The Happy Medium of Storytelling Part 1

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Let’s talk about storytelling. Or rather, let’s talk about the medium through which storytelling is told and perceived. This is such a fascinating topic I couldn’t resist writing about it.

What is your choice of medium when it comes to books? Paperback, an ebook, or audiobook? I have particular interest in how audiobooks affect our perception of a story. Just stop yourself and consider this one thing. Medium.  According to Google medium is defined as the following:

1. An agency or means of doing something.

2. The intervening substance through which impressions are conveyed to the senses or a force acts on objects at a distance.

Both definitions are great, but I prefer the second one because it provides more insight into the topic. Some readers prefer the tactile and visual feedback of a book any day over a digital one. Others hail the ebook over any dinosaur book. I’ve always had trouble digesting books in physical form for some reason. But when the advent of the ebook was created I became a book addict.

Others prefer yet another medium of storytelling. The audiobook. People are listening to more and more audiobooks these days, including myself. Why? What affect does the audiobook have upon the reader? Or better yet, what affect does this medium have upon the listener?

 

 

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The narrator and his or her performance is the medium through which the story is perceived. No two narrators are the same in skill, personality, voice, training or delivery. So in a sense, you’re getting a completely different medium with each and every narrator. Cool eh? I thought so. But it doesn’t end there.

According to Professor Mehrabian, only 7% of communication is verbal, and 93% nonverbal. Or, the nonverbal component would be 55% body language, and 38% tone of voice. There is some debate about this (of course), so we have to take into consideration other factors such as context, etc. I’ll spare you the boredom. What I’m getting at is the paralinguistic, or paralanguage part of communication that makes up 93%.

Writing to convey ‘what’s not said’ is extremely hard, but the best writers do it with much practice. What’s not said makes up a huge portion of communication, meaning and in understanding another person. This is critical in the context of storytelling when conveying a character properly.

 

 

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They say that the nonverbal component is broken down into body langauage and tone of voice. Body language being 55% and tone of voice 38%. When you read a book the author has to convey this information adequately. All the nonverbal tells of communication must be rendered by the authors writing. Good writing does this well, but anything less is lacking a lot of useful information.

Now you throw in a narrator. I love narrators! We have to see the entire story through their eyes and skill amongst other things. These are what linguists call Paralinguistics, or paralanguage. Which basically means everything that isn’t verbal. According to the aforementioned statistics it means everything as far as understanding another person’s attitude, motive, mood, personality etc. All this must be skillfully conveyed through the narrator.

 

 

 

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Stayed tuned for part 2!

 

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AudioSpy | Mystery Thriller Week |Book Reconn

 

 

 

 

 

 

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Audiobook Blog Tour: Detective Hunter Series Book 4 – Hell To Pay

Detective Kay Hunter

 

 

Detective Kay Hunter #4 – Hell to Pay

 

 

Hell to Pay Cover AUDIO

 

 

About Audiobook #4

Author: Rachel Amphlett

Narrator: Alison Campbell

Length: 7 hours 14 minutes

Publisher: Saxon Publishing⎮2018

Genre: Mystery, Police Procedural

Series: Detective Kay Hunter, Book 4

Release date: Jan. 01, 2018

 

 

 

 

Synopsis: When a road traffic accident on a dark autumn night uncovers a disturbing conspiracy, Detective Sergeant Kay Hunter’s investigation exposes a ruthless serial killer exploiting vulnerable young women.

With her enemies unmasked and her career spiraling out of control, Kay’s determination to seek vengeance for the victims brings her dangerously close to those who want to silence her.
Undeterred, she uncovers the real reason behind a plot to destroy her career and sets in motion a terrifying chain of events.

 

Buy Links for Audiobook #4

Buy on RachelAmphlett.com

 

Rachel Amphlett does it again in book 4 of the series, Hell to Pay. Crafting a sinister plot that Detective Kay Hunter will find all to personal. This series has become on of my favorites of the year in crime fiction. And for good reason–They’re awesome! Kay comes across an old adversary when she come across a traffic accident with links to a ruthless serial killer. Brewing at the same time is a mysterious drama related to Kay. Another great one!

Narrator Alison Campbell is a pleasure to listen to in every book. Very professional and skilled at conveying the emotions of the characters. She delivers an exceptional performance in every book. Way to Alison!

 

 

 

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About the Author: Rachel Amphlett

Before turning to writing, Rachel Amphlett played guitar in bands, worked as a TV and film extra, dabbled in radio as a presenter and freelance producer for the BBC, and worked in publishing as a sub-editor and editorial assistant.

She now wields a pen instead of a plectrum and writes crime fiction and spy novels, including the Dan Taylor espionage novels and the Detective Kay Hunter series.

Originally from the UK and currently based in Brisbane, Australia, Rachel cites her writing influences as Michael Connelly, Lee Child, and Robert Ludlum. She’s also a huge fan of Peter James, Val McDermid, Robert Crais, Stuart MacBride, and many more.

She’s a member of International Thriller Writers and the Crime Writers Association, with the Italian foreign rights for her debut novel, White Gold sold to Fanucci Editore’s TIMECrime imprint, and the first four books in the Dan Taylor espionage series contracted to Germany’s Luzifer Verlag.

 

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Alison Campbell photo by Libby Christenson

 

 

Narrator Alison Campbell

 

 

 

 

Audiobook Blog Tour: The Woman in the Camphor Trunk

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Audiobook Blog Tour!

 

 

 

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About the Audiobook

Author: Jennifer Kincheloe

Narrator: Moira Quirk

Length: 10 hours 50 minutes

Publisher: Jennifer Kincheloe⎮20

Genre: Historical Fiction Mystery

Series: Anna Blanc Mysteries, Book 2

Release date: Nov. 14, 2017

 

 

Synopsis: Los Angeles, 1908. In Chinatown, the most dangerous beat in Los Angeles, police matron Anna Blanc and her former sweetheart, Detective Joe Singer, discover the body of a white missionary woman, stuffed in a trunk in the apartment of her Chinese lover. Her lover has fled. If news gets out that a white woman was murdered in Chinatown, there will be a violent backlash against the Chinese. Joe and Anna plan to solve the crime quietly and keep the death a secret. So does good-looking Mr. Jones, a prominent Chinese leader who has mixed feelings about helping the LAPD and about Anna.

Meanwhile, the Hop Sing tong has kidnapped two slave girls from the Bing Kong tong, fuelling existing tensions. They are poised on the verge of a bloody tong war that would put all Chinatown residents in danger.

Joe orders Anna out of Chinatown to keep her safe, but to atone for her own family’s sins, Anna must stay to solve the crime before news of the murder is leaked and Chinatown explodes.

 

 

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This book was quality historical fiction in my opinion. I found it extremely entertaining on many levels!  Anna Blanc is a very delightful, fiercely independent character. The Narrator was the perfect medium for this book. She fully brought the characters to life! Jennifer has created one of the most memorable characters that I can remember. Anna Blanc reminds me of the talented young sleuth, Flavia de Luce.

Loved all the interpersonal conflict, tension among the characters. Very well written. Jennifer Kincheloe is a good writer.

 

 

 

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See my review of the Narrator performance here: The Woman in the Camphor Trunk

 

 

 

 

 

 

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In your opinion, what are the pros and cons of writing a stand-alone novel vs. writing a series?

I liken it to a movie vs. a TV series. You simply have more time to develop the characters. You know them so well.You also have the challenge of making them grow or change in every book. Sustaining the romance is a trick, but I love how Elizabeth Peters did it in the Amelia Peabody series. It never got old. The audiobooks of that series are seriously the best I’ve ever heard (after Moira). They relate the adventures of a woman Egyptologist in the late 19th and early 20th century. Start with CROCODILE ON THE SANDBANK. You’ll thank me.

 

 

What bits of advice would you give to aspiring authors?

Write for yourself. Not for money, critics, or glory. Only write for yourself.

 

 

What’s next for you?

I have a contract for book three in the Anna Blanc mystery series, which I’ve tentatively titled GRIFFITH PARK. It’s hard to describe the plot because there’s a twist in the beginning and I’m not sure how much to reveal, but it’s more Anna and Joe, more adventures, more LA history straight from the papers.

 

 

 

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About the Author: Jennifer Kincheloe

 

Jennifer has been a block layer, a nurse’s aid, a fragrance model, and on the research faculty at UCLA, where she spent 11 years conducting studies to inform health policy. A native of Southern California, she now lives in Denver, Colorado with her husband and two teenagers. She’s currently writing book three in the Anna Blanc Mystery series. Book two, THE WOMAN IN THE CAMPHOR TRUNK, is coming out in Fall of 2017 from Seventh Street Books.

 

 

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About the Narrator: Moira Quirk

Moira grew up in teeny-tiny Rutland, England’s smallest county, which is fitting as she never managed to make it past five feet herself.  Moira’s work spans the pantheon of the voiceover world: plays for BBC radio, plays for NPR, video games, commercials, television promos, podcasts, cartoons, movies and award winning audiobooks. She’s won Multiple Audie Awards, Earphone Awards, as well as Audible’s prestigious Book-of-the-Year Award. She has lately set foot in front of the camera again, appearing in “Pretty: the Series” and the Emmy-winning “Dirty Work.”

 

 

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Audiobook Blog Tour: Timeless by Michelle Madow & Interview with Narrator Andrea Emmes

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About the Audiobook

Author: Michelle Madow

Narrator: Andrea Emmes

Length: 12 hours 57 minutes (Box set)

Publisher: Dreamscape Publishing⎮2017

Genre: Clean Romance

Series: The Transcend Time Saga, Books 1-2

Release date: Aug. 25, 2017

Synopsis: Lizzie Davenport has been reincarnated from 1815, England… but she doesn’t realize it until she meets her soul mate from the past and he triggers her memories to gradually return.
The series began with Remembrance, was followed by the short story Vengeance, and concluded with Timeless. The series has sold a significant number of copies, and has received much praise from reviewers. Read all three parts together in this special box

 

Audible

 

 

 

INTERVIEW WITH NARRATOR ANDREA EMMES

 

 

How did you decide how each character should sound in this title?

A lot depends on the character. Who they are? What they are about? I have about 20 “go to” character voices that I’ve use. Kind of a character rolodex if you will that I cast from. For instance, if I have an antagonist that’s a young male, then I’ll cast him as “Blake”; lower, slightly scratchy voice. The Main Character is usually always my voice but again, that might change depending on the book. Perfect example is this series. For Lizzie, the main character in the Transcend Time Saga Series, I didn’t use my natural voice, but a softer, slightly higher pitched voice because of her nature and qualities and then used my natural voice for Chelsea because if just felt right. Especially in Vengeance, the novella that is after Remembrance and before Timeless. Also, if the author gives me notes in the character sheet like, “Sara should sound like Reese Witherspoon” then I’ll work on that. I won’t do a mimic/impersonation of Reese, but I’ll try to capture her qualities, accents, speaking pace and incorporate that into the character voice.

 

 

 

 

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What types of things are harmful to your voice?

Yelling and whispering are really bad for your voice as is speaking too low and gravelly. It’s important when your doing anything with your voice that you understand how to maintain it and hydrate it. Learning how to breath correctly and choose voices that you can sustain over a long period of time.

 

 

 

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Have there been any characters that you really connected with?

Absolutely. There have been many characters that I just clicked with for different reasons. Lizzie in “Transcend Time Saga”, Ivy in “Love Nouveau”, Farris in the “Geek Girl Mystery Series”, Jo from “Little Women”, and more. Though I might not identify with everything they are going through, there are many things from each character that I can pull from my own experience and dive deep into who they are.

 

 

 

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If you had the power to time travel, would you use it? If yes, when and where would you go?

I’d be so nervous of messing anything up and creating a Time Paradox or whatever Doc. Brown said in Back to the future, that I’d worry I’d change the future. If I had to choose though, I’d probably like to go to Regency Era England during the Jane Austen times. Not because I like how women were treated back then, which was horrendous, but I’d love to dress up in those beautiful dresses and dance in one of their fancy balls!

 

 

 

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Who is your “dream author” that you would like to record for?

I actually don’t have a particular author in mind. But my dream author would be someone who is a strong storyteller who has emotionally rich characters and an engaging story. I’d love to latch on to a series that is as powerful as Harry Potter, Twilight, Mortal Instruments, Dresden Files, etc. It’s so fun to keep growing with your favorite characters.

 

 

Bonus question: Any funny anecdotes from inside the recording studio?

Um…I tend to burp a lot in the booth! I’m taking in so much air as I narrate that sometimes a really amazing burb just comes out…at the wrong time. Like during an emotional scene and just as I’m getting to the good bits, BUUUURRRRRPPPPP! LOL, then I have to start that section over!

 

 

 

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Thanks Andrea!

 

 

 

Benjamin Thomas

@thewritingtrain

www.mysterythrillerweek.com

 

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Interview with Narrator Andrea Emmes

 

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When did you know you wanted to be an audiobook narrator?

Well, I kind of fell into audiobooks in 2014 and haven’t looked back since. I’ve been a professional performer (actor/singer/dancer/VO) for over 20 years but in 2006 I got hurt in a stunt show and had to retire due to a disabling pain disorder called Reflex Sympathetic Dystrophy aka CRPS. I’ve always been an avid reader and during my recovery I read about 8-12 books a week. I went back to college and got a degree in Game Art and Design and was a game designer for Disney Interactive for a couple of years After the layoffs, I had to figure out what I should do next as I can no longer dance, etc. anymore and my husband suggested I look into audiobooks. He’s brilliant and I researched it, set up my equipment, studied with coaches and have enjoyed every minute of it!!

 

 

 

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How do you manage to avoid burn-out? What do you do to maintain your enthusiasm for narrating?

That is a great question, but narration can be tedious. Especially because you have to learn a ton of tech and engineering besides just speaking into the mic. It’s important to take lots of small breaks. Especially because it’s not good to be sitting or standing for too long. Because of my disability, I have to narrate sitting down, so it’s important for me to stretch or lay down every once in a while. Also, it can be hard to maintain your enthusiasm because, yes, I have a wicked cool job that I LOVE, but sometimes it’s hard to get into the emotions of the book. But I remind myself that I’m so blessed to do what I do; to have authors and publishers who believe and trust in me to bring their book to life and I don’t take that honor lightly. If I’m struggling or just not feeling it, I’ll step away, play some video games or watch TV or go for a walk and then come back fresh and get back to work!! As long as I hit my deadline, my daily schedule is flexible.

 

 

 

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What about this title compelled you to audition as narrator?

Well first, I LOVE Michelle Madow’s work. That was a definite first draw for me as I’ve been a fan of hers for a while and have read some of her books already. What I love about the Transcend Time Saga Series is not just some fun characters and the love story, but I was intrigued by the time travel aspect of it and I’m a huge Jane Austen and Regency Era fan so to be able to be a part of that world and bring those scenarios and characters to life was really fun and fulfilling. I also love anything that has a mystical, supernatural or paranormal slant to it and I loved how Michelle merged the normalcy of teenage issues – boys, relationships, school – and beautifully worked in this fun mythos of time travel and reincarnation.

 

 

 

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How closely do you prefer to work with authors?

Before I being recording the book, I like to work very close with the authors if they are available. After I read the book, I’ll send any questions I might have to the author if I need clarification and then I’ll also ask them to provide me with a character sheet that describes all of the characters that are most important to them so I can get an idea of what they were thinking about for them. Their quirks, age, vocal preferences, etc. However, since my job as the narrator is to be the producer and director, after the first fifteen minutes has been approved, I will not take acting or directing notes. So it’s important for me to make sure that I have as much as I can beforehand and hopefully leave a lasting impression with the author that their book, their “baby” is in good hands and that I will give it the best that I have to make sure the audiobook, which is now “our baby” is excite the listeners.

 

 

 

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Who are your “accent inspirations”?

When I’m going to be doing accents, I don’t really have a person I’m inspired by. I just try to do as much research as I can to get the accent correct. If it’s RP British in the Regency Era, then I’ll watch a lot of Jane Austen or Downton Abbey. It’s it needs to be really Cockney like someone from Essex, then I’ll find shows like “The Only Way is Essex”. I’ve looked a lot on YouTube, but I also work with some amazing coaches to help me get the accent just right. (PJ Ochlan and Joel Froomkin are amazing!)

 

 

 

 

 

About the Narrator: Andrea Emmes

Audible Best Selling Narrator, Andrea Emmes was born in Hollywood, FL and grew up in both Tennessee and Rhode Island, started her career in musical theater. Cutting her teeth at The Trinity Arts Center in Rhode Island, Andrea eventually made her way to Orlando and began her eclectic career singing/dancing in various shows at Walt Disney World, Universal Studios, Pirates’ Dinner Adventure, performing as a magician’s assistant, headlining on the Las Vegas Strip and touring Los Angeles as an L.A. Award winning artist with her album, “I’m On My Way”.

Having worked in tv, film and video games, Andrea, a total Book Nerd, now enjoys narrating audiobooks at her home studio in San Jose, California.

Her wide range of character voices and dynamic/emotionally invested performances has reviewers and listeners alike commenting on how she effortlessly pulls listeners in, and has versatility and charisma.

 

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