched, glad that in a few days I’d be on an island in the Caribbean. Lying in the sun with a man. Finding out if a dynamic former relationship could be renewed.
My phone on the counter sounded its little chime. I picked it up and saw that the call was from my godmother, Caroline Vogt. She never called before noon, but today the gravelly tuba voice reverberated in my ear.
“Emma, I need you, and I need you now.”
This was demanding, even for Caroline. I took a deep breath. “Why do you need me? Are you still down in the Keys?”
“I’m back in New York and something has happened.”
“Oh God, I can’t believe it, but someone’s trying to blackmail me.”
“Just now. I was simply sitting in my bed, eating my breakfast, and the doorbell rang. Minnie went to open it. No one was there, just a note shoved under the door telling me to pay a million dollars to an account in a Miami bank. Pay it today. If I don’t, my dirty little secret will go to the media tomorrow. All the media.” The tuba voice wobbled.
I shifted the phone. Caroline’s usual reaction to trouble was assault mode. Strike back. Never show weakness. This call for help was totally out of character—and the timing couldn’t be worse.
“Look. I can see why you’re upset,” I said, trying to apply calm. “Blackmail is nasty, but it happens. The dirty little secret bit— everyone has secrets and that person is just trying to scare you. If you’re really worried, I think you should call the police or a detective. Someone who has real expertise.”
“No. Absolutely not. I won’t have strangers prying into my business. You’re the person we all trust in a crisis. You found Lewis’s killer. You exposed those virus terrorists and saved your niece Vanessa. You have credentials. You have to find this bastard before he comes back and wants more.”
“Wait. Let me think.” I pushed back my hair. No way did I want to be the family detective, involved in another crisis, but Caroline was now in her eighties, a mega heiress from Chicago, a fixture in New York society. Divorced four times, no children. I was the closest thing she had to family and she was frightened. I must go, but with any luck I could still get to that island. Spend three days sorting her out, then fly there from New York.
“I’m here. Listen. It’s snowing hard in Boston, a freak storm, but I’ll try for a flight today. Failing that, I’ll take the train. I’ll let you know. Relax, no need to be paranoid. Love you,” I said and clicked off.
A siren went shrieking down Arlington Street, the sound that signaled trouble. I sat down on the stool at the counter and reminded myself that I owed Caroline. She had been my unfailing support from the day I was born. She had taken the place of my dead mother. Fourteen months ago she had given me a stern lecture:
“You’re still young. You survived losing your rising opera career. You’ve done a superb job bringing up those two hunks of boys, but now they’re off to college. Cut the cord and let them go. You’ve got the money and the energy to do something important. Different.”
Good advice, but three days later, my husband was murdered and my world had gone up in flames along with my beautiful old house on the Connecticut River. I still had Jake and Steve, but creating a new life wasn’t easy. It was time, past time, to move forward.
I took a deep breath and picked up a pad of paper. First, call the airlines, then cancel this morning’s appointment for a haircut. Start packing.
By now experience should have taught me that one small incident can spiral into a tsunami of trouble. But no siren sounded, warning me that by helping Caroline I would be targeted by a network of cybercriminals. No way of knowing that her call would take me to many countries, lead to heartbreak, and nearly cost me my life.
Excerpted from Firewall: An Emma Streat Mystery by Eugenia Lovett West. Copyright © 2019 Eugenia Lovett West. All rights reserved. Published by SparkPress.
Eugenia Lovett West is the author of Firewall: An Emma Streat Mystery. Eugenia was born in Boston, Massachusetts. Her father was Reverend Sidney Lovett, the widely known and loved former chaplain at Yale. She attended Sarah Lawrence College and worked for Harper’s Bazaar and the American Red Cross. Then came marriage, four children, volunteer work, and freelancing for local papers. Her first novel, The Ancestors Cry Out, was published by Doubleday; it was followed by two mysteries, Without Warning and Overkill, published by St. Martin’s Press. West divides her time between Essex, Connecticut, and Holderness, New Hampshire, where she summers with her large extended family. For more information, please visit http://www.eugenialovettwest.com
From the New York Times bestselling, celebrated, and award-winning author of Empire of the Summer Moon and Rebel Yell comes the spellbinding, epic account of the dramatic conclusion of the Civil War.
The fourth and final year of the Civil War offers one of that era’s most compelling narratives, defining the nation and one of history’s great turning points. Now, S.C. Gwynne’s Hymns of the Republic addresses the time Ulysses S. Grant arrives to take command of all Union armies in March 1864 to the surrender of Robert E. Lee at Appomattox a year later. Gwynne breathes new life into the epic battle between Lee and Grant; the advent of 180,000 black soldiers in the Union army; William Tecumseh Sherman’s March to the Sea; the rise of Clara Barton; the election of 1864 (which Lincoln nearly lost); the wild and violent guerrilla war in Missouri; and the dramatic final events of the war, including the surrender at Appomattox and the murder of Abraham Lincoln.
Hymns of the Republic offers angles and insights on the war that will surprise many readers. Robert E. Lee, known as a great general and southern hero, is presented here as a man dealing with frustration, failure, and loss. Ulysses S. Grant is known for his prowess as a field commander, but in the final year of the war he largely fails at that. His most amazing accomplishments actually began the moment he stopped fighting. William Tecumseh Sherman, Gwynne argues, was a lousy general, but probably the single most brilliant man in the war. We also meet a different Clara Barton, one of the greatest and most compelling characters, who redefined the idea of medical care in wartime. And proper attention is paid to the role played by large numbers of black union soldiers—most of them former slaves. They changed the war and forced the South to come up with a plan to use its own black soldiers.
Popular history at its best, from Pulitzer Prize finalist S.C. Gwynne, Hymns of the Republic reveals the creation that arose from destruction in this thrilling read.
The first history books I loved were the Cornelius Ryan works about World War II: The Longest Day and A Bridge Too Far. I also loved the Bruce Catton books about the Civil War, starting with A Stillness at Appomattox and This Hallowed Ground. Note the war theme. These books taught me what history could do. I had two great professors at Princeton—Stephen Cohen (Soviet history) and Robert Darnton (history of the French revolution)—who really inspired me.
The title is a play on “Battle Hymn of the Republic,” that Bible-based, blood-drenched, sword-themed song of divine triumph that the northern soldiers liked to sing. I meant to suggest other “hymns,” in a more metaphorical sense, that were sung by the various constituencies of the war. (Black soldiers actually had their own battle hymn!)
A few years ago I wrote a biography of Stonewall Jackson, entitled Rebel Yell, that ended with his death in May 1863 and thus covered roughly the first two years of the war. When I was researching the last year of the conflict, I was struck by how much more violent, desperate, brutal, and vengeful the war had become. This was the product of many things, including the progressive destruction of southern property, southern industry, and southern wealth; the staggering body counts from the Grant-Lee fight in Virginia; the anti-civilian warfare of William T. Sherman and Phil Sheridan; the rise of the prisoner of war camps; the rise of a bitter guerrilla war; and the presence of 180,000 black soldiers in the northern army, which drove Confederate soldiers to unprecedented acts of violence. I wanted to try to convey how deeply the war had changed, and the final year gave me a mechanism by which to do that.
For this book I did about a year of background reading, then proceeded to research and write each chapter as I went along. I always travel to the places I am writing about. The research/writing ratio was probably 60-40.
Characters are always the drivers of compelling narratives. So I start with interesting characters and do as much reading as I can in their memoirs, letters, and other documents, as well as other primary sources of the era. With a character like Grant, about whom much has been written, I just try to look for a particular angle that other historians haver not pursued. The difference lies less in the facts themselves than in how I analyze those facts.
That is a very hard question. Assuming that the war had to happen, I guess that the single worst piece of news for the nation, and for its future, was the assassination of Lincoln. So I would save Lincoln.
Again, tough question! You can pick up virtually any major newspaper these days and immediately grasp the fact that the United States of America has not solved its problems with race. One can argue that it hasn’t even come to terms with them. Our nation has always been deeply divided. More than twenty percent of the residents of the American colonies were loyal to the English king. I grew up in the 1960s, a time when the nation was badly split over the Vietnam War. There were race riots in the streets, riots at the Democratic convention. In 2019 we are deeply divided. The Civil War was the worst split of all. 750,000 men died because Americans could not agree on questions related to race and the future of the country. I actually take a positive lesson from this. I think you can read about the war and understand 1) that we are by nature divided, sometimes violently; and 2) that in spite of these problems we always manage to muddle through. Democracy is messy, and often violent, but the republic stands.
S.C. Gwynne is the author of Hymns of the Republic: The Story of the Final Year of the American Civil War and the New York Times bestsellers Rebel Yell and Empire of the Summer Moon, which was a finalist for the Pulitzer Prize and the National Book Critics Circle Award. He spent most of his career as a journalist, including stints with Time as bureau chief, national correspondent, and senior editor, and with Texas Monthly as executive editor. He lives in Austin, Texas, with his wife. For more information, please visit https://scgwynne.com
It takes courage to write a memoir. Sort of like going to confession if you are Catholic. If you want absolution, you must admit to all the stupid things you’ve done. Similarly, if you want to sell your story, you must bare your moments of weakness to readers. The difference is that, in a memoir, you also get to tell about your triumphs and how you won in the end. Your life events need to span the full gamut of what life has thrown at you and resonate in the readers’ hearts and minds, and this means going deep into your soul to create the story, your story.
For me, Flying Alone was not going to be a memoir, even though all the events and characters are real. It was going to be a novel. Actually, it was to be a memoir masquerading as a novel, complete with names changed to protect the innocent and not so innocent. This way, I could fully reveal the events without having to own up to them. Those years in the 1980s when I was climbing and clawing my way up the aviation ladder were filled with risk, dangerous situations and some bad decisions. When I lost my FAA medical certificate in 1990 with the diagnosis of multiple sclerosis, my aviation career ended and I knew I had to write about it. Even though I wasn’t ready to expose some of it, I still pushed those thoughts aside and wrote… and wrote. The memories were fresh, and I could record them in the greatest detail. After completing the writing, I put it in a box and set it aside knowing that someday there would be a time to revisit it. Well, the time passed until about two years ago, when I finally knew I was ready.
I read it all the way through for the first time in so very long, reliving the experiences with all the edge-of-my-seat terror and suspense as when it actually happened.
Even though it was intended to be a novel, written in the third-person to shield myself from what readers might think of my escapades, there was no doubt only halfway through rereading it that it was, in fact, a memoir of a very turbulent time in my life. This posed the greatest difficulty in the editing process—telling it as my personal story in the first person, i.e., baring myself to readers and owning the truth. I had to make peace with all that had happened back then and, ultimately, I shared everything and could forgive myself for old mistakes and regrets.
At times, the distance of thirty years made it seem unreal, but that separation also helped me to look at those years with the objective compassion that comes with maturity. I remember and love the people who played important roles during that time, from Rod, my employer, mentor and flight examiner, to Melanie, my student, friend and cheerleader, and Peter, my dear friend and fellow risk taker who paid the highest price.
Flying Alone is the result of the cathartic process called memoir writing. But not only is this process cleansing and peace-making, it serves another important purpose—that is, recording history. Whether my history is important or not is not the point. Rather, the point is it is the history of a time and a small slice of life at that time.
In sharing my story, my hopes are for a variety of reactions from a variety of people. For other women, I hope they can see how it is possible to emerge from life situations and decisions that make you feel as desperate as an airplane in an uncontrollable spin. My relationship with Steve was just that, and even though recovery was never a guarantee, persistence allowed it to happen.
I equally hope that young women aspiring to careers in aviation and other male-dominated professions will understand that it can be done successfully. Certainly, the circumstances are much more forgiving today than they were in the 1980s, but there still remain obstacles. I hope the ultimate message received is never to give up even when it just doesn’t seem worth the effort anymore. Don’t plant the seeds for later regrets.
Of course, I also want to share it with pilots of all types so they can see my side of the world of civil aviation and perhaps derive amusement, stir their own memories or, in the case of student pilots, learn what not to do. An early reviewer of my book summed it up in this way: “… [Beth’s] book will warm the hearts of grizzled pilots like me or anyone seeking insight into the challenges and rewards of flying.”
As I look back, despite the fact that quite a bit of courage is needed to write a memoir, the memoir is in fact a reward earned for simply living life. Taking the time to look back on years past and contemplate the events that have shaped and changed you as well as others is an act of accepting yourself, but writing about these events to share with others is the reward.
Beth Ruggiero York is the author of Flying Alone: A Memoir. She is a former airline pilot for Trans World Airlines. She entered the world of civil aviation in 1984 shortly after graduating from college and, for the next five years, climbed the ladder to her ultimate goal of flying for a major airline. Beth originally wrote Flying Alone in the early 1990s, shortly after her career as a pilot ended and the memories were fresh. She is now a Chinese translator and a professional photography instructor for Arizona Highways PhotoScapes. She has published a popular instructional book on night photography, Fun in the Dark: A Guide to Successful Night Photography, which has worldwide sales, and she has co-written a book entitled, Everglades National Park: A Photographic Destination. Beth and her husband live in Fountain Hills, AZ. For more information, please visit https://bethruggieroyork.com and follow Beth on Facebook, LinkedIn and Instagram.
Toby Neal was raised on Kauai in Hawaii. She wrote and illustrated her first story at age 5. After initially majoring in journalism, she eventually settled on mental health as a career and loves her work, saying, “I’m endlessly fascinated with people’s stories.”
Toby credits her counseling background in adding depth to her characters–from the villains to Lei Texeira, the courageous and vulnerable heroine in the Lei Crime Series, to the wounds and psychological implications of the heroes of the Scorch Series.
Want to write a crime-fiction story but not sure where to start? Are you between drafts and feeling stuck? Do you feel that you just don’t know enough about police work to write a believable police detective protagonist?
In this conversational and fact-filled handbook, veteran police detective Adam Richardson answers the criminal investigation questions most frequently asked by authors and screenwriters. Unlike many other writing guides about “the cop stuff,” the Writer’s Detective Handbook addresses police procedure and criminal investigation from the storyteller’s perspective.
The Writer’s Detective Handbook: Criminal Investigation for Authors and Screenwriters equips storytellers with the ability to tell a great story while keeping the police-work aspects believable. Reading this book will empower you to write the crime-fiction story you’ve been dying to tell!
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