7 WAYS TO FULLY HARNESS YOUR CREATIVITY | How To Boost Your Creativity In Life
How did you get interested in history?
My interest must have begun in college, when a professor made history more interesting by telling stories which made past heroes real. Since then, I’ve learned that “truth is stranger than fiction”, and am regularly surprised by the limitless things that can happen in life. I also feel that great people of the past deserve to be remembered, and that we can learn from their lessons and mistakes. History is our connection with our ancestors, a continuation of life from our beginnings to our present to our future.
What fascinates you about the history of Ireland?
Ireland is one of the lesser-known, yet most fascinating places in the world. My interest began when I discovered my Irish ancestry, and with my first trip to Ireland I was so hooked, I felt more at home than in New York. Irish history is culturally rich, and archeologists are discovering sites and artifacts older and more advanced than the pyramids.
What’s your creative approach to writing a novel?
I never know where inspiration will come from. I was planning my first book to be about German immigrants in NYC, but on a bus tour in Dublin, our plans were changed from seeing Dublin Castle to seeing Christchurch Cathedral. That day changed my life. Visiting a place as old as the Vikings, feeling medieval tiles beneath my feet, and exploring the underground crypt gave me my first connection with ancient times. From then on, I decided to write about Ireland. I have been inspired by the most unexpected things, like fishing villages, plants, abandoned islands, and even an insane asylum in Wales (which I frequented as a visitor, I might add).
How has your writing process changed over the years?
I used to write from the seat of my pants, but found that subsequent editing required too many drafts, and plot and character fixing. Now I take my time—months–developing an inspiring idea, drawing an outline and doing research until I feel I really know my story and characters. That way, there are no major snags in the plot. Planning definitely shows in the development of the story, and the reader can tell.
How do you write the historical tone of Ireland into your writing?
Historical wording is something I’ve experimented with in various ways for the past few years. At first, I wanted the language to be as modern as possible, as I was addressing a modern reader, and wanted more than just historical readers to enjoy my books. Then I went more literary, striving for heightened language, but found the readers weren’t as fond of that. Now I’m returning to simpler language (with occasionally sprinkled historical words) with a more engaging plot. As far as historical Irish elements, I generally try to make the characters speak with the grammar and vernacular of the culture, as well as using cultural items and situations of the time.
What’s the historical context of Dingle Ireland, 1579?
Ireland of the sixteenth century was under the rule of Elizabeth I, who was fighting a war with Spain. Therefore, Dingle, a busy port, was subject to British rule, Spanish interference, and smuggling, as well as destruction by local Irish warriors fighting against Elizabeth and among themselves. My book talks about the struggle of Ireland’s “Black Earl”, who fought Elizabeth and his relatives to maintain the estate which had been in his family for centuries, a fight which resulted in Dingle being burned a few times.
What are some fun facts from your research that aren’t in the book.
Studying about Dingle revealed interesting facts about struggles from other time periods as well, such as the potato famine’s effect on the town, which brought the establishment of the notorious workhouses, as well as the battle at Smerwick Harbour, where Irish soldiers were decimated by the English. The most fun part of research is always the travel. Dingle is the most magical place in the world. A road winds along cliff-laden coasts where one can catch unexpected views of ancient ringforts, famine cottages, Celtic runes, and the abandoned Blasket Islands. There are few untouched places in the world, but because of an Irish tradition to respect what remains, old sites are not taken down.
Who is Englishwoman Norma Le Blanc and what is she dealing with?
Norma is a fictional character who believes her religiousness makes her superior to everyone, but a carefree, Spanish smuggler who arrives poses the greatest challenge to her ideas. Norma is lonely without her family, who live in England, and finds companionship in Vicente, despite their differences, until she realizes she’s in love. They both have something to learn from one another, as Vicente struggles with his mother’s wish to maintain faith in a God, when it seems as if God has failed him. Through their relationship, Norma learns humility, while Vicente regains his ability to believe.
What did you enjoy most in writing The Smuggler’s visit?
Finishing it? Ha! I always enjoy writing, and every book is different, but the first draft was most enjoyable with this one. Because my outline was established, I went off to a cabin in upstate NY and typed away to my heart’s content, finishing the first draft in two weeks. The editing process took much longer.
What were the most challenging aspects?
Finding detailed information about Dingle’s history was a challenge. Irish history isn’t as well-published as in other countries, and much of the Dingle info was in books or documents in their local library. Thanks to a local historian, I was able to get what I needed.
Do you have a favorite quote?
I collect them and have so many! But I came across this the other day, by Einstein: “Failure is just success in progress.” I think that’s a good thing for us to remember, every time we challenge ourselves to do better.
How I Embraced Vulnerability to Tell the Story of Becoming Starlight
by Sharon Prentice, PhD
Writing a book. To be quite honest, the thought had never entered my mind; I’d never written anything other than personal prose or patient charts that were never meant to see the light of day. The idea was so remote that it would’ve been, as in the Twilight Zone monologue, like “opening a door into a fifth dimension of thought and sound, as timeless as space, as vast as infinity.” But once the possibility was introduced to me, I had one reaction: exposing the secrets that lay hidden within my Soul sent chills racing through the recesses of my very being. I couldn’t let it go, though — once unearthed…the thought simply would not leave me alone!
Imagine, if you will, standing on a stage, alone, in front of hundreds of people unknown to you, while guffaws and ridicule, barbs of judgement undeserved and previously unknown are all directed your way! A dizzying array of emotion and confusion filling your Spirit with every direct hit…and then, you realize you are, as my dad liked to say–naked as the day you were born! It’s then, possibly for the first time, that you begin to understand the concept of unadulterated vulnerability.
No one enjoys feeling vulnerable. Especially those of us who exist in environments created to keep vulnerability at bay. But there comes a time when life slaps you awake–and you can no longer exist within the protective bubble that served you so well in your private life.
Every writer understands this concept of vulnerability. Opening up to that bone-shaking, fearful reality—that I would be vulnerable–was the beginning of my journey into the world of publishing. Accepting that in order to tell my story, I would have to surrender my oh-so- carefully tucked-away secrets to public scrutiny was my biggest hurdle. But it was one that needed confronting and eventually–conquering.
To tell my story… was exactly what I needed to do! One of my greatest mentors, Dr. Wayne Dwyer, before his death, told me, “Tell your story, Sharon. Tell the story.” The beginning of the writing process for me was the recognition that I was more uncomfortable staying silent than I was letting the words flow free and accepting the vulnerability inherent in exposure. Naked body or naked Soul–same thing!
But how and where to begin? What exactly did I want to say–or have to say–in this effort to release the words that were forming in the underbelly of my soul? Instead of letting anxiety rule the day, I simply sat myself down…grabbed pen and paper…and let the floodgates open.
I didn’t change my physical environment…I embraced it. The old La-Z-y Boy recliner that had been my dad’s “home base” before his death became my sacred space. I felt safe and peaceful. It became my home…my sanctuary. My body just seemed to conform to the indentations that had, for years, become its very nature and I felt as if it “knew” me. I didn’t feel the need to have a totally private, quiet, locked away space that had no recognition of me and the joys and sorrows of my life. It was there, on my dad’s well-loved recliner, that Becoming Starlight was birthed.
But even in that sanctuary, I found myself chasing words. It was irritating as the words seemed to erupt and run like madmen away from my conscious mind. The more I chased after the words as they fled the scene, the more irritated I became. Was this the well-known “writer’s block” rearing its ugly head? Or was it simply me trying to force something that simply couldn’t be forced? The operative word here became–relax! I needed to relax and just let it flow. Not trying to force each and every thought into some perfect form of writing saved the day! I stopped worrying about tense and punctuation and dangling participles! I simply put pen to paper and wrote the story.
It was then that the sacred words fell into place. It was then that the words found their place and told their story. My process needed acceptance of the vulnerability of the story that needed to be told. I let the invisible dancer lead the way and make the pen I held in my hand dance.
Becoming an author can be a life-altering decision! Finding your own safe space, your own sense of security, allowing the unfolding of the magic within…effortlessly…is the first step to creating and releasing the music in your Soul. Drawing out that music for healing and comfort…uncovering the shadows that haunt the human condition–that’s what it’s all about and what I hoped my readers would find.
About the Author:
Dr. Sharon Prentice is the author of Becoming Starlight: A Shared Death Journey from Darkness to Light. Soon after completing her graduate studies in psychology, Dr. Prentice longed to discover “the why’s” about her own intimate experience with death in the form of an SDE, and that of others who had experienced something “weird, unbelievable, odd” at the time of the death of a loved one. Dr. Prentice is in private practice as a Licensed Clinical Pastoral Counselor – Advanced Certification. She is also a Board Certified Spiritual Counselor (SC-C) and holds Board Certification in Cognitive Behavioral Therapy, Group Therapy, Integrated Marriage and Family Therapy, and Crisis and Abuse Therapy. She is also a Board Certified Temperament Counselor. Dr. Prentice is a Professional Member of the American Counselors Association, a Professional Clinical member of the National Christian Counselors Association, a Clinical member of the American Mental Health Counselors Association, and a Presidential member of the American Association of Christian Counselors. She is also a Commissioned Minister of Pastoral Care. For more information, please visit https://sharonprentice.com and follow the author on Facebook and Twitter.
A DANCE WITH THE DAWN
The soul of the oppressed can rest against the dawning
of the new day. For as sure is the rising of the sun amidst
the celestial crowds, the pains of the former day dissipate
into distant shadow.
Hope is set upon the steady train of her golden rays,
as they dress and display those famished of her
A golden touch penetrates deep beyond the former
ephemeral skins of superficiality. Her touch is warmth;
dazzling the coldest of heart, adamant glacial minds,
and illest of will.
Dance in the buoyant embrace of her comforting wings
and pleasure in the majestic breadth of her expanse, as she lends
transcendent song against belligerent earthly pangs.
A kingdom under assault.
A conspiracy born of anarchy.
A hero standing against tyranny.
Falsely convicted of a shocking crime, Robin Fitzooth, the Earl of Huntingdon, finds refuge in Sherwood Forest and becomes Robin Hood.
Leading a band of men against the injustices of a malevolent sheriff and his henchmen, Robin begins to unravel a web of treachery threatening the English royal family.
As shadowy forces gather to destroy the future of a nation, Robin faces deceit, betrayal, and the ravages of war as he defends his king, his country, his people, and the woman he loves from a conspiracy so diabolical, so unexpected, that the course of history hangs in the balance.
From the mists of an ancient woodland, to lavish royal courts teeming with intrigue, to the exotic shores of the Holy Land – Robin Hood leads the fight in a battle between good and evil, justice and tyranny, the future and the past.
Part one of an exciting three-part retelling of the Robin Hood legend!
Although the books in the trilogy are not stand-alone, they do not end in cliffhangers.
Authors Olivia Longueville and J.C. Plummer combine to produce a stunning work of art in Robin Hood’s Dawn, Book one in the Robin Hood Trilogy. The first sense I had in reading this book was like being in the setting with the characters. I truly believe that those who can write quality historical fiction are some of the best writers out there.
My second realization was the originality and richness of historical detail. This really puts you on the ground alongside the characters.
Third, the scenes in the book are quite stunning and captivating in their depiction and prose. My favorite scene is where Lady Marion and Robin are reunited at a certain point professing their love to one another. I don’t want to give away too many details here if you haven’t read it yet. But, it was literally dripping with rich prose that flowed back and forth between them. I can tell the authors really enjoyed writing that one.
Looking forward to the next book!
Robin Hood has been featured in many books, movies, and television shows. How is your story different?
We have taken a fresh approach to the Robin Hood story, and we’re excited to share our vision with fans of the legendary hero.
We have creatively reimagined the origins of the Robin Hood legend, which includes exploring the complexity of his family dynamics – an aloof, proud father loyal to King Henry II, and a kind-hearted, generous mother devoted to ministering to the poor with her gift for healing. One theme is that the consequences of immoral actions and secret sins can reverberate across generations, and this is part of the legacy that Robin receives from his father.
We wanted to cast him as a hero fighting against the tyranny of a lawless government official instead of a bandit redistributing wealth. When Robin is falsely accused of a shocking crime by the new Sheriff of Nottingham, he could have simply retreated to a safe place beyond the reach of the sheriff. However, he feels a responsibility to the people – he believes in the intrinsic value of every human being – so he takes a stand to defend the people from the actions of the sheriff. And this points to another theme: one person can make a difference by taking a stand for what is right.
Robin also feels great admiration for the newly crowned King Richard the Lionhearted. His loyalty to the king will create a number of conflicts and unexpected consequences in the story.
Lastly, we wanted to set our Robin Hood story in a fascinating time period: the 12th century. In our humble opinion, the 12th century has much to offer fans of sweeping tales of political, social, and spiritual upheaval.
We have carefully constructed our story within the framework of real history. We hope that this realism and devotion to actual history will add to the enjoyment of the story and encourage people to learn more about this time.
You’ve emphasized how your Robin Hood story has been reimagined. Will fans of the traditional ballads still recognize this as a Robin Hood story?
There is a lot of variety in the many books and screen adaptations of the Robin Hood legend. We wanted to create a story that was respectful towards fans of the original ballads and legends without necessarily adhering to the same storylines that have been previously written. It is our hope that all Robin Hood fans will enjoy this fresh retelling of the story.
For example, we feel that Marian is a character who deserves more attention. All too often she is a background character with little to do. With this in mind, we have focused on creating a Lady Marian who will figure more prominently in the story, especially in book 2.
Our Marian is more than a love interest for Robin. Over the course of Robin Hood’s Dawn, Marian transforms from a sheltered, somewhat pampered, girl into a brave woman who continuously strives to overcome both her fears and the obstacles that she faces. We also wanted her to be feminine and remain believable as a woman of the 12th century. Of course, keep in mind that the most prominent woman of the 12th century was the indomitable Eleanor of Aquitaine, an inspiration to any woman living in a male-dominated society.
Fans of the Robin Hood legend will find many familiar characters: Maid Marian, Little John, Allan-a- dale, Will Scarlet, Much the Miller’s son, Guy of Gisborne, and the Sheriff of Nottingham.
Readers will also meet real historical figures such as King Stephen, King Henry II, Richard the Lionhearted, King Philippe II of France, Prince John “Lackland”, and many others, including Ranulphus Besace. Who was he? Well, he was a real person who was King Richard’s personal physician!
This book is advertised as the first in a trilogy. Will the first two books end in cliff- hangers? Will any of the books be stand-alone?
Although the final mysteries and conflicts will not be resolved until book 3, we have structured the trilogy so that books 1 and 2 do not end in cliffhangers.
The readers will not be left wondering whether the main characters will live or die, and we have endeavored to create a sense of completion in each of the first two books. Some story threads will be resolved, and some of the mysteries surrounding the main characters will be revealed in each of the first two books.
We think readers will be excited and eager for the next installment without suffering undue frustration at the endings of books 1 and 2.
The books will not be stand-alone.
How did each of you become interested in writing this story and working together as co-authors?
I love to tell stories with multi-dimensional characters. I speak several languages, and I found that I enjoyed not only writing stories but also writing them in different languages. My favorite legendary hero is Robin Hood, and my favorite historical figure is Anne Boleyn.
My first novel is an English-language re-imagining of the story of Anne Boleyn.
In 2015, I met Coleen (J.C.) on the Internet and we decided to co author a Robin Hood Trilogy.
It is amazing that Coleen and I have managed to successfully work together on our project despite the fact that we have never met each other in real life. We talk on the phone and frequently exchange skype messages as well as emails. We have been working together long- distance despite living in very different time zones.
I began writing about three years ago. I had previously done editing work for other authors, but I had never thought about writing my own stories until one day when I was suddenly inspired to start writing, and I’ve been writing nearly non-stop ever since.
I wanted to write a book that would honor the legend of Robin Hood as a man who stood against the tyranny of a powerful government official; a man who fought for justice and fairness because he recognized the intrinsic value rooted in the humanity of all people.
So, you’ve never actually met, you come from different countries, different cultures, and speak different languages. How can you co-author a book? Is it because you have similar writing styles?
Fortunately, Olivia is fluent in English, because that’s the only language I know!
We have found that we have a lot in common – especially our love of writing and of history. We have to work hard to merge our writing styles, but we have successfully done this.
That’s very true. Oliva and I have very different “voices” and writing styles. You might even say they are nearly opposite styles.
I tend to write in a straightforward, expository style, with a minimum of descriptive elements and metaphorical flourishes. I am good at explaining things, organizing ideas, and creating natural sounding dialogue.
My writing is characterized by lush romanticism and passionate lyricism. I love to create metaphors and descriptions which excite the imagination of the reader in a vivid and dramatic way.
In some respects, Olivia’s words are the emotional heart of the story, and my words represent the rational intellect. Of course, it’s not quite that cut-and- dried, but it is one way to describe how two people with such different styles have come together to create Robin Hood’s Dawn.
This post is dedicated to all the book lovers out there. You may or may not be a book hoarder because there’s a big difference between the two. I currently have 1,725 books on my “to be read” list and it’s still increasing at an alarming rate. Yikes!
If this is you don’t despair! We need a change in our mindset, our strategy. For this I’d like to present to you a challenge. The #BookHoarders challenge. I have some ideas so tell me what you think.
Mary Angela is the author of the Professor Prather academic mystery series, which has been called “enjoyable” and “clever” by Publishers Weekly. She is also an educator and has taught English and humanities at South Dakota’s public and private universities for over ten years. When Mary isn’t writing or teaching, she enjoys reading, traveling, and spending time with her family. For more information about Mary or the series, go to MaryAngelaBooks.com.
Start with an unlucky number. Throw in a romantic location. Include a dashing Frenchman and an uncompromising professor. And you have all the ingredients for a passport to murder.
This semester, it seems that Professor Prather’s dreams are about to come true. Ever since she was a young girl, she’s imagined going to France, and her French colleague, André Duman, has finally made that trip possible. Over spring break, she and André are to lead a group of students and faculty to Paris to explore the City of Light. But before she can utter her first bonjour, a professor dies, and they are stuck in Minneapolis. She returns to Copper Bluff with an unstamped passport and a mystery to solve.
When André becomes the prime suspect, Emmeline puts her research skills to good use, determined to find out who really killed the professor and spoiled their spring break plans. With thirteen travelers assembled, the possibilities are varied and villainous. Luckily, her dear friend and sidekick, Lenny Jenkins, is close by. Together, they will sort through the conflicting clues even if it costs them time, trouble, or tenure.
I knew I wanted to set my series in a small college town in South Dakota, so I imagined a young professor relocating to the area. The landscape had to be a draw for my protagonist because the pay is definitely not. I like that she’s an outsider looking in. It heightens her awareness of the region.
I like that an amateur sleuth is not paid to solve crimes. It’s not her job, so she doesn’t have any police experience to help her. The amateur sleuth allows me, as a reader and a writer, to become intimately involved. I like to imagine what I would do in the same circumstances.
She is an excellent researcher, which helps her dig up information. She also has a degree in French literature, so she’s great at analyzing stories. Combined, these characteristics make her a tough sleuth to beat!
Em is so much fun, and I do think of her as Em as I’m writing. I enjoy writing her because she can be incredibly passionate when it comes to education, students, and crimes. Sometimes I get a chuckle out of her antics.
There is a strong dynamic between Em and Lenny; they balance each other nicely. Em can take herself too seriously, and Lenny—doesn’t. They both challenge each other to see the world from another viewpoint, which is incredibly advantageous for crime fighting.
Moving a group of thirteen characters was hard. I had to talk to the airport police in Minnesota and South Dakota. I also had to read about police procedures and what can and can’t be done when police investigate a suspicious death.
I learned that the FBI has jurisdiction involving any crime committed in the air. I thought that was pretty interesting! I also learned that a plane can’t land on a full tank of gas.
Yes, it is challenging, but that’s exactly what I like about the mystery genre. It works both sides of my brain. I spend lots of time making my characters and settings interesting, but I also spend an ample amount of time creating a clever and believable plot. All loose ends have to be tied up by the end of the novel. It takes great attention to detail.
No, I don’t, but I do create a timeline and plot some events before writing them.
That’s a tough one! I think I would. I might try to reveal the murderer in a less obvious way, but if I thought I could solve the crime, I would have to try, especially if it benefited my campus or friend.
Yes, I have been to France and loved my time there. I would like to go back and spend the summer in a little French village. That’s my hobby: looking at vacation rentals in wine country. Maybe some day!
I’m writing book three in the series, A Very Merry Murder. It’s a holiday mystery, so I’ve been spending most of my days dreaming about baking sugar cookies and eating fudge. Not a good omen for the impending holidays!
Hello all, today we have with us Sharon Scottish crime fiction blogger discussing the Huntress/FBI series by Alexandra Sokoloff. I saw Sharon’s recent review of Cold Moon book #3 of the series and couldn’t resist asking questions! Check out her excellent review here: #BookReview #ColdMoon @AlexSokoloff
ALEXANDRA SOKOLOFF is the Thriller Award-winning and Bram Stoker, Anthony, and Black Quill Award-nominated author of the Amazon bestselling Huntress/FBI series (HUNTRESS MOON, BLOOD MOON, COLD MOON, BITTER MOON, HUNGER MOON – now in active development as a TV series), and the supernatural HAUNTED thrillers (THE HARROWING, THE PRICE, THE UNSEEN, BOOK OF SHADOWS, THE SHIFTERS, THE SPACE BETWEEN). The New York Times Book Review called her a “daughter of Mary Shelley,” and her books “Some of the most original and freshly unnerving work in the genre.”
What was your first impression when you began to read this series?
I always think that starting a new series is like walking into a party where you don’t know anybody. You kind of hover around the edges, observe your surroundings and watch the interactions between the other guests, working out who you might get on with and who is best to avoid. So when I started this series I spent some time trying to get to know who was who but very quickly the characters and the plot engaged me and #Boom I was hooked.
What do you appreciate about the protagonist?
I guess there are two protagonists in this series, Special Agent Roarke and Cara Lindstrom and both bring something very different to the novels. They are both on the side of justice and the dilemma is for Roarke in fulfilling his professional quest for justice versus his understanding of Cara’s quest. Both characters were utterly compelling for me.
Name a few unique things you’ve noticed. What sticks out that you haven’t seen in other books?
This was the first time I’ve ever read a novel where both the law enforcer and the hunted evoke such very strong and similar emotions in me. It is also the first novel I’ve read featuring a female serial killer and most of all for me is the voice that the author brings to the victims of trafficking, prostitution and modern-day slavery that stands out. There is a message behind the novel, a drive and a passion to challenge what is a current issue, it’s a representation and dialogue that stands up and sticks up its middle finger to the idea that we should just sweep this under the carpet. It is a very current issue and this series gives a fictional justice, if you like, to those who have been wronged.
Do you have any favourite scenes?
Too many to mention and don’t want to give away any spoilers! However, I LOVE all the scenes where Cara is getting her revenge on those lowlife bad guys!
Which book is your favourite of the series?
To date, I’ve only read the first three (will be devouring the last two later this month!) and I’d say Blood Moon was my favourite (actually all three are my favourite and you are bad making me pick just one!)
Which characters did you like most?
Easy, no contest, Matthew Roarke and Cara Lindstrom
If you could ask special agent Matthew Roarke a question what would you ask?
If you are forced to choose, will you retain your role in law enforcement or would you give it all up for Cara?
If you could ask Cara Lindstrom a question what would you say?
Are your actions destiny or fate and what would bring peace to your soul?
If you could ask the author a question what would you say?
Did you set out to give such a powerful message against trafficking and prostitution or did this just evolve as you wrote?
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