IT’S TELEVISION TUESDAY
Winning the Kindle Storyteller Award by Writing to Market – (The Self Publishing Show, episode 238)
Don’t miss this unique retelling of the Robin Hood legend!
A kingdom under assault.
A conspiracy born of anarchy.
A hero standing against tyranny.
Robin’s duty to his king sends him on an odyssey that will unfold from the streets of Paris to the banks of the Danube. From incredible triumphs on the battlefields of the Crusade, to harrowing sea voyages, to a desperate dash across the frozen landscape of Central Europe, Robin Hood must ensure that King Richard safely returns to England.
Meanwhile, the outlaws of Sherwood Forest rise again under a new leader—and she is unwavering in her pursuit of justice against the tyranny of Sheriff de Argentan. Marian endures the heartbreak of widowhood only to find strength and purpose as she leads a small band of devoted men in her quest for vengeance while she protects Robin’s legacy.
Sir Guy of Gisborne, tormented by his conscience and enslaved by the sheriff, faces the wraith-like fury of the woman he once loved. How do you find forgiveness when you have committed an unforgivable crime? He must attempt a daunting journey of redemption, while finding inspiration from an unexpected source.
And through it all, Robin, Marian, and Guy are entangled in a web of treachery spun by the King of France and his sinister advisor, Montlhéry, as the plot to dismantle the Angevin Empire and take the throne of England from the Plantagenets boldly continues.
Part two of an exciting three-part retelling of the Robin Hood legend!
Although the books in the trilogy are not stand-alone, they do not end in cliffhangers.
Robin Hood has been featured in many books, movies, and television shows. How is your trilogy different?
In our first book, Robin Hood’s Dawn, we re-imagined the origins of the Robin Hood legend, which included exploring his family dynamics: an aloof, selfish father and a kind-hearted mother devoted to ministering to the poor. One theme is how the consequences of immoral actions and secret sins can reverberate across generations. This is part of Robin’s legacy from his father.
We cast Robin as a hero fighting against the tyranny of a lawless government official. When Robin is falsely accused of a shocking crime by the new Sheriff of Nottingham, he could have retreated to a safe place beyond the reach of the sheriff. However, he feels a responsibility to the people because he believes in the intrinsic value of every human being. Instead of running away, he stays to protect the people from the sheriff. And this points to another theme: one person can make a difference by taking a stand for what is right.
The second book, Robin Hood’s Widow, picks up where the first book ends. Robin is alive and still with King Richard in the Holy Land, but Marian, the sheriff, and Guy of Gisborne have returned to England thinking that Robin Hood is dead.
Robin Hood’s Widow explores themes of grief and redemption, while featuring Marian’s adventures as leader of the outlaws. Her story is interwoven with Robin’s quest to return home while fulfilling his obligations to King Richard.
In this book, we wanted to explore both the stages of grief and their non-linear nature. Experiencing loss and grief is not like climbing stairs; you don’t complete one stage, progress to the next, and eventually arrive at acceptance. The emotional turmoil of an earlier stage can reappear and reassert itself during the process.
That being said, this story is not sad or depressing; Robin Hood’s Widow is an optimistic tale of triumphing over adversity.
You’ve emphasized how your Robin Hood story has been re-imagined. Will fans of the traditional ballads still recognize this as a Robin Hood story?
There is a lot of variety in the many books and screen adaptations of the Robin Hood legend. We wanted to create a story that was respectful towards fans of the original ballads and legends without adhering to the same story lines that have been previously written. We hope that all Robin Hood fans will enjoy this fresh retelling of the story.
However, we felt that Marian is a character who deserves more attention. All too often she is a background character with little to do. With this in mind, we have focused on creating a Lady Marian who will figure more prominently in the story, especially in Robin Hood’s Widow, where she takes center stage as the leader of the outlaws. She must learn how to lead while finding clever ways to thwart the sheriff and rob those supporters of Prince John who dare enter Sherwood Forest. We also wanted Marian to be feminine and believable as a woman of the 12th century.
Do the first two books of the trilogy end in cliff-hangers? Are the books stand alone?
We have structured the trilogy so that the books do not end in cliff-hangers, and we have endeavored to create a sense of completion in each of the books.
Although we want readers to start with Robin Hood’s Dawn, we know that some might be more interested in Robin Hood’s Widow. Therefore, we have endeavored to provide enough information in the second book so that a new reader will not be lost.
Both Robin and Marian are guarding secrets that will be revealed in Robin Hood’s Widow!
How did you become interested in writing this story and working together as co-authors?
The story of Robin Hood’s Widow is very special to me, and I wrote the original version after I experienced a devastating personal loss. Readers might be surprised to learn that Robin Hood’s Widow was written before Robin Hood’s Dawn!
I love to tell stories with multi-dimensional characters. I am multi-lingual, and I enjoy writing stories in different languages. My first novel is an English-language alternate history featuring Anne Boleyn.
I met Coleen (J.C.) on the Internet, and we decided to co-author a Robin Hood Trilogy with Robin Hood’s Widow as its centerpiece.
So, you’ve never met, you come from different countries, different cultures, and speak different languages. How can you co-author a book? Is it because you have similar writing styles?
Fortunately, Olivia is fluent in English, because that’s the only language I know!
We have found that we have a lot in common—especially our love of writing and of history. We have to work hard to merge our writing styles, but we have successfully done this.
That’s true. Olivia and I have very different “voices” and writing styles. You might even say they are nearly opposite styles.
I write in a straightforward, expository style, with a minimum of descriptive elements and metaphorical flourishes. I am good at explaining things, organizing ideas, and creating natural sounding dialogue.
My writing is characterized by lush romanticism and passionate lyricism. I love to create metaphors and descriptions which excite the imagination of the reader in a vivid and dramatic way.
In some respects, Olivia’s words are the emotional heart of the story, and my words represent the rational intellect. Of course, it’s not quite that cut-and-dried, but it is one way to describe how two people with such different styles have come together to create Robin Hood’s Dawn and Robin Hood’s Widow.
Below are the author biographies and social media profiles.
Olivia has always loved literature and fiction, and she is passionate about historical research, genealogy, and the arts. She has several degrees in finance & general management from London Business School (LBS) and other universities. At present, she helps her father run the family business.
During her first trip to France at the age of ten, Olivia had a life-changing epiphany when she visited the magnificent Château de Fontainebleau and toured its library. This truly transformed her life as she realized her passion for books and writing, foreshadowing her future career as a writer. In childhood, she began writing stories and poems in different languages. Loving writing more than anything else in her life, Olivia has resolved to devote her life to creating historical fiction novels. She has a special interest in the history of France and England.
Having met on the Internet, Olivia and J. C. Plummer, a writer and historian, decided to co-author The Robin Hood Trilogy. Olivia and J. C. are retelling the Robin Hood story with an unusual and imaginative plot that is solidly grounded in 12th century history. The trilogy incorporates twists and turns which will captivate and entertain readers.
Personal website: Olivialongueville.com
Project website: www.angevinworld.com
Facebook: Olivia Longueville
J.C. Plummer (Jennie Coleen) graduated Summa Cum Laude from Washburn University with a Bachelor of Arts degree in History and Anthropology. She later earned a Master of Science degree in Computer Information Science from Dartmouth College.
Co-authoring The Robin Hood Trilogy has merged J.C.’s passions for history, culture, and technology into one unique, exciting project.
As an author and historian, J.C.’s goal is to provide thoughtful and entertaining storytelling that honors the past, is mindful of the present, and is optimistic for the future.
Project website: www.angevinworld.com
Facebook: Jennie Newbrand
A totally new paradigm for treating back pain
Virtually every American will suffer from back pain at some point. Dr. Jack Stern, a neurosurgeon and professor at Weill Cornell Medical College, brings relief to these millions of sufferers (including himself) who literally ache for help. Based on the latest scientific data, Dr. Stern developed a five-step solution with a multidisciplinary, holistic perspective that’s been missing from conventional back pain wisdom:
Engagingly written and chock-full of enlightening case studies, Ending Back Pain finally shares the program that’s already helped more than 10,000 grateful patients.
Excerpted from Ending Back Pain: 5 Powerful Steps to Diagnose, Understand, and Treat Your Ailing Back. Copyright © by Jack Stern, M.D., Ph.D. Published by Avery. All rights reserved.
Most feelings of discomfort in life have clear solutions. For a stuffy nose, decongestants do the trick. For a pounding headache, aspirin or Tylenol comes in handy. But what do you do about a relentlessly aching back? As most of us know, the answer is not nearly as clear-cut as we’d wish. And unlike infectious diseases that often have targeted remedies (think antibiotics for bacterial infections and vaccines for viruses), ailing backs are like misbehaving, obnoxious family members—we can’t easily get rid of them or “fix” them. They also have a tendency to stick around and bother us nonstop, lowering our quality of life considerably and indefinitely.
Perhaps nothing could be more frustrating than a sore or hurting back. It seems to throw off everything else in our body, and makes daily living downright miserable. With the lifetime prevalence approaching 100 percent, virtually all of us have been or will be affected by low back pain at some point. Luckily, most of us recover from a bout of back pain within a few weeks and don’t experience another episode. But for some of us, the back gives us chronic problems. As many as 40 percent of people have a recurrence of back pain within six months.
At any given time, an astounding 15 to 30 percent of adults are experiencing back pain, and up to 80 percent of sufferers eventually seek medical attention. Sedentary people between the ages of forty-five and sixty are affected most, although I should point out that for people younger than forty-five, lower back pain is the most common cause for limiting one’s activities. And here’s the most frustrating fact of all: A specific diagnosis is often elusive; in many cases it’s not possible to give a precise diagnosis, despite advanced imaging studies. In other words, we doctors cannot point to a specific place in your back’s anatomy and say something along the lines of, “That’s exactly where the problem is, and here’s how we’ll fix it.” This is why the field of back pain has shifted from one in which we look solely for biomechanical approaches to treatment to one where we have to consider patients’ attitudes and beliefs. We have to look at a dizzying array of factors, because back pain is best understood through multiple lenses, including biology, psychology, and even sociology.
So, why is back pain such a confounding problem? For one, it’s lumped into one giant category, even though it entails a constellation of potential culprits. You may have back pain stemming from a skiing accident, whereas your neighbor experiences back pain as the consequence of an osteoporotic fracture. Clearly, the two types of back pain are different, yet we call them “back pain” on both accounts, regardless. Back pain has an indeterminate range of possible causes, and therefore multiple solutions and treatment options. There is no one-size-fits-all answer to this malady. That is why diagnosing back pain, particularly persistent or recurrent pain, is so challenging for physicians.
Some people are able to describe the exact moment or series of moments when they incurred the damage to their back—a car accident, a slip and fall, a difficult pregnancy, a heavy-lifting job at work, a sports-related injury, a marathon, and so on. But for many, the moment isn’t so obvious, or what they think is causing them the back pain is far from accurate.
The Two Types of Back Pain
If you are going to experience back pain, you’d prefer to have the acute and temporary kind rather than the chronic and enigmatic kind. The former is typically caused by a musculoskeletal issue that resolves itself in due time. This would be like pulling a muscle in your back during a climb up a steep hill on your bicycle or sustaining an injury when you fall from the stepladder in the garage. You feel pain for a few weeks and then it’s silenced, hence the term self-limiting back pain. It strikes, you give it some time, it heals, and it’s gone.
The second type of back pain, though, is often worse, because it’s not easily attributed to a single event or accident. Often, either sufferers don’t know what precipitated the attack, or they remember some small thing as the cause, such as bending from the waist to lift an object instead of squatting down (i.e., lifting with the legs) or stepping off a curb too abruptly. It can start out of nowhere and nag you endlessly. It can build slowly over time but lack a clear beginning. Your doctor scratches his head, trying to diagnose the source of the problem, and as a result your treatment options aren’t always aligned with the root cause of the problem well enough to solve it forever. It should come as no surprise, then, that those with no definitive diagnosis reflect the most troubling cases for patients and doctors.
What Are the Chances?
Chances are good that you’ll experience back pain at some point in your life. Your lifetime risk is arguably close to 100 percent. And unfortunately, recurrence rates are appreciable. The chance of it recurring within one year of a first episode is estimated to be between 20 and 44 percent; within ten years, 80 percent of sufferers report back pain again. Lifetime recurrence is estimated to be 85 percent. Hence, the goal should be to alleviate symptoms and prevent future episodes.
Excerpted from Ending Back Pain: 5 Powerful Steps to Diagnose, Understand, and Treat Your Ailing Back. Copyright © by Jack Stern, M.D., Ph.D. Published by Avery. All rights reserved.
ABOUT THE AUTHOR:
Jack Stern, M.D., Ph.D., is the author of Ending Back Pain: 5 Powerful Steps to Diagnose, Understand, and Treat Your Ailing Back. He is a board-certified neurosurgeon specializing in spinal surgery, and cofounder of Spine Options, one of America’s first facilities committed to nonsurgical care of back and neck pain. Dr. Stern is on the clinical faculty at Weill Cornell Medical College and has published numerous peer- and non peer– reviewed medical articles. He lives and practices in White Plains, New York. For more information, please visit https://drjackstern.com/
How do you introduce your story?
I always begin my books with a catastrophic event in the prologue that directly affects both the protagonist’s internal conflict and the entire plot. For Example, in my upcoming novel: The Born Weapons, my protagonist is the first “natural-born” of his kind and his birth is an act of Rebellion against “the Maker.” The Maker makes a deal with my protagonist’s mother that if she kills the Rebel Leader, who is her honorary brother, than her baby can live.
What’s your process of creating characters?
I base my characters off a theme such as truth or innocence. There after, I build their backstory, psychology, personality, appearance, and quirks. The themes I choose correspond to the plot work. For example, my protagonist is based on truth and the catalyst to the climax is the event in which he tells humanity the truth about why his kind was created.
How do you introduce the main conflict?
I design the main conflict and my protagonist’s identity to be symbiotic. In my current novel, the main conflict is that the ‘Alma’ (a type of cyborg) are subject to the oppression of their Makers and Humanity. Since my protagonist is an Alma, he and the conflict are introduced simultaneously.
How do you approach writing the first Act, or 25% of the book?
I love to hit the ground running. I believe that characterization and world building are best shown and not told, so I throw my MC into peril from the first chapter and introduce settings, characters, etc… in pace with the plot.
Do you use a certain number of scenes per Act?
Nope! I actually don’t pay attention to anything regarding quantity such as pages, scenes, or acts until I am revising. I only concern myself with following my outline to ensure I cover all my plot points, sub plot points, character development milestones, ect….
What’s the hardest part of developing the setup?
I assume that by ‘setup’ you mean world building and primary conflict. I often struggle to include world building details while drafting because I tend to focus on plot and character development. I’ve learned to let these details go and add them in while revising.
What has helped you develop your writing skills?
I have to say that the process of trial and error has been most helpful. I’ve been writing books since I was eight years old. Also, reading has helped improve my writing voice over the years.
Jesikah Sundin is multi-award winning a sci-fi/fantasy writer mom of three nerdlets and devoted wife to a gamer geek. In addition to her family, she shares her home in Monroe, Washington with a red-footed tortoise and a collection of seatbelt purses. She is addicted to coffee, laughing, and Dr. Martens boots and shoes … Oh! And the forest is her happy place.
Other Interesting tidbits:
Jesikah owns Forest Tales Photography, and boasts a varied background in business administration and marketing, though her heart has always belonged to the arts and sciences. In college, she pursued a degree in geophysics and oceanography. And, as a teenager, she attended a performing arts school for musical theater and opera, performing in several theater productions, while also serving as editor-in-chief of her high school’s newspaper. She is married for over twenty years to her high school sweetheart and raising three awesomely geeky children. When not writing, she’s often found in her garden, hiking, gaming, baking, fangirling over all things Star Wars and Firefly, or attending various conventions in cosplay, notably Comicon and FaerieCon.
Were there any real life inspirations behind your writing?
I’m not sure if you mean “writing” as fellow writers who have inspired me or “writing” as in the stories I write. But, thankfully, the answer for both angles is similar.I read pretty much everything, from westerns to poetry to crime thrillers to the classics to everything in-between. Though, my main book diet is young adult science fiction and fantasy. My brain is author and story alphabet soup at this point. I’ve also lived in two vastly different states, in three vastly different geographical areas, and traveled all over North and parts of South America. These experiences make a great marinade for the imagination. Additionally, I spent my formative years immersed in the liberal arts (dance, opera, theater, competition choir) while studying for a degree in science (geophysics, oceanography, and ethnoscience). The combination? Weird, genre-mash-up stories, that blend the arts and sciences, and explore people, culture, geographies, and their relationship with the environments they find themselves in.
Tell us about the process of turning your book into an audiobook.
Well, it was all rather simple. Sunny did all the hard work and I got to enjoy the fruits of his labor with commentary. Usually I’d see a notice in my inbox that another chapter was ready for review. I’d squeal, plunk myself down in a comfortable spot, pull my book up, read along as I listened to the narration, and take notes of any discrepancies I found, or feedback on how I’d prefer something to be said (emotional notes). That’s pretty much it. A fun process on my end!
Was a possible audiobook recording something you were conscious of while writing?
Ha! No, actually. Never even crossed my mind. LEGACY was originally published in January 2014. It wasn’t until last year that I even considered an audiobook and only because I had so many potential readers comment on social media that they wished my book were in audio format. Anything for my readers 😉
How did you select your narrator?
It was an involved process that included far too many cups of coffee, sacrifices to the Audible gods, and sleepless night wondering if I’d ever find The One. And then I did, which was rather miraculous, as finding The One usually is. I honestly didn’t think I’d contract a voice actor because of the language difficulties narrating LEGACY would present (American and British English, Latin, French, and Japanese) and different point-of-view writing styles (cyberpunk and classical fantasy style). I’m pretty sure I cried oceans of grateful tears when Sunny sent in an audition.
Is there a particular part of this story that you feel is more resonating in the audiobook performance than in the book format?
Oh, the languages and dialects for sure. Sunny Patel’s lovely British accent breathed life into my New Eden Township characters. But I was floored when the written French and Japanese became real. I sort of melt into a puddle whenever I hear him speak Leaf and Oaklee’s lines in French or Fillion’s Japanese dialogue.
Fillion Nichols (born in Dublin, Ireland and raised in Seattle, Washington state) is a hacker in the Anime Tech Movement’s computer underground, even though he is part of the Corporate Elite. At age 17, he is fluent in Japanese, can hack most Smart devices, websites (including government sites), and holographic computer technology. He also writes encryption software algorithms, same as his life-long best friend, Mack. Fillion works the communications night shift at New Eden Enterprises for New Eden Biospherics & Research, the companies responsible for the experiment at New Eden Township.
At age 20, he’ll come into trust majority of a large legal Legacy, an inheritance he resents. But, as he states, it never matters what he wants. Ever. Fillion sees himself no different than a drone, something programmable. Something his father owns to manipulate and use at will. A fate he fears he’ll never escape.
His sister Lynden is 11 months younger than him. The media scrutinizes his every move. When he had attended Academy, he was bullied regularly. For this reason, Mack and Lynden are the only two people Fillion trusts.
He is known for his quick wit and sarcastic humor, analytical/philosophical thinking, rambling thoughts, deep emotions and convictions, guitar playing, and his fondness for whiskey and cigarettes.
WILLOW OAK WATSON
Willow Oak Watson, lovingly referred to as Oaklee by her father or the Daughter of Earth by the community, is nearly 16 years old when the story opens. She was born inside New Eden Township (Salton Sea, California), much the same as others from the second generation. At age 8, she apprenticed with Mistress Katie, the head village spinner and weaver, and became a master spinner and seamstress at age 14.
Her fingers prefer to stay busy, even if to twirl strands of hair when her hands are not otherwise occupied. Quite often, she perches high above her community in the branches of her beloved willow oak tree, humming a merry tune while pondering the world around her. When grieved by offense, she feels the injustice whipping inside of her with gale force winds, earning her the family nickname Hurricane Willow.
Her father, Joel Watson, was the Earth Element, one of four head Nobility positions within New Eden Township. Her mother, Claire Johnston, died from childbed fever when she was 8 years old. Willow has an older brother named Leaf (age 19) and a younger sister named Laurel (age 8).
Willow is best known for her atmospheric personality, poetic tendencies, quick wit, deep and thoughtful emotions, empathy, and her connection to nature.
Leaf Watson, titled the Son of Earth, was the first child born within the walls of New Eden Township. He is the eldest child in the Earth Element house at age 19 and among the oldest members of the second generation. Since a small boy, he has found great pleasure in watching living things grow and flourish. Unlike most from Nobility, he was pushed through a rigorous education, which included additional studies under the tutelage of the village Barrister.
Since age 15, Leaf has acted as First Representative for his father, Joel Watson, who was a head Noble inside New Eden Township. But an unthinkable situation changes everything. An invisible crown of power is bequeathed to Leaf as his father takes his final breaths. This family secret propels Leaf into a position that not only threatens his home but also his way of life. To Leaf, each day seems to unearth new secrets and present new challenges, an overwhelming situation, especially as he is now the legal guardian for his sisters, Willow Oak (age 15) and Laurel (age 8).
Leaf is known for his kind, steadfast, and astute personality, as well as his honorable and gentlemanly demeanor. He is reserved and dutiful, sometimes to the point of self-sacrifice. Although a peace-maker by nature, he would be willing to wage war in order to protect his family.
Author: Jesikah Sundin
Narrator: Sunil Patel
Length: 12 hours 30 minutes
Publisher: Forest Tales Publishing⎮2017
Genre: Science Fiction
Series: The Biodome Chronicles, Book 1
Release date: Dec. 11, 2017
She is from the past, locked inside a world within a world.
He is from the future, haunted by her death.
A sensible young nobleman and his fiery sister live in an experimental medieval village. Sealed inside this biodome since infancy, Leaf and Willow have been groomed by The Code to build a sustainable world, one devoid of Outsider interference. One that believes death will give way to life.
All is ideal until their father bequeaths a family secret with his dying breath, placing an invisible crown of power on Leaf’s head. Now everyone in their quiet town is suspect. Risking banishment, the siblings search for clues, leading them to Fillion Nichols, an Outsider with a shocking connection to their family. Their encounter launches Fillion into battle with his turbulent past as he rushes to decode the many secrets that bind their future together–a necessity if they are all to survive.
Cultures clash in an unforgettable quest for truth, unfolding a story rich in mystery, betrayal, and love.
The best writing advice I ever received was to plot from the point of view of the antagonist and write from the perspective of the protagonist. Simple, right? But it was an a-ha moment for me.
A bit of background. Like most writers, I have a couple of practice manuscripts currently occupying space in the bottom of a drawer. They both garnered decent feedback from agents, but the novels were episodic—most of the second act chapters could have been rearranged without affecting the story. I wasn’t building on prior events. Why? Because I didn’t know what my antagonist was doing behind the scenes.
I think most writers put a great deal of thought into the character development of their heroes, but they tend to give their antagonist short shrift. But think about it—the antagonist is the character that drives the story. It is his or her actions that the protagonist must address.
For most of my adult life, I was a police officer. Part of the job description involved investigating crimes. Most incidents began when someone called 9-1- 1. Upon arrival, I’d try to piece together what happened by observing the scene, obtaining witness statements, and collecting physical evidence. Armed with this information, I’d search databases, develop additional contacts, run down new leads.
I was a first responder—just like my protagonist.
Imagine how easy police work would be if an officer knew before being dispatched to the scene exactly how the criminal had planned the crime, what motivated the person to do such a nefarious deed, and what steps he’d taken to avoid detection.
As a writer, you can do that!
To combat my story-structure issues, I enrolled in a plotting course for mystery and thriller writers. During the course, the instructor assigned two exercises that I’ve since incorporated into the planning stage of every story I write.
The first exercise explains the antagonist’s motivation for doing what he did. I write it in first person and it essentially creates the backstory of the character. The first line of this exercise for Adrift, my debut novel reads:
Ishmael Styx is a man who knows what he wants, and he wants to be dead. All he has to do is figure out how to make it temporary.
I then wrote 1200 words explaining what had happened in his life to bring him to this
The second exercise explains how the antagonist pulled off his crime. Adrift had a complicated crime (more than one, actually, but that developed later in the story).
Drawing on my background, I hatched the plan. Knowing how the crime occurred gave me the insight I needed to identify the clues my protagonist had to notice, what other things could be misinterpreted, and how to follow the breadcrumb trail left by the antagonist. The exercise revealed some surprising options that prompted me to go deeper into my storytelling.
The structure of a mystery novel is such that the antagonist runs the show in the first act. His crime is the inciting incident that ensures the protagonist’s involvement. Roughly the first half of the story involves the hero reacting to the actions of the protagonist. After the midpoint, their roles change. Now your protagonist is hot on the trail, developing those leads, realizing her mistakes. Sure, she’ll have setbacks, but as she gets closer to solving the crime, the two characters are also nearing their final confrontation. Both exercises will help you determine how your cornered antagonist will lash out, try to escape, or outwit your sleuth.
Mapping out the crime allowed me to structure my storyline so that it built on the information learned in previous chapters. Actions had consequences. My writing was no longer episodic.
The first time I’d put this writing advice into action was during the writing of Adrift. The novel won both the Daphne du Maurier Award for Excellence and the Royal Palm Literary Award for mystery. Coincidence? I don’t think so.
I knew how to foil the crime because I had plotted it first.
An FBI National Academy graduate, Micki Browning worked in municipal law enforcement for more than two decades, retiring as a division commander. Now a full time writer, she won the 2015 Daphne du Maurier Award for Excellence and the Royal Palm Literary Award for her debut mystery, ADRIFT.
Micki also writes short stories and non-fiction. Her work has appeared in dive magazines, anthologies, mystery magazines and textbooks. She resides in Southern Florida with her partner in crime and a vast array of scuba equipment she uses for “research”
This is an occasional post I’m doing to give a sneak peek about the books I’ve been reading and listening too recently. It really should be a weekly or bi-weekly post, but I haven’t got my act together quite yet. *Sigh*
Here’s some notable books from this month that has caught my eye. Ready? Here it goes!
King Severn Argentine’s fearsome reputation precedes him: usurper of the throne, killer of rightful heirs, ruthless punisher of traitors. Attempting to depose him, the Duke of Kiskaddon gambles…and loses. Now the duke must atone by handing over his young son, Owen, as the king’s hostage. And should his loyalty falter again, the boy will pay with his life.
Seeking allies and eluding Severn’s spies, Owen learns to survive in the court of Kingfountain. But when new evidence of his father’s betrayal threatens to seal his fate, Owen must win the vengeful king’s favor by proving his worth—through extraordinary means. And only one person can aid his desperate cause: a mysterious woman, dwelling in secrecy, who truly wields power over life, death, and destiny.
I’m thoroughly enjoying this series. The Queen’s Poisoner, book one of the series was utterly mesmerizing. I switched back and forth between reading and listening to the audiobook performed by the talented Kate Rudd. I’ll post the narrator performance on my other site at AudioSpy. Currently reading/listening to the second book, The Thief’s Daughter and it’s just as good!
The Nowhere Man is a legendary figure spoken about only in whispers. It’s said that when he’s reached by the truly desperate and deserving, the Nowhere Man can and will do anything to protect and save them.
But he’s no legend.
Evan Smoak is a man with skills, resources, and a personal mission to help those with nowhere else to turn. He’s also a man with a dangerous past. Chosen as a child, he was raised and trained as part of the off-the-books black box Orphan program, designed to create the perfect deniable intelligence assets—i.e. assassins. He was Orphan X. Evan broke with the program, using everything he learned to disappear.
Now, however, someone is on his tail. Someone with similar skills and training. Someone who knows Orphan X. Someone who is getting closer and closer. And will exploit Evan’s weakness—his work as The Nowhere Man—to find him and eliminate him. Grabbing the reader from the very first page, Orphan X is a masterful thriller, the first in Gregg Hurwitz’s electrifying new series featuring Evan Smoak.
Holy mackerel!! Reading this was literally like watching a movie unfold in my head. My first Gregg Hurwitz book didn’t disappoint one bit. The next book in the series is a short, Buy a Bullet and now I”m currently reading The Nowwhere Man.
Everyone thinks Emmy Dockery is crazy. Obsessed with finding the link between hundreds of unsolved cases, Emmy has taken leave from her job as an FBI researcher. Now all she has are the newspaper clippings that wallpaper her bedroom, and her recurring nightmares of an all-consuming fire.
Not even Emmy’s ex-boyfriend, field agent Harrison “Books” Bookman, will believe her that hundreds of kidnappings, rapes, and murders are all connected. That is, until Emmy finds a piece of evidence he can’t afford to ignore. More murders are reported by the day–and they’re all inexplicable. No motives, no murder weapons, no suspects. Could one person really be responsible for these unthinkable crimes?
Invisible is James Patterson’s scariest, most chilling stand-alone thriller yet.
I found this to be a very creative book for crime fiction. An FBI analyst gets mixed up in a string of mysterious lethal fires which turn out to be the heinous work of a serial killer. Amazing! Really enjoyed the originality in this one. Quite different from the typical serial killer in crime fiction.
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Author page of JR Handley, a veteran who writes military science fiction to excise the demons of his time spent fighting in the Late Unpleasantness in Mesopotamia.
British-Canadian scientist and writer
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EDGAR NOMINATED CRIME WRITER
book blogger & reviewer
Minty Fresh Reads. Murder and mayhem, with a sprig of mint.
A Grand Procession of the Writing Community