Book Review: A Time To Kill by John Grisham

Before “The Firm” and “The Pelican Brief” made him a superstar, John Grisham wrote this riveting story of retribution and justice. In this searing courtroom drama, best-selling author John Grisham probes the savage depths of racial violence, as he delivers a compelling tale of uncertain justice in a small southern town, Clanton, Mississippi.

The life of a ten-year-old girl is shattered by two drunken and remorseless young men. The mostly white town reacts with shock and horror at the inhuman crime. Until her black father acquires an assault rifle and takes matters into his hands.

For ten days, as burning crosses and the crack of sniper fire spread through the streets of Clanton, the nation sits spellbound as young defense attorney Jake Brigance struggles to save his client’s life, and then his own.

 

Amazon| Goodreads | Audible

I had already read Sycamore Row, Jake Brigance book 2, but hadn’t read A Time to Kill. The first one was just as riveting as the second! Full of suspense, racial violence, intrigue, great characters and a gripping storyline; A Time to Kill certainly leaves it’s mark far after the book is read. Like meat and potatoes that fills you up and sticks to your ribs. That’s John Grisham. That’s Jake Brigance. I was utterly amazed at Grisham’s storytelling genius. There’s great writing, and then there’s great storytelling far elevated above the rest. Now it’s time for book 3, A Time For Mercy. Jake Brigance is back once again!


Since first publishing A Time to Kill in 1988, Grisham has written at least one book a year (his other works are The Firm, The Pelican Brief, The Client, The Chamber, The Rainmaker, The Runaway Jury, The Partner, The Street Lawyer, The Testament, The Brethren, A Painted House, Skipping Christmas, The Summons, The King of Torts, Bleachers, The Last Juror, The Broker, Playing for Pizza, The Appeal, The Associate, The Confession, The Litigators, Calico Joe, The Racketeer, Sycamore Row, Gray Mountain, Rogue Lawyer, The Whistler, Camino Island, The Rooster Bar, The Reckoning, and The Guardians) and all of them have become international bestsellers. There are currently more than 350 million John Grisham books in print worldwide, which have been translated into 45 languages. Nine of his novels have been turned into films (The Firm, The Pelican Brief, The Client, A Time to Kill, The Rainmaker, The Chamber, A Painted House, The Runaway Jury, and Skipping Christmas), as was an original screenplay, The Gingerbread Man. The Innocent Man (October 2006) marked his first foray into non-fiction, and Ford County (November 2009) was his first short story collection. In addition, Grisham has written seven novels for young adults, all in the Theodore Boone series: Kid Lawyer, The Abduction, The Accused, The Activist, The Fugitive, The Scandal, and The Accomplice.

Grisham took time off from writing for several months in 1996 to return, after a five-year hiatus, to the courtroom. He was honoring a commitment made before he had retired from the law to become a full-time writer: representing the family of a railroad brakeman killed when he was pinned between two cars. Preparing his case with the same passion and dedication as his books’ protagonists, Grisham successfully argued his clients’ case, earning them a jury award of $683,500–the biggest verdict of his career.

When he’s not writing, Grisham devotes time to charitable causes, including most recently his Rebuild The Coast Fund, which raised 8.8 million dollars for Gulf Coast relief in the wake of Hurricane Katrina. He also keeps up with his greatest passion: baseball. The man who dreamed of being a professional baseball player now serves as the local Little League commissioner. The six ballfields he built on his property have played host to over 350 kids on 26 Little League teams.

www.jgrisham.com

Heroes, Villains, and Writing a Story That Matters with Ace Atkins & Gabriela Pereira


Heroes, Villains, and Writing a Story That Matters—-Interview with Ace Atkins 

Posted by Gabriela Pereira September 9, 2020.  Duration: 40 min 53s diymfa.com


diymfa.com

aceatkins.com

THURSDAY Book Frenzy Recommendations

THURSDAY Book Frenzy Recommendations




A plague is coming, and it’s not COVID-19. Terrorists have engineered a bioweapon called Siren’s Tears that strikes hard and kills quickly, and the clock is ticking for the country. FBI Agent Rita Goldman uncovers the first clues, which lead her to investigate a Chechen terrorist group operating in East Texas. The Piney Woods are filled with snakes, ticks, mosquitos, and rednecks, and that’s the last place she wants to be… except that the area also happens to be the territory of a certain Texas Ranger, Sam Cable.
Teamed up again, the odd couple races the clock to prevent the devastating release of this weapon of mass destruction. Pitted against crazed, virus-mad citizens, Chechen terrorists, and meth-dealing motorcycle gangs, Rita and Sam have a rough path to navigate, complicated by an unexpected, and surprising, mutual attraction.
The feisty FBI agent and the lantern-jawed Ranger take on the terrorists and each other. Who will come out on top?

Amazon


Even the darkest secrets can’t stay buried forever…
Five figures gather round a shallow grave. They had all taken turns to dig. An adult sized hole would have taken longer. An innocent life had been taken but the pact had been made. Their secrets would be buried, bound in blood …

Years later, a headmistress is found brutally strangled, the first in a spate of gruesome murders which shock the Black Country.

But when human remains are discovered at a former children’s home, disturbing secrets are also unearthed. D.I. Kim Stone fast realises she’s on the hunt for a twisted individual whose killing spree spans decades.

As the body count rises, Kim needs to stop the murderer before they strike again. But to catch the killer, can Kim confront the demons of her own past before it’s too late?

Fans of Rachel Abbott, Val McDermid and Mark Billingham will be gripped by this exceptional new voice in British crime fiction.

Amazon


Once, her heart was empty. Now it’s filled with ice…

 

Ellen’s therapist told her to forget the past, but the life she’s left with is boring. All she wants is to be happy and normal, but the approaching long bleak nights of winter loom threateningly in front of her, especially as she’ll be alone.

When the secrets her mother put in place to protect her are uncovered, Ellen learns the frightening truth. Her history is darker than she imagined. She’s not who she thinks she is, and the real her is a very different person to the one that others have mistreated and exploited.

If she has any hope for a future, Ellen must find answers about the past. This winter, there will be vengeance on Ellen’s mind, and DI Barton will struggle in his hardest case to date.

 

How can he find the truth when all the victims and witnesses are dead?

 

Ross Greenwood writes gritty, heart-pounding thrillers, with twists aplenty, and unforgettable endings. Perfect for fans of Mark Billingham and Stuart MacBride.

Praise for Ross Greenwood:

Move over Rebus and Morse; a new entry has joined the list of great crime investigators in the form of Detective Inspector John Barton. A rich cast of characters and an explosive plot kept me turning the pages until the final dramatic twist.’ author Richard Burke

‘Master of the psychological thriller genre Ross Greenwood once again proves his talent for creating engrossing and gritty novels that draw you right in and won’t let go until you’ve reached the shocking ending.’ Caroline Vincent at Bitsaboutbooks blog

‘Ross Greenwood doesn’t write clichés. What he has written here is a fast-paced, action-filled puzzle with believable characters that’s spiced with a lot of humour.’ author Kath Middleton

Amazon


1894. The monstrous Hound of the Baskervilles has been dead for five years, along with its no less monstrous owner, the naturalist Jack Stapleton. Sir Henry Baskerville is living contentedly at Baskerville Hall with his new wife Audrey and their young son Harry. Until, that is, Audrey’s lifeless body is found on the moors, drained of blood. It would appear some fiendish creature is once more at large on Dartmoor and has, like its predecessor, targeted the unfortunate Baskerville family.

Sherlock Holmes and Dr Watson are summoned to Sir Henry’s aid, and our heroes must face a marauding beast that is the very stuff of nightmares.

Amazon


Chief Superintendent Michele Ferrara knows that the beautiful surface of his adopted city, Florence, hides dark undercurrents. When called in to investigate a series of brutal and apparently random murders, his intuition is confirmed.

Distrusted by his superiors and pilloried by the media, Ferrara finds time running out as the questions pile up. Is there a connection between the murders and the threatening letters he has received? Are his old enemies, the Calabrian Mafia, involved? And what part is played by a beautiful young woman facing a heart-rending decision, a priest troubled by a secret from his past, and an American journalist fascinated by the darker side of life?

Ferrara confronts the murky underbelly of Florence in an investigation that will put not only his career but also his life on the line.

Originally published in Italy as Scarabeo.

 

Amazon

Intuitive Editing With Tiffany Yates Martin

IT’S TELEVISION TUESDAY

INTUITIVE EDITING WITH TIFFANY YATES MARTIN


“I trust Tiffany Yates Martin with the editing process even more than I trust myself. Read this book and steal her secrets!”–Kelly Harms, Washington Post-bestselling author of The Overdue Life of Amy Byler

“Tiffany Yates Martin is an exceptional editor, so of course her advice and counsel in Intuitive Editing is exceptional as well. Whether you’re a seasoned author looking to fine-tune your craft, pacing, or tension or just starting out and looking for guidance on building overall structure and engaging characters, this book is a must-read that will take you from idea to finished manuscript.”–New York Times-bestselling author Allison Winn Scotch

“This book is a must have tool every author needs in their toolkit. When you are ready to go deeper, to dig into the revision process, using Tiffany’s Intuitive Editing strategies will help you take your writing to the next level.”–New York Times– and USA Today-bestselling author Steena Holmes

“Authors, if you can’t be lucky enough to have Tiffany as your editor, then Intuitive Editing is the next-best thing. Her advice is sound, thoughtful, no-nonsense and given with the compassion that every author and their book deserves.”–Elisabeth Weed, literary agent, the Book Group

“Editing your own writing can feel like doing your own brain surgery….”

After you’ve completed your manuscript and you’re standing at the foot of Revision Mountain, climbing to the summit can feel impossible. It’s hard to look at your own writing with the objective eye needed to shape it into a tight, polished, publishable story–but just like writing, self-editing is a skill you can learn.

Developmental editor Tiffany Yates Martin has spent her career in the publishing industry honing practical, actionable techniques to help authors evaluate how well their story is working, where it might not be, and how to fix it.

With a clear, accessible, user-friendly approach, she leads writers through every step of deepening and elevating their own work, as well as how to approach the edit and develop their “editor brain,” and how to solicit and process feedback. Intuitive Editing doesn’t offer one-size-fits-all advice or rigid writing “rules”; instead it helps authors discover what works for their story and their style–to find the best version of their vision.

Whether you’re writing fiction, narrative nonfiction, or memoir; whether this your first story or your fiftieth, Intuitive Editing will give you the tools you need to edit and revise your own writing with inspiration, motivation, and confidence.

Tiffany Yates Martin has spent nearly thirty years as an editor in the publishing industry, working with major publishers and bestselling authors as well as newer writers. She’s led workshops and seminars for conferences and writers’ groups across the country and is a frequent contributor to writers’ sites and publications. Visit her at www.foxprinteditorial.com.

 
 
 

Amazon|Goodreads |B&N


About Tiffany Yates Martin

Developmental book editor Tiffany Yates Martin is privileged to help authors tell their stories as effectively, compellingly, and truthfully as possible. In more than 25 years in the publishing industry she’s worked both with major publishing houses and directly with authors (through her company FoxPrint Editorial), on books by New York Times, USA Today, and Wall Street Journal bestsellers and award winners as well as newer authors. She presents objective editing and writing craft workshops for writers’ groups, organizations, and conferences to help authors learn to edit their own writing and revise their stories. She also offers editing tips and advice on creative story revision for numerous writers’ sites and publications.
 

Foxprinteditorial.com

The Crew Reviews: Michael Connelly – THE LAW OF INNOCENCE

Michael Connelly | THE LAW OF INNOCENCE

TheCrewReviews.com

YouTube.com

MichaelConnelly.com


Lincoln Lawyer Mickey Haller is back in the heartstopping new thriller from #1 New York Times bestselling author Michael Connelly.

Defense attorney Mickey Haller is pulled over by police, who find the body of a client in the trunk of his Lincoln. Haller is charged with murder and can’t make the exorbitant $5 million bail slapped on him by a vindictive judge.

Mickey elects to defend himself and must strategize and build his defense from his jail cell in the Twin Towers Correctional Center in downtown Los Angeles, all the while looking over his shoulder–as an officer of the court he is an instant target.

Mickey knows he’s been framed. Now, with the help of his trusted team, he has to figure out who has plotted to destroy his life and why. Then he has to go before a judge and jury and prove his innocence.

In his highest stakes case yet, Mickey Haller fights for his life and shows why he is “a worthy colleague of Atticus Finch…in the front of the pack in the legal thriller game” (Los Angeles Times).

 

Goodreads |Amazon | B&N


About Michael Connelly

Michael Connelly is the bestselling author of over thirty novels and one work of nonfiction. With over eighty million copies of his books sold worldwide and translated into forty foreign languages, he is one of the most successful writers working today. A former newspaper reporter who worked the crime beat at the Los Angeles Times and the Fort Lauderdale Sun-Sentinel, Connelly has won numerous awards for his journalism and his fiction. His very first novel, The Black Echo, won the prestigious Mystery Writers of America Edgar Award for Best First Novel in 1992. In 2002, Clint Eastwood directed and starred in the movie adaptation of Connelly’s 1998 novel, Blood Work. In March 2011, the movie adaptation of his #1 bestselling novel, The Lincoln Lawyer, hit theaters worldwide starring Matthew McConaughey as Mickey Haller. His most recent New York Times bestsellers include Fair Warning, The Night Fire, Dark Sacred Night, The Late Show, Two Kinds Of Truth, The Late Show, The Wrong Side Of Goodbye, The Crossing, The Burning Room, The Gods of Guilt, The Black Box, and The Drop. Michael is the executive producer of BOSCH, an Amazon Studios original drama series based on his bestselling character Harry Bosch, starring Titus Welliver and streaming on Amazon Prime. He is also the executive producer of the documentary films, SOUND OF REDEMPTION: The Frank Morgan Story and Tales Of the American. He spends his time in California and Florida.
 
 

www.michaelconnelly.com

The First Steps to Writing a Book (Ft. Michelle Prince)


SHE with Jordan Lee Dooley

Posted June 24, 2020 – Duration: 31 min 54s


About Michelle Prince

Michelle Prince is a best-selling author, sought-after motivational speaker, CEO and founder of Performance Publishing Group, a “partner” publishing company dedicated to making a difference … one story at a time. She’s helped thousands of professionals around the world become published authors through her consulting, courses, seminars, and done-for-you publishing services. She is the founder of the Book Bound Workshop (www.BookBoundWorkshop.com), which helps soon-to-be authors get their story “out of their head and onto paper.” Michelle knows we all have a story, and she is passionate about helping others tell their stories so they can make an impact in other people’s lives. Michelle is also an enthusiastic, dynamic speaker who captivates audiences with her authenticity, high energy, and natural ability to connect with any audience. She has been endorsed by some of the most influential speakers in personal development, including Zig Ziglar, and she currently serves as the “Ziglar Brand Ambassador,” representing the values and legacy of the late Zig Ziglar. Learn more at
 

www.MichellePrince.com

Book Frenzy Book Recommendations

Welcome to Thursday Book Frenzy book recommendations! Since I LOVE searching for good books and exploring, I decided to put together a weekly list of recommendations. At least, that’s my intention. Some will be my own, but a lot will be from other readers, bloggers, authors, and other book lovers. Here we go!


Getting snowed in at a beautiful, rustic mountain chalet doesn’t sound like the worst problem in the world, especially when there’s a breathtaking vista, a cozy fire, and company to keep you warm. But what happens when that company is eight of your coworkers…and you can’t trust any of them?

When an off-site company retreat meant to promote mindfulness and collaboration goes utterly wrong when an avalanche hits, the corporate food chain becomes irrelevant and survival trumps togetherness. Come Monday morning, how many members short will the team be?

Amazon| Ruthware.com


The gentrification of a Brooklyn neighborhood takes on a sinister new meaning…

Sydney Green is Brooklyn born and raised, but her beloved neighborhood seems to change every time she blinks. Condos are sprouting like weeds, FOR SALE signs are popping up overnight, and the neighbors she’s known all her life are disappearing. To hold onto her community’s past and present, Sydney channels her frustration into a walking tour and finds an unlikely and unwanted assistant in one of the new arrivals to the block—her neighbor Theo.

But Sydney and Theo’s deep dive into history quickly becomes a dizzying descent into paranoia and fear. Their neighbors may not have moved to the suburbs after all, and the push to revitalize the community may be more deadly than advertised.

When does coincidence become conspiracy? Where do people go when gentrification pushes them out? Can Sydney and Theo trust each other—or themselves—long enough to find out before they too disappear?

Amazon|Alyssa Cole


At the age of twelve, Eve Black was the only member of her family to survive an encounter with serial attacker the Nothing Man. Now an adult, she is obsessed with identifying the man who destroyed her life.

Supermarket security guard Jim Doyle has just started reading The Nothing Man—the true-crime memoir Eve has written about her efforts to track down her family’s killer. As he turns each page, his rage grows. Because Jim’s not just interested in reading about the Nothing Man. He is the Nothing Man.

Jim soon begins to realize how dangerously close Eve is getting to the truth. He knows she won’t give up until she finds him. He has no choice but to stop her first …

Amazon|CatherineRyanHoward.com


The secrets lurking in a rundown roadside motel ensnare a young woman, just as they did her aunt thirty-five years before, in this new atmospheric suspense novel from the national bestselling and award-winning author of The Broken Girls.

Upstate NY, 1982. Every small town like Fell, New York, has a place like the Sun Down Motel. Some customers are from out of town, passing through on their way to someplace better. Some are locals, trying to hide their secrets. Viv Delaney works as the night clerk to pay for her move to New York City. But something isn’t right at the Sun Down, and before long she’s determined to uncover all of the secrets hidden…

Amazon| SimoneStJames.com

All the book recommendations are from a wonderful book lover, Laura Rash, aka Wonder Chick.

You can find her on Twitter or on Instagram.

Writing, Rewriting, and Craft by Elena Hartwell

 

 

Writing, Rewriting, and Craft

By Elena Hartwell

 

As a novelist and playwright, I’m often asked where I get my ideas. Almost every writer I know gets this question, and I think we all feel the same. Ideas are never the problem. That’s the easy part. Ideas are a dime a dozen. The hard part, the magic part, is turning the idea into a polished, final manuscript.

 

The writing process varies wildly from author to author. Some write extensive, detailed outlines. Others sit down with an idea and write scenes on the fly. A number of writers fall somewhere in between, while they may not outline, neither do they sit down and write completely organically. They might write a synopsis or outline a chapter in advance.

 

The various combinations of these methods all work, depending on the writer and the project. There is no “wrong” way to write a novel. The “how” a writer works isn’t why their manuscript sells or doesn’t sell. The primary reason an author’s work has not yet sold is a lack of craft.

 

People who lack craft skills rarely sit down to write a novel. Or if they do, they can start, but never finish. Or if they do finish, they don’t rewrite. Or if they do rewrite, they quit after a single pass. Or, if they do continue to rewrite, they aren’t aware enough of craft to recognize the flaws in their own work. You get the picture. The problem is the writer stops too soon.

 

As a writing coach—I do one-on-one manuscript critiques as well as teaching workshops—there are some fundamental issues I see repeated in early drafts, over and over. These same issues show up in my own work, and probably on some level, in the early drafts of every writer out there. So the first thing aspiring writers can do to increase their chances of writing a successful manuscript, is learn how to identify these problems.

 

The first is a lack of clear objectives, obstacles, and stakes. It’s not enough to have a dead body to write a mystery. Someone has to investigate the murder. The person investigating the murder has to need to solve the crime. If they don’t need to solve the crime (objective) there’s no tension about the investigation. If the solution doesn’t matter to the investigator, it won’t matter to the reader. 

 

The sleuth also can’t solve the crime easily, that’s not dramatic. Various impediments (obstacles) have to appear, one after the other, to prevent the protagonist from catching the killer. The more the investigator has to overcome, the more satisfying to the reader when they do. 

 

Lastly, it has to matter (stakes). For example, the protagonist with an internal struggle, coinciding with their investigation, is far more interesting than someone who simply goes through the motions of solving a crime.

 

The more important solving the case is to the protagonist, the more dangerous or difficult the journey, and the greater the importance to find the guilty party, the more invested a reader will be. That’s what keeps a reader turning pages.

 

Complex protagonists will also have personal objectives, obstacles, and stakes to go along with their investigation. For example, a crumbling marriage, a child in danger, or overcoming an addiction are common tropes within the genre. When we know an investigator has to choose between catching a killer and saving their marriage, the stakes are high and we breathlessly turn each page waiting to see what the character chooses.

 

Another common error I find is a lack of structure. All stories have an underpinning structure. While there are variations to that structure, for the most part, especially in crime fiction, we start with the world as we know it, which is disrupted by a specific event, followed by rising action, where events pile one on top the other, each more important than the one that went before. This ends with a climactic scene, with the maximum danger to our hero or heroine, followed by a glimpse into the new world order for our characters.

 

If any of these parts are missing, the story can feel unfinished. For example, if we don’t have some sense of what the character’s life was before the intrusion, we don’t know what they are putting at risk. The “world before” can often be well hidden, it might not appear in the first chapter, but later in reflections the character makes as the story progresses, but usually a reader can identify it if they look for it. 

 

The middle of a manuscript might falter if a lot of exciting things happen at the beginning, then nothing exciting follows. Rising action is important, because it builds dramatic tension, making it impossible to put the book down.

 

Lastly, an ending can feel unsatisfying if we have no sense of the outcome. Readers don’t need everything tied up in a bow, but they do want the primary threads to be resolved enough to know what the character’s lives will be like after they read “the end.”

 

Dialogue can also be difficult to master. One of the most common problems I see is when authors have their characters say exactly what they feel and exactly what they mean. That doesn’t ring true. People lie all the time. We lie because it’s expedient, it benefits us in some way, it keeps us from hurting others, or we don’t want to get in trouble. We rarely say what we mean, we obfuscate, we dither, we agree out loud when disagreeing feels like a mistake. Dialogue works best when each character speaks distinctly from the others, through word choice, sentence length, grammatical accuracy, and the use of slang. 

 

If a writer can identify just these specific problem areas in their own writing, their next draft will be a much tighter, more polished manuscript. It can feel overwhelming to try to identify and fix all the issues I’ve outlined at one time. My recommendation for writers is to choose one aspect and rewrite just for that. Heighten the stakes in one rewrite. Focus solely on dialogue for the next. Breaking down the process into smaller chunks can make each rewrite a more successful venture. This will help the writer get through a series of rewrites rather than attempting one and feeling like the mountain is too high to climb. My final piece of advice. Don’t give up. That’s the only difference between a published author and an unpublished one. 

 


Elena Hartwell started out her storytelling career in the theater. She worked for several years as a playwright, director, designer, technician, and educator before becoming a novelist.

Elena has more than twenty years of teaching experience and now works one-on-one with writers as a manuscript consultant and writing coach.

She lives in North Bend, Washington, with her husband, two cats, and the greatest dog in the world. When she’s not writing, teaching writing, or talking about writing, she can be found at a nearby stables, playing with her horses.

For more information about Elena, please visit www.elenahartwell.com.

 

Twitter |Goodreads | Amazon


For fans of Julia Keller and Sheena Kamal, All We Buried disturbs the long-sleeping secrets of a small Washington state mountain town.

Deep in the woods surrounding the Cascade mountain range, a canvas-wrapped body floats in a lake, right in Elizabeth “Bet” Rivers’s jurisdiction. Bet has been sitting as interim sheriff of Collier after her father’s–the previous sheriff’s–death six months ago. Everyone knows everyone in a town like Collier. She has made it her duty to protect the people she’s come to see as family. And she intends to hold her title in the upcoming election, but she’s never worked a murder investigation on her own before and her opponent and deputy, Dale Kovac, isn’t going down without a fight.

Upon unwrapping the corpse, Bet discovers the woman is from out of town. Without an identification, the case grows that much more puzzling. Determined to prove herself worthy, however, Bet must confront the warped history of Collier. The more she learns, the more she realizes she doesn’t know the townspeople of Collier as well as she thought, and nothing can prepare her for what she is about to discover.

 

Amazon|B&N | Audible

 

Blog Tour: The Lost City by Bestselling Author Amanda Hocking

 

 

The Lost City Amanda Hocking image

 

 

THE OMTE ORIGINS

 

New York Times bestselling author Amanda Hocking returns to the magical world of the Trylle with The Lost City, the first book in the final Trylle arc.

Nestled along the bluffs of the forested coast lays the secret kingdom of the Omte—a realm filled with wonder…and as many secrets.

Ulla Tulin was left abandoned in an isolated Kanin city as a baby, taken in by strangers and raised hidden away like many of the trolls of mixed blood. Even knowing this truth, she’s never stopped wondering about her family.

When Ulla is offered an internship working alongside the handsome Pan Soriano at the Mimirin, a prestigious institution, she jumps at the chance to use this opportunity to hopefully find her parents. All she wants is to focus on her job and the search for her parents, but all of her attempts to find them are blocked when she learns her mother may be connected to the Omte royal family.

With little progress made, Ulla and Pan soon find themselves wrapped up in helping Eliana, an amnestic girl with abilities unlike any they have ever seen before—a girl who seems to be running from something. To figure out who she is they must leave the city, and possibly, along the way, they may learn more about Ulla’s parents.

 

Amazon | Goodreads

 

 

An open book with a magical fantasy. Night view illustration with a book. The magical power of reading and words, knowledge. Abstract background with a book.

 

 

Q&A with Amanda Hocking, author of THE LOST CITY: The Omte Origins, Volume 1

 

  1. There’s been so much excitement and anticipation for more books in the world of the Trylle and Kanin.  What made you decide to revisit those worlds now in The Omte Origins trilogy? 

I knew as soon as I wrote Ulla as a small character in Crystal Kingdom (the final book of the Kanin Chronicles) that I was going to write a trilogy about her, but it was just a matter of when. After the Kanin Chronicles, I wanted to take a little break from that world and visit others – which I did with Freeks and the Valkyrie duology. By then, I was so ready to dive back into the world and answer some lingering questions I had left for the Trylle and Kanin.

 

  1. Why make this the final trilogy?

With the Omte Origins, I feel like I’ve been able to say everything I want to about the worlds. Through the three trilogies, I spent time with all five tribes. Wendy’s mother is Trylle and her father is Vittra, and her story has her visiting both kingdoms. Bryn’s mother is Skojare and her father is Kanin, and her trilogy shows life in the Kanin and Skojare cities, as well as travelling to others beyond that. I won’t say who exactly Ulla’s parents are (that would be spoiling the story) but her journey takes her through the troll kingdoms, with interesting detours through the Omte, Trylle, and Kanin tribes.

 

  1. What are the most challenging aspects of writing a new trilogy that can be read independently, but is set in a world–the Trylle and Kanin–that you’ve written about before?  

The hardest challenge is getting new readers caught up with the world and the lingo without feeling repetitive and boring to longtime fans of the series. I try use this an opportunity to show characters and situations from different angles. The Wendy the audience meets at the beginning of Switched is vastly different Wendy than the that Ulla knows in the Omte Origins. So for new readers, they get introduced Wendy as she currently is, and for repeat readers, they can see who Wendy has become and who she appears to be through the eyes of an average citizen with Ulla.

 

  1. What’s the most fascinating thing you researched while writing The Lost City?

With the Omte Origins, I really looked back at the course of troll history, and their past has dovetailed with the Vikings and other artic peoples. So I did a lot research on early Vikings and indigenous arctic people, primarily the Inuit and the Sami. My favorite parts were reading their folklore. I even got an Inuit cookbook, and I attempted to make Bannock (a traditional Inuit bread). It did not turn out well, but I blame that entirely on my cooking skills (or lack thereof) and not the recipe.

 

  1. The “Glossary” and “Tribal Facts” sections at the end of the book are fascinating and really help create a layered, fleshed out world.  Was putting those together as much fun as writing the novel?  

It was so much fun. It’s been over ten years and nine books (and several short stories), so I have spent a lot time of thinking and doing world-building. I honestly have enough information for a history book about the worlds of the Trylle, but I don’t know there’s a demand for fictional textbooks. The Tribal Facts were actually one of the first things I wrote for the Omte series, because I went through and get myself reacquainted and made sure I had all my important facts straight.

 

  1. Was your writing routine affected by the stay-at-home orders due to the pandemic?  

My routine itself hasn’t been too affected, since I write from home, but I would say that the stress has a negative impact on me, the way it has for many of us that work in creative fields – or any field at all, honestly. My husband has been working from home, and my stepson had been doing long distance learning before summer break, but that hasn’t really changed too much for me. I usually work after they go to bed and stay up late into the early morning hours.

 

  1. Were there any favorite songs or music you listened to while writing this book?  

Yes, definitely! I listen to so much music when I write, and I even have curated playlists to go along with my books on Spotify. open.spotify.com/user/127756215 Some of my favorite songs to write to were “Ella” by Myrkur, “Wild World” by Cat Stevens, and “Delicate” by Taylor Swift. I also listened to a lot of Wardruna, who are this Norwegian band who make traditional Nordic music with historically accurate instruments. For the soundtrack to the Omte Origins, I wanted it be a blend of traditional Nordic music, mellow seventies folk to go with the trolls delayed pop culture tastes, and pop music that gets through with the trendier younger generations of trolls.

 

  1. Do you think the music you listen to has an influence on the stories?  Or do the stories influence the music you choose?

I think it’s both, honestly. When I’m picking songs for the playlist, I definitely choose them based on the kind of emotions I want to feel and the tone I want to set for whatever I’m writing. Sometimes I’ll put particularly romantic songs on repeat when writing a love scene or an angry fast-paced instrumental for a fight scene.

 

  1. What books or authors are you reading or excited to read lately?

I’m super excited about Faith: Taking Flight by Julie Murphy. It comes out the same day as The Lost City, and it’s about a plus-size teenage girl who discovers that she can fly. I recently read A Song of Wraiths and Ruin by Rosanne Brown, and I’m counting down the days until The Gilded Ones by Namina Forna and The Project by Courtney Summers.

 

  1. Any hints you can share about what’s coming next after The Omte Origins Trilogy?

I’m currently working on a stand-alone fantasy inspired by Greek mythology, but I don’t know when it will be out yet. I’ve got ideas for dozens of projects after that, and I’m working hard (and having fun) getting through them all.

 

 

Amanda Hocking author image

 

 

AMANDA HOCKING is the author of over twenty young adult novels, including the New York Times bestselling Trylle Trilogy and Kanin Chronicles. Her love of pop culture and all things paranormal influence her writing. She spends her time in Minnesota, taking care of her menagerie of pets and working on her next book.

Several of her books have made the New York Times Bestsellers list. Her zombie series, The Hollows, has been adapted into a graphic novel by Dynamite. She has published over twenty novels, including The Kanin Chronicles, the Watersong quartet, My Blood Approves series, the Valkyrie duology, and Freeks .

Her next books are the Omte Origins, a trilogy set in the world of the Trylle and Kanin. The first book The Lost City will be out July 7, 2020, and the second book The Morning Flower will be out August 5, 2020.

For more info about her and her books, here are some other places to check out and ways to contact her:


Website: www.hockingbooks.com

Amazon Author Page: Amanda Hocking

 

 

black train

 

 

 

 

 

 

A Q&A with Crime Writer Thomas O’Callaghan

 

 

No One will hear will you scream book image

 

 

Is there a sociopathic killer on the loose and murdering prostitutes in New York City? NYPD’s top cop, Homicide Commander Lieutenant John Driscoll, believes there is. Someone who calls himself “Tilden” and claims to have been sexually abused as a child by his mother’s john. But what could have triggered Tilden’s rage that has him on a mission to eradicate all the women of the night in The Big Apple?

 

AmazonGoodreads | Goodreads

 

 

Police line crime scene in New York City with blurry background

 

 

 

Q&A with Thomas O’Callaghan for Benjamin Thomas’ The Writing Train

 

How did your early reading habits lead you to become a writer?

After graduating with a liberal arts degree from Richmond College I landed a job with Allstate Insurance Company as a sales agent.  When the company opted to take their sales force in another direction I decided it was time to retire and find something else to do with my time. I spent much of that time reading.  On the beach in summer and on the couch in winter.  One day I picked up a copy of HELTER SKELTER, by Vincent Bugliosi and Curt Gentry. This is an often used adage, but I couldn’t put it down. The author’s attention to detail fascinated me. After that, I was hooked on novels depicting murder, mayhem and suspense. I soon discovered such notables as Thomas Harris, John Sandford, Lawrence Block and Ed McBain, just to name a few. Unlike, HELTER SKELTER, where the storyline was based on an actual murder, Harris, Sandford, Block, McBain and company, created murder and the intrigue that surrounded it. I was enthralled all the more. Read on, I said, and so I did.  After I finished reading my twelfth 87th Precinct novel, I thought: I could do that!  And so, on a gloomy, rain-soaked Friday afternoon, that happened to follow Thanksgiving, I began writing NIGHTKILLS, which would later become BONE THIEF.  Looking back, I’m happy with the course my life had taken me, bringing me to what has become my life’s passion:  Writing!


Was it a journey developing the confidence to write, or did it come naturally? 

 

It was a journey that had begun at a slow pace.  Aside from essays in college I’d never written in a narrative fashion.  When I took an early retirement from Allstate I was 49.  With a great deal of free time on my hands a very good friend suggested to either take on a new job or devote time to a hobby I’d enjoy.  My first venture toward that end had me wandering through Prospect Park in Brooklyn, NY armed with a 35mm camera taking photographs of nature-in-the-raw.  That interest waned after four or five weeks.  I then enrolled at HB Studios in NYC to study the art of ‘acting’.  It was fun, but after two months I began to lose interest. Since I enjoyed reading mysteries and thrillers, my trusted friend suggested I write one.  Me?  Write a book?  I haven’t a clue as to where to start, I argued.  She suggested I write 

an opening chapter similar in style to what I liked to read.  And so I did.  After she read it she asked me what I had in mind for the next chapter.  This went on for several weeks at the end of which I had written the opening of a story that only she and I had read.  I didn’t think it was very good but she encouraged me to call a friend of hers, a “writing coach” of sorts, which I did.  His name was Stephen Ohayon.  He had once taught the art of writing on a college level and offered to work with me to turn my feeble attempt into a saleable novel.  We met weekly in his office in Manhattan where his day job was as a psychotherapist.  He scheduled time for me between patients.  I brought him a typed chapter and during a one hour session he helped me push that chapter from first draft to second, third, fourth and fifth.  When we reached Chapter Last I set out to market the book.  It sold close to 100,000 copies and was translated and published in Germany, Slovakia, Indonesia, the Czech Republic, China, and Italy.   

 

 

What do you enjoy most about writing?

I enjoy writing for a number of reasons.  One that comes to mind immediately is that writing allows me to escape the hum drum of everyday life.  Another reason is that creating characters for the sole purpose of performing in a story that I’ve set in motion is exciting.  I’m fueled by that. And, because it’s fiction, I’m motivated to weave memories of times in my life, some good, some regrettable, into the back story of my characters. We all have chapters we wish never to see published, but, with the right finesse, the theme of those blunders can and do add human authenticity to fictional entities. 


What are the most challenging aspects?  

One of the most challenging aspects of being a writer is constantly competing with an inner voice that tells me what I’ve written isn’t very good.  That, of and in itself, drives me to be a better writer.  Writers write.  Rewriters get published.


How has your writing process developed over the twelve years it took to become published?

The writing process as outlined above continued in the same fashion, day after day, week after week.  Those weeks became years as I needed to convince a publisher my work was ready for print.  That involved submission after submission of query letters and partial manuscripts to every single literary agent that specialized in my genre.  When I reached the end of the line, so to speak, and any further submission would be repetitive I took the advice of a few well intentioned literary agents along the way to have a professional editor have a look at my manuscript.  After working for two years with the late Dick Marek, who’d edited The Silence of the Lambs for Thomas Harris along with nine of Robert Ludlam’s books, Kensington Books agreed to publish my debut novel.  


What are some ways working with an editor has helped you?

Aside from learning that a tightly written novel reads very quickly, thereby keeping the reader engaged, working with a professional editor taught me a wonderful lesson:  a writer, especially someone starting out, often feels his or her work is sacrosanct, but the editor is keenly aware of what a publisher is looking for and what sells.  It’s best to accept that reality and be open to change.  It will increase the chance of having your work published.   

How important is rewriting when working on a manuscript?

Extremely important.  I begin by writing a first draft of a chapter which entails typing without concern for spelling, punctuation, or cohesion.  The point is to get the thought on paper as quickly as possible without listening to that inner voice telling you “Oh, that’s not good,”  Once that’s done, I’ll go in and rewrite the chapter over and over again, until I have what I consider perfection.  In essence, one must write drunk and edit sober.


If we were to meet NYPD homicide cop John Driscoll, what kind of person would we meet?

In short, he’d be a taller version of me.  He’s an Irishman with a sense of morality who tries to do the right thing.  A compassionate soul who tries to be kind to friends and foes alike. Yes, Lieutenant Driscoll is flawed.  But, then, who isn’t?

 

Do the John Driscoll mysteries employ a certain theme?

Yes, the theme is that good prevails over evil.  They are psychological thrillers which detail the fictionalized onslaught of heinous murders perpetrated by a madman, or in the case of THE SCREAMING ROOM, a set of demonic twins, using New York City as a killing field.  Lieutenant Driscoll is brought into the equation intent on putting a stop to the madness.

 

If you were John Driscoll in, No One Will Hear Your Screams, could you solve the case?

 

Absolutely!  The Lieutenant is a resourceful investigator who, with the able-bodied assistance of two professional and ingenious associates in Margaret Aligante and Cedric Thomlinson, evil can’t triumph.

 

What are you currently working on?

My current work in progress introduces Richard Singleton, a bestselling author suffering from writer’s block.  When he becomes the owner of a beach house where a heinous murder had taken place, he finds stimulation and is able to put the pen to paper again.  His manuscript is progressing well and his faltered career is looking bright again, that is until he gets an anonymous call from the former owner of the house who had perpetrated the aforementioned murder who has plans of his own regarding what this bestselling author should write. 

 

 

Thomas O'Callaghan

 

 

Thomas O’Callaghan’s work has been translated for publication in Germany, Slovakia, Indonesia, the Czech Republic, China, and Italy. As an internationally acclaimed author, Mr. O’Callaghan is a member of both the Mystery Writers of America and the International Thriller Writers associations. A native of New York City and a graduate of Richmond College, Mr. O’Callaghan resides with his lovely wife, Eileen, a stone’s throw from the Atlantic Ocean in beautiful Belle Harbor, New York. His debut novel BONE THIEF introduces NYPD Homicide Commander Lieutenant John W. Driscoll. THE SCREAMING ROOM, is the second in the John Driscoll series. The third book in the series, NO ONE WILL HEAR YOUR SCREAMS was recently released by WildBlue Press. For more information, please visit: ThomasOCallaghan.com

 

ThomasOCallaghan.com

 

 

Old Locomotive